We did a song in June last year - the bass pushes the tune - while it’s not an overly technical part, it’s one of those parts which if you lose the thread; you’re goosed...the rest of the band sat and watched me in the control room.
Obviously in the spirit of “banter” etc, they filmed me and were gooning off to wind me up...nailed it in two takes. And not for mistakes - just so he had two takes.
The guitarist (who’s now left) took 30 or so takes on a guitar part for the same song.
I listen back now and feel my part is a bit robotic and “going through the motions”.
in response to the OP - I was a huge Novoselic fan, I liked his gritty, rubbery bass sound.
Lounge Act from Nevermind is still one of my favourite basslines.
The isolated bass track makes very little or no sense without the other parts - the drum track and bassline sync together wonderfully - the Dave Grohl/Nevermind version much more than the “Bleach” sessions version.