The year is 2001. 11-year-old me is at the local music shop to buy my very first fretless bass. There are two available. One is a Yamaha RBX270F, basically the fretless version of the RBX170 I started out on, 2 years earlier. The other one is an amber coloured Yamaha TRB 5IIF I instantly fall in love with. Even at my age I immediately feel: this is it. This is the one. I want this bass.
But the TRB is over twice as expensive as the RBX and the RBX is also pretty cool (because it’s black, you know how it goes). So I got the RBX. No problem, I’m happy with my bass.
Two years later I buy my first fretless Fender bass. The wish for a TRB was still there. I had a fretted one (also amber), I had a defretted version of the TRB I (the one with the slap cut), but never that one. The amber coloured, fretless one.
Fast forward to late 2022. I visit Dutch bass player Phaedra Kwant for a second episode of my podcast Basgasten. We chat a bit after the recording, and happen to stumble upon the subject of the fretless TRB. She says “well, I have a fretless amber coloured TRB that I bought from that very shop around that time. And I still have it.”
So she gets the bass and hands it to me. And I feel immediately: this is it. The one that got away. So I ask Phaedra to pleeeaaase think of me first should she ever sell it.
And then it’s December 2023. I get a text message: “Hey man! How’s life? I’m seriously considering selling the fretless TRB. Are you still sentimentally interested?”
And so, this morning, I went to Phaedra’s studio and take home the bass I wanted to take home almost 23 years ago. And it’s still as amazing as it was 23 years ago.