AndyTravis

They were great - missed a few of my favourites off the set list, but Samuel T Herring is one hell of a performer.

I’ve been working on it - can manage it much more since that video. I don’t even slap that much in the band 😂

This was for sale at guitar guitar a while ago 🤦🏻

BFR Neptune Blue?

Yeah - like a Matt/stealth so can look very grey or black as night. Still need to tweak the nut - Can’t find the nut files. In all honesty, it’s a winner with this neck - but the setting I really like on it is something the Bongo does and I have a sentimental link to that bass…in all likelihood this will go up for sale.

@drTStingray love that sabre

Must say my Ella impressed me this weekend. Spent a few hours a day playing…then showed me that she’s playing something from the Hamilton soundtrack which she’s figuring out by ear and an app she’s found. 😊

@petecarltoni put a wanted ad up on some Facebook pages. Every comment was “why” Or “toilet seat bass” etc. idiotic.

Just played mine for 30 mins - lovely thing - still want to do some tweaks. must admit - that neck humbucker and 24 frets…right in the way 🙄 I have to work around it

There’s a used blue one kicking about locally. been on the edge of temptation a few times

I actually realised I need to play more rather than talking about it all and buying everything. I think the band having a few weeks off has meant I’m not playing as much too. Hopefully that changes next week

@Misdee did you play your bongo

https://blog.music-man.com/featured-category/the-history-of-the-bongo-bass-a-collaboration-with-bmws-designworks/

Read the original post properly now. Farida FJB-6 is ace - you won’t find a skinnier neck. But they can be heavy (9-10lbs) for a younger player. CV Mustang?

I Started at 13 (not that you’d tell) - i started on a Yamaha BB300 - big thing. Anyhow. Depends on Daughters stature.

Yamaha rbx 260 seems to work for mine (also 12)

Something just popped up on one of my Facebook feeds… ” UNLIMITED LOVE ALBUM REVIEW! A friend (who has asked to remain anonymous) is writing a review of Unlimited Love for a well-known publication. Here are his early thoughts on some tracks on the album. Some of these are responses to my questions, some are his first impressions. I'm curious to see if I can recognize these descriptions in a few weeks' time when I hear the album myself! (I suppose these count as spoilers, and of course - take them with a grain of salt.) General impressions John's background vocals: "I don't know about him doing 3 part harmonies or whatever, but you definitely know John's there." Anthony's voice: "Almost identical to The Getaway. Makes the weird voice on Black Summer all the more noticeable: that's as weird as he gets." "So far more bassline based songs than John songs, which surprises me." "A good amount of piano and organ on the album." "I feel like literally every song came from a jam. Doesn't seem like many chord progression based songs." "You're gonna feel like 'This feels like the album between BTW and SA' or 'This feels like the scrapped album before BTW.'" "I feel like Anthony took a back seat on this album. And it was just like, Flea and John hugging each other and high fiving every song." She's A Lover is a definite standout. "Super catchy and the bassline is dope." The album feels like SA and BTW B-sides. "It feels like they picked up where they left off." And some specific songs... "She's a Lover"A "Almost disco." "These are the Ways" "Like Love Trilogy but instead of 3 weird funk reggae things, it's New Wave / Punk / Hardcore. Like RHCP doing Green Day at times. Comparable to Mini-Epic / Kill For Your Country in a way." "Whatchu Thinkin'" "The weirdest bassline, in a good way... Like Flea was doing a John Cage player piano piece... Like he's imitating the Tetris soundtrack. Weird and different and in my opinion good." "Bastards of Light" "More punk moments." "White Braids & Pillow Chair" Reprise featuring the words "California..." "One Way Traffic" "Like an SA track. Halfway between Storm in a Teacup and Save the Population. The breakdown in this... to their credit, they are trying new things." Features a bass solo from Flea. "Let 'em Cry" "Another disco-y song." "The Heavy Wing" "It sounds like a drum machine. Hip hop intro, ballad verse with a Jane's Addiction beat, and then John punk chorus. This is insane. These pieces fit... melodically but not stylistically. Back to the hip hop intro as a bridge, then a guitar solo over a new progression. I'm not complaining but this song structurally is perhaps a tad not RHCP-ish. "Tangelo" "A Beatles tune in disguise. Like John writing a John Lennon song with AK. Just acoustic guitar, no drums. Ends with 30 seconds of background noise. A ballad not similar to many other RHCP songs." (NB: it seems like the NME was right about those two songs sounding unlike anything the band had done before!) Source: https://buttondown.email/rhcpsessions/archive/me-and-my-friends-41-early-impressions/?fbclid=IwAR2V2G54EGvrqq8KtDVNE46C4yukLsQqNG8kPTjk5Az7FRePBc-7OSmdq9o” Hopefully the album has some good stuff to offer…

They’re remarkably similar. Its a selector between all combinations of pickups. Loved my RBv