BassTool

So, after lots of TrueOil drying time, Gary was finally happy with the neck refurb, and I got sent these pics: To say I was a little excited when I saw those frets against that fretboard was an understatement - exactly what I was hoping for 👌🏼

Yes Tony, you were spot on 👌🏼😉

At our initial meeting, Gary got his notebook out and asked various questions about string spacing, set up preferences, string guage etc, he was really thorough. The carbon fibre necks on these basses are so rigid there is no truss rod to tweak, so getting the nut and bridge correctly set are paramount. At this point I'll say that the neck on this bass is utterly sublime IMO, the minute I picked it up I was smitten by the shape and feel - it's like nothing else I own, or indeed any other bass I have ever played. @ped had told me about his love affair with his Vigier basses and I totally get it. Access to the top frets is incredible - not that I visit up there that often 😆 Like the sound it makes, it's pretty unique 😎

He went on to explain that two saws are used, one to make the initial cut and then one to set the depth and width. Once the slots were all cut, he set about with the fingerboard refurb with various coats of True Oil - as done many times on here. He sent this pic before a weekend of drying.

He suggested a True Oil finish to the board, and knowing how good the stuff is after using it on my BlazerRay build, I was happy to go ahead. Next stage was the fret cuts. He wasn't sure what the white lines were made of, but said they were possibly some kind of extremely hard filler 😳 He kept me posted with pics, and explained his fret slot cutting method: 'Started cutting the fret slots out. Here’s a few pics. Basically the radius block acts as a perfect saw fence to enable a near perfect cut that’s 90 deg to the neck. The magnets keep the saw 90 deg to the fretboard as well as aligning the saw to the slot.'

The fretboard wear was pretty extensive, and luthier Gary decided to do a test sanding and fretboard oil.

I replaced the chrome bridge with the black one, and ordered direct from Warwick a set of their bell brass frets. I've used a Warwick Thumb NT for years, and the frets are superb after so many years. I set about making a brass nut to match with the new frets as well as the Vigier headstock logo. The frets and nut then went off to Sylva guitars...

More a renovation thread than a build, but here goes... I bought this bucket list fretless Vigier shortly after Christmas from @TheMoose who had it under his bed for 30 years! Always wanted one, but they rarely come up for sale. I have a lovely Cliff Bordwell fretless that I use live, so my plan was that this Vigier was to get a fret installation. The bass was in excellent condition except the worn fingerboard, and was thought to be late 80's, the serial number on the bottom was 016, and threw up inconclusive results on the Vigier database. I decided to contact the Vigier guys - Patrice Vigier has now retired - but the company still runs a website. They were very helpful, as well as interested - and asked me to send them pics of the bass - and they told me that to find the exact date the bass was completed, I needed to lift out the pickups to find a date stamp. And there it was... 016 - 20th March 1985 So, an earlier bass than first thought. With help and advice from @ped as well as @itu and @Andyjr1515 I found out the fingerboard is known as phenowood - a combined wood and resin mix - and with the fret lines already in place, was ideal for fretting by a competent luthier - deffo not in my skillset! I found a local guy called Gary who runs Sylva Guitars near Heaton in Newcastle: https://www.sylvaguitars.co.uk/ He actually makes custom guitars as well as doing repairs etc. A phone call and a visit to his workshop convinced me this was the guy to transform the bass. He planned on refurbishing the worn fingerboard before fretting. It was booked in for 4th February, so in the meantime I had a few things I wanted to change. To give a uniform look from top to tail the chrome bridge and tuners needed replacing. Vigier still have in stock the original Schaller 3D bridge in black, so I ordered one. The M4 Schaller tuners however were not in their stock, but as luck would have it, a new (old stock) boxed set in a dark chrome turned up on eBay - result!

That is indeed a mint line up 😮👍🏼 We saw ELO at Newcastle Arena a few years back, absolutely stunning show, the sound was very, very good, but we were central on the floor around 30 rows back. You're in for a great night Trevor! 👌🏼

Really sorry to hear that, very bad news, and in particular with personal instruments involved 😩🤕😔 Hope this has a happy ending 🤞🏼

I assumed summat may be up healthwise when some of his basses came up for sale a while back, notably his Wal..either that or he was skint. Loved his playing and sound on the early Jam stuff tho, never realised he'd played longer with SLF 😳

Fantastic work, that is a lovely build 👌🏼

Met up with Tom at Doncaster to trade basses. Thoroughly nice bloke to deal with, excellent communication from initial enquiry to sealing the deal, he even bought me a pint! Deal with confidence, this guy is one excellent BassChatter 👍🏼

Met up with Tom at Doncaster to trade basses. Thoroughly nice bloke to deal with, excellent communication from initial enquiry to sealing the deal, he even bought me a pint! Deal with confidence, this guy is one excellent BassChatter 👍🏼

Brilliant players, tight as. WOW! 👌🏼

There's me thinking I was the only one to mess up regularly - pleased to hear I'm not alone 🤭 My clangers are a standing joke amongst my band mates, and it's not often I can get through a gig without hitting a bummer or three 😖 OP asks how do we cope? In my case, without a care in the world 😉 Playing covers for almost 50 years, I've been getting away with mediocre for long enough to get used to it 🤣

Neat idea Andre 👍🏼👍🏼