krispn
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Scrap that delayed until the end of the month. Bass direct says stock expected October
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We both have impeccable taste what can I say! My MXR should hopefully arrive early next week 😀
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Also I hope they show the settings for the presets any some stage. It would be good to know how they got there. Considering the hidden features. I’m sure the TB forum will start harassing IMA to get some cheat sheets on the go
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Tidy but I’d be afraid of losing it down the back of the car seat.
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Yeah it’s been great and is more versatile than it might appear. Very easy to do the modern pop sub thing but hitting that sweet spot between sub and clean can fatten up and add energy/weight to a chorus, underneath a solo section etc. I can see why the Bass The World guys dig it. -
Bump
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Send it back!!!!!
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I recently bought a couple of pedals to do exactly what this pedal does. They are now for sale and if I had been paying more attention that this was due to be released then it would have saved me some minor hassle. In context we do a pretty fun set where something like the MXR is perfect. Save some presets which won’t need to be scrolled through mid song. The idea of the mini expression pedal expands the versatility but is not super necessary and an additional cost. The mini preset switch is handy and could be mounted on top of another pedal or closer to most accessible area of the pedal board. Like I mentioned I think a whole lot of people are gonna find this very handy.
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Without sounding like an immediate acolyte for many gigging bass players who need a couple of familiar sounds to nail the wedding gig/pub gig it’s gonna do a lot of the heavy lifting. It’s not gonna have the flexibility of a dedicated synth but has the accessibility of a pedal with some nice added flexibility to fine tune for folks who want to or need to deep dive. I think what MXR have offered is a pedal most of us can add to a board and have useable practical sounds that cover a lot of what we need. Calling it BassSynth will garner scrutiny from those who want a full synth in a pedal but realistically it’s a mass appeal unit serving 80%+ of the gigging player. It’s nice to see a synth pedal which isn’t just showcasing the tech wizardry and offering go to tones out of the box.
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Bought these for a new project but it’s folded already. Singer has decided it’s too much hassle doing the live thing and wants to keep it all studio only for now. 😖 Nabbed the octave just a couple of weeks ago on here. Selling for what I paid. FTElectronica SubOctave £85 posted UK Simple, wonderful tracking and based on the Ampeg ‘SubBlaster’ which Gregor from BTW adores as his favourite sub. I didn’t want the OC2 thing and this provides a lovely, usable sub which pairs beautiful with my DG fuzz. Can fatten and thicken when blended just so and really is a wonderful unit but not something I need in my pub band. TC Bucket Brigade. £45 posted UK Bought to add some modulation and width along with the octave and fuzz pedals on my board. Also used for some tracks which needed a warm analogue delay sound. This was ideal for it as it facilitated both needs. Simple, no menus and warm sounding. Boxed as new plus it’s tiny!!!!
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On hold pending -
Cracking demo and explanation/exploration of the sounds this unit can achieve!
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Hey folks. I got this in the recent drop but typically my existing fuzz does what I want it to in a more specific and suitable way with my octave pedal. The doom is legendary for its funky, synth-like voice (Moog-like). While I’ve had a lot of fun playing with it it’s just not fitting in with the sounds I need and I prefer my other fuzz for the sounds I’m needing. It’s more wall of synth rather than those funky moog tones. I’m gutted but hey ho! Now I know!! The beauty of the Doom is its range and it works well as a regular fuzz and the controls are beautifully realised - it’s way more versatile than folks may expect and with the gain down can be always on low gain tone enhancer. OKay before I talk myself out of it. The price reflects shipping, taxes, exchange rate charges from the bank and is probably lower than what’s being asked on Reverb etc. genuinely not out to scalp just recouping the total cost. I’ll keep using it until it’s sold but no gigs for a few weeks so home use only.
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Mine has a bit of a quirk where upon powering it up I have to pull the power out then plug it back in and it works perfectly. I think I’d sent it back to DG to have the pedal looked at due to an issue which turned intro be the power input connector. I wonder if it’s just a fault on these.
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On the original SuperP a ‘new circuit was employed. It had mid point detent which was wide open at the mid point. Turning the tone control back worked like a tone roll off- standard. Rolling it forward introduced a ‘mid scoop’ but it wasn’t really that practical.
