3below

Shoreline gold does it for me makes my recent ash 'oil' finished look cheap (but I still like it's beaten look).

At a school I worked in (and therein lies many a story) I played a battered HB telecaster through a HB transistor combo. Awesome, 95%+ of my USA telecaster and Fender valve combo. Staggering value and sound. Guitarist in previous band incarnation bought a HB tele custom, also really good (in fairness, anything sounded good when he played it).

Bought some Ergon Grips (bike parts, not bass parts lol) from Alan. Excellent transaction, super communication. Deal with confidence.

It would be useful to see where the nut / end of fret board is in relation to the crack on the back of the neck. I suspect the cracks are previous truss rod damage. I am sure it will all resolve well in the long run, think about Gibson headstocks that have parted company with the neck and are subsequently repaired .

Keep going, it is all 'fixable', I would do exactly what you have done, then when glue sets I would superglue (or thin woodglue or epoxy) either a strip of thin veneer or carbon fibre into the channel. Thinness and length dependent on getting truss rod in - not all of the channel will need strengthening.

We also need to remember in the earlier thread, the concern about getting the bearing point of the rod at the adjuster end away from the thin neck section at the headstock end (i.e. possibly bringing the adjuster further into the headstock than normal), this image gives the idea.

I have no problem using my Sound City MKIV for bass. They can be really good (near Hiwatt build quality and quiet), they can also be 'dogs' (rats nest wiring, dry solder joints and noisy). If you get a 'dog' they make the basis of a good Hiwatt clone.

In the interests of preventing 'neck dive' place the bridge as far back as possible, extend neck pocket to where the front guitar pickup is located. Having planned (lol) and played around with a very similar idea you can use a guitar fingerboard in this configuration. The veneer or hardwood both look good, I am thinking mahogany body and neck for mine - the licence plate cigar box 3 string I recently built finished really well with Tru-oil. Maple, rosewood, ebony or what for the fretboard? Mine is not yet started, am awaiting arrival of some more wood.

As I understand it Titebond can also be 'unglued' (heat, water/steam,alcohol but to name few). Useful when 'blunders' need sorting (as I will soon do with a neck / fretboard I made). IMO Avoid polyurethane glue in instrument builds, it makes repairs difficult if not impossible.

Question: In view of the possible cracks (or finish cracks), would it be worthwhile running thin superglue (or one of the flexible superglues) in the bottom of the truss rod channel before other re-assembly starts. Hopefully it would penetrate any serious cracks and stabilise them. What are people's thoughts?

@stewblack We are with you on this mission. You are, with great skill, undertaking a very challenging operation. Keep the good work going. 🎸

@Jabba_the_gut method using small panel pins (I have forgotten what the really thin ones are called). Tack a pin (not too deep) either side of the truss rod at the neck end and then the heel end (i.e. 4 pins in total). On a normal thickness board locate the pins between frets and away from inlays, Not so critical with the Shaftesbury thick board. Cut the pins down to about 2mm height with sidecutters so they leave sharp ends. From there on combine the @Jabba_the_gut and @Reggaebass methods and enjoy. The tacks will have to remain in place since they are now glued in and hidden. Thoughts gentlemen?

Try clamping a wet fish sliding about on wet marble chopping board. Now think about getting the wet glued board aligned on the neck edges to within 'a gnat's chuff' .whilst clamping firmly. I may be overthinking this one however.... I await the advice of TEOTB.

I eagerly await the next installments of this adventure. The prolonged 'joy' of expanding the truss rod channel if it is done by hand I particularly look forward to gaining an insight from the Elders of the Build (EOTB) into getting the fretboard back on with perfect alignment (it is currently well above my pay grade, never attempted it). I have a previous build that I would like to get the board off and back on, after applying some correctional therapy (to correct a detail blunder I made). Vorsprung durch herstellung / progresser en faisant.

This is exactly what I would do as well. In my table of results I had missed the earlier post with the at the paint line measurement.

