krispn

Alex Aguilar was involved in the design process. I think he’s been involved with bass amp and pre amp design before but I can’t remember which company he’s worked with...

TC Electronic 208 cab. These are about to be released I'd suspect right after NAMM. GuitarGuitar are bound to have them and I may be tempted to nab one myself if they sound decent. https://www.tcelectronic.com/Categories/Tcelectronic/Bass/Cabinets/BC208/p/P0DLI#googtrans(en|en)

I guess if its a set and for get always on pedal the mini controls/switch is less of an issue?

This looks like it’s a dbx 160 type comp so could be a cracking wee unit. Clean blend is always useful especially going for that New York sound. Be interested to hear how folks get on with it.

I'm stealing Limb Deal as my new stage name!

Look how popular your thread is - sit back and relax. The pedal will be out soon and we'll all have plenty to say about it. Think of this as an exercise is in when to post a thread - timing is everything

Cheers Yeah I thought his Moutarde had 'more' tweakability you'd really wanna smash a synth with one for many great noises!

Quick it’s the feds! Split!!

What were your issues after trying the Pralines you felt could have been improved? and more importantly what did he change and did you feel it was an improvement?

I'm wondering how you came to this assertion... Did you contact him asking to make changes to an existing pedal design and he said no? I'm not a pedal builder but I'm not sure you could have a preset on an analogue pedal without employing some digital switching etc.

Thanks QM It's moot point in some respects comparing the size of analogue and digital pedals once you look at the complexity of controls and the components needed to do that type of effect. Sure you can shrink a fuzz or a drive down into a mini size when it only uses three or four components. The Lovetone pedals sounded amazing and were huge. They maybe didn't have to be 'that' huge but still... The Cali Cb comp pedal packs a hell of a lot into their small form factor so yeah it can be done but you get into these builders usually solo guys making what they want, wanting to use certain pots caps etc because they like how they sound and they don't want to make it smaller because some forum-ites wanted them to add this of that feature or because it'll spoil their neat pedal boards by not fitting into a Hammond 1590

The Glou Glou is an analogue pedal and those tend to have a bigger foot print and fewer features compared to digital pedals. Probably a bit harsh to make the comparison between GG and SA in terms of their design goals and resources. *edit* actually I may be wrong on that. I think one of their pedal I’ve used was analogue but not sure if the pralines is now I think about it.

Drat!

@Beedster is that £100 or £1000. For £100 I might need you to point me in that direction IMMEDIATELY 😀

Sorry for the hijack it was aimed at Reggaebass

There’s a fender Bassman 100t in the for sales that look great. 100w all tube head not too heavy, modern tech vintage tones! If I had the cash I’d buy this immediately! Enough ‘volume’ to get the power amp valves working just where you’d want them.

Tube rolling can be fun but expensive! The 12AX7 -12AU7 swap to reduce preamp gain is a common one to offer a bit more 'clean headroom.

@Al Krow when did you hear my amp?

So here’s my humble little pedal board. It covers me for all my gigs... Basswitch (with Cali76 in the series loop) HPF/LPF ToneHammer The Basswitch allows me to have full eq if needed for a dodgy room, big hollow stage etc. as well as a great DI. The Cali is just wonderful and provides a nice piggy backspace for the LPF/HPF which in turn helps when I’m running my amp loud - it keeps the signal nice and ‘clean’ and everything working efficiently. Finally the Tone hammer for drive duties. It’s such a good drive unit with sweepable mids. It can do a couple of flavours of ‘Ampeg’ if need and help the sound poke out in a full band setting with the mid freq control. I sometimes swap this out for a Darkglass AO if I’m needing more filth.

It tells you all that in the amp description on the website except d)

Yeah a very well respected comp and on the Pro I think Keeley was aiming to have the controls set so everything sound good at noon so on a gig If it got knocked or kicked you could just set it at noon and not have a terrible sound. Clever man that Keeley fellow!

Yeah my eq pedal worked well with it. It sounded good but lacked some of the features many similar priced amps have but still it's lightweight and did the job just plug and play. Simple and effective! The tube comp was a nice feature too. The Fender amp is a far more versatile amp and works perfectly for my needs when playing live. I prefer it over the TTE but they are two very different amps in some respects in terms of sonic goals and overall features.