krispn

A funky ducks derrière 😛

Tone styler and a volume control! There you go, Job done!

It is one dimensional though. It all sounded the same to me Sure play with different techniques but the sound was pretty much ditto. I love Joe Darts playing and I've been listening to him since his playing on 'The Olllam' album 7 or so years ago.

That D Bird is such a well designed rework of a classic! I was very close to ordering the import version a while back!

It comes down to how it works on the gig and the perceived numbers might not really mean anything you hear it in context. Theoretically having XXkhz might be a good thing but in fact it could turn out you don’t want those kHz at all. Maybe because my two main gigs have keys and fiddle I’m not too concerned with a zingy too end and I don’t need all the clank definition as other instruments are happily filling out that frequency. We all have different tastes and needs in our bands but for me it’s about the low end and zingy is not a requirement just now.

I’d agree that the best choice would be a keys synth and there are many great options out there for the same cost as the holy trinity of bass pedals which one would need to achieve those sorts of tones.

Well I just sold one but yeah. It’s the best 5 string I’ve owned and like I said I’d love to try the 4 string version and a Dbird too.

‘Android Roadie’ is tentatively scheduled for 2024

The thing to remember about the super p is that it’s the way it feels and plays which is the wow factor - putting the fanned frets aside it’s under 4kg for a 5 string it’s immensly playable and comfortable. It sounds familiar sure but then it’s even across all strings no dead spots, the multi scale means each string ‘feels’ good under the fingers, the tension of each string feels balanced and comfortable. Make no mistake it’s a wonderfully built instrument.

Whats peoples experience with these things live? I was asking in the pedal board thread but got no answers - I'd love to hear some sound samples from gigs/coping the tones from some 80's classics especially in the context of the OP's question for an 80's pop covers thing rather than based on what's on the spec sheet. C'mon synth lads let's hear what we're missing out on in 'no synth pedal' land * I'd have loved to have a pedal which cop'd some synth tones as I could have used them in one of my bands. The SA does look interesting*

This was a stand out at namm to be sure its hard not to get hard at the prospect if this type of pedal hitting the market but like Joel says he really wants to get it road tested to make sure it's durable. Impressive though!

A super p will take normal strings the low b is a 35” scale so no special requirements needed

It’s one of the finest versions of the humble p bass you can get. It’s immediately familiar yet a revelation in its modernity. The neck is sublime and the rolled edges just feel so good like it’s been played for 50 years, you could play it for hours at a time and the modern radius is reminds you you can tap, slap and chord at will with no worries of the bass itself getting in the way. I’ve just sold one and it was my main bass for about 4-5years. I’d have another in a heart beat and even though fanned fret 4 strings aren’t a necessity I’d love to try a 4 string version just to experience what the neck feels like. Mine was a 5’er too. If anyone get’s the opportunity to play or own one don’t hesitate. Enjoy your new bass. It looks lovely!

So Tim made me a new scratch plate and while browsing his site I noticed he does all sorts of stuff for you band - drum skins, stickers, speaker grill covers etc Here's my P bird, Frank with the new plate. Cheers Tim!

My mate has the 5 string passive HH Dimension and it's a cracking bass. The pick ups sound great; powerful but passive. It sounds like a beefier Fender and each pick up solo'd has a usable sound. The neck felt great and I'd happily gig a passive 4 or 5 string if one came along at a good price. Both him and I were spying the one he bought as it was on Gumtree locally. He's over the moon with it. I'd really like to have more time with it, give it a full gig or two to hear what it does with the band on a gig/in a mix. The reason I feel these didn't sell is that people bemoan Fender for being too samey yet as soon as they put out something different they get slammed for the non-traditional look often with the detractors not having played one. Consequence of success i suppose.

They’ve likely moved on to clip-on type so you don’t have to keep unplugging your bass on a gig every time you need it tune. That’s possibly as much to do with it as poor performance. Does yoirs look like this?

Ahh I thought from the picture you had the Korg jack plug tuner thing.

I dropped my bass down some stairs one time and it played a near perfect version of Jerry Was a Racecar Driver!

@Al Krow If your tuner is consistently ‘accurately’ off check if has an option to ‘set the tuning’ maybe a switch or a function button. It’s possible you may have hit it and changed the A-440Hz to something else. Many tuners have the ability to change the A-440hz so you can down tune etc and still get an ‘in tune’ reading. #RTM

So the helix is a tuner for now then. That’s one function you can tick off as having exhausted 😀

Are you using your Helix as a tuner? surely if you have a hx stomp you could make a patch which equals your fave on each pedal and slowly sell off what you can duplicate. If you find a sound you can’t recreate then keep that pedal?

It can be tricky making some tunes fun to play and other tunes, like some I mentioned above, aren’t songs I’d really go out of my way to listen to but are quite enjoyable to play especially with the choir gigs.

I’d love to hear your version. Any audio?

I presume you mean the complete lack of bassline Right? 😀