+1 Having just contemplated a truss rod I can see how I would (might?) do it by hand using a plough plane, jig and considerable skill (above my pay grade and needs more practice than I do on the bass). I would also be highly concerned about 'breaking out' the skunk stripe / crack and making matters worse. Now got thinking hat on some more. Hand tool method, slow but do-able (I think). Remember you only have to remove 1 mm width most of the way. Flat file, handle removed, non-toothed side down, slide along the channel. Eventually the rod will fit in the middle section. Adjuster end could be opened out with regular or round file. Heel end of neck, open out the slot using a chisel if needed. The heel end rather depends on the actual rod, the one I am physically looking at has a blob of weld proud of the 6mm, when I use it I will have to chisel out an inset to accommodate. In view of the thinness / state of the skunk stripe I would probably round the ends of my file over using a stone / diamond plate so that they do not catch the wood. Another tactic could be 3/4mm wood block, glue 80 grit (or less) sandpaper on, slide in the channel. Going back to a single action rod, I wonder if there will be (was) sufficient curvature available. @Andyjr1515 touched upon this earlier and should be able to advise.

There may be a non-router way out of this. Am going out for some time - to look at a truss rod I have in my possession. Lockdown, brings out the simple pleasures in life 😎

I thought I had done the same sum as you above, i.e. at start of fretboard (my 0 cm) the neck is 14.5 mm deep, channel is 9.5 mm deep giving 5 mm wood thickness under the channel. My second row, neck thickness drops to 14 mm, channel depth 9.5 mm giving 4.5mm wood thickness. Is this correct?

@stewblack, thanks for the measurements, summarising as far as fret 5 (22cm approx) if I have understood correctly: position /cm neck depth/mm channel depth/mm wood thickness/mm 0 14.5 9.5 5.0 1 14.0 9.5 4.5 2 13.5 9.5 4.0 3 13.0 9.5 3.5 4 12.5 9.5 3.0 5 12.5 9.5 3.0 6 12.5 9.5 3.0 7 12.5 9.5 3.0 8 12.5 9.5 3.0 9 12.5 9.5 3.0 10 12.5 10.0 2.5 11 12.5 10.0 2.5 12 12.5 10.0 2.5 13 12.5 10.0 2.5 14 12.5 10.0 2.5 15 12.5 10.0 2.5 16 12.5 10.0 2.5 17 12.5 10.0 2.5 18 12.5 10.0 2.5 19 12.5 10.0 2.5 20 12.5 10.0 2.5 21 12.5 10.0 2.5 22 12.5 10.0 2.5 My take would be that you have sufficient depth for a two way rod (9.5mm). You will need to bring the adjuster nut as far towards the headstock as far possible - allowing for allen key insertion and truss rod cover clearance. I would aim to get the 'bearing' end of the two way rod into the 4 ~ 4.5mm zone. Look for a rod with a 'short' adjuster length. The bearing point is the threaded block in the diagram. What do my esteemed colleagues think now that we have the neck profile established? @stewblack you have kept your beard in much better trim than mine, I am going for the ZZ top version

Keep going with the measurements, need the neck thickness in the same way so we can get to the wood thickness under the channel. if we get lucky a two way rod inserted at a strategic position with wood strengthening may still work. The simpler the solution the better (as long as the solution is valid).

Eminently possible but again not for the 'faint-hearted' I can see this considerably simplifying the jigs needed to do the routing. The existing truss rod channel would act as a bearing guide for any routing. OTOH the refinishing would increase significantly.

Totally agree, I would be making alignment jigs etc. to attempt this one. Getting the board on correctly afterwards would also challenge me. It would be my solution of last resort. Far easier if we can get a rod in the existing location.

Point 2 above is a key part of the solution. Some measurements every cm along the the neck and channel for the first 7 frets or so would really help establish the profile and what room is available. I am pondering the forces situation, my Physics degree is very rusty these days lol.

Another possibility entered my consciousness last night. Infill the truss rod channel with suitable wood glued into it to give a level bed depth of say 6.5 mm. This should stabilise the crack (if it is one) and give sufficient wood depth behind a dual action rod. With the fingerboard being so deep it should be possible to router (or chisel or router plane / plough plane) a 3 mm groove in the board so that the flat surface of the rod sits in the board. Stop the groove at a suitable length so that the the rod emerges from a flat (non grooved) end of the board at the nut end. By doing this the truss rod cover will sit against the fingerboard as before and no sign of the channel in the board will be visible. The 6.5 mm / 3 mm dimensions are obviously subject to the actual truss rod, board and neck depths available. I am sure there are flaws in this plan that will be picked up by others