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krispn

⭐Supporting Member⭐
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Everything posted by krispn

  1. VBO now for sale😮🫢 can’t remember the price paid but I’ll see you right.
  2. As a tube stage to warm up digital gear this comp is fantastic and it’s a capable comp too. Super easy to dial in!
  3. I’m using the Simone and love it. Gigged a Monique M700 for about 4-5yrs and it was a sublime amp. Simone is different but equally as satisfying to play. I’ve said before it Simone is a better value unit IMO over the Noble but just that bit more bulky. Noble and a p bass is a great combination but Simone has more eq control and man that sensitivity control!!!
  4. It’s a fair point and many will agree… but I offer this not all gear is equal and not all preamps are equal. For context: I’m playing into a Fender Rumble 210 combo. A fine amp in its own right and I’m selling the JHS colourbox but not because it’s redundant. I initially used the JHS with a tube DI for a compact versatile set up for iem/foh ampless set up as that’s what I was doing gig wise at the time. Simple quick set up, minimal fuss, no menu diving for instant tweaks when needed. Then came the opportunity to buy a full tube preamp (desert island type unit) so the colour box is for sale. Shortly after the gig evolved and I went back to using an amp live as the drummer and I liked the feeling on stage. I have used the jhs on my pedal board for additional oomph and it gave me lots of eq options as it can really add/lift other pedals, shape drives, push the tube preamp, fantastic as boost etc). As @Al Krow pointed out some bass specific preamps don’t offer the control in the eq areas we like, prefer or even need on a gig - be that the lower mids or upper mids, even the lows are sometimes too low - 40Hz wouldn’t be my choice as I like the 60-80 range. I could just be sniffing my own farts here but I digress. The JHS allowed me to set the eq where I wanted it to suit my ears and mix. I’ve tried many eq/preamp pedals and few sound as nice as the JHS or offered the flexibility for what I like to tweak. The JHS was a really useful tool for recording and my mate borrowed it for use on a range of sources. Sure you can do it in the box but it’s nice to use decent gear at the source. Different workflow, new gear can inspire ideas etc. My tube pre does different things to the JHS and they compliment each other but pedalboard space is limited and the tube unit just does this wonderful thing few other preamps I’ve used can. The JHS made my amp sound better the tube pre makes it sound class! The lifting a blanket off the speaker type impact and that’s going into the 1/4” input and not bypassing the pre on the amp. Buying gear, trying it out and moving it on doesn’t mean an item is redundant. It’s as much a gas issue as it is curiosity, preference, on our needs change for the guys we’re playing but yeah basically it’s “The gas is always greener…” I’m sure we’d agree in a pinch an amp and a bass will do just fine on most gigs.
  5. How’s the chorus? Keep thinking about getting one to try out but no idea what to go for.
  6. Back in the day the fender TBP? preamp was lauded for its tube sound, authenticity, feature set and quality tone. This is that preamp paired to Fender’s very overlooked power amp. In this era of fender bass amps they made a very deliberate decision to invest R&D to regain their footing in the bass amp world and all the products of that release were fantastic. I’ve owned three of that range! Just for complete history… This is my old amp. I had owned and used a fender MB1200 power amp (I paired with a Aguilar tube preamp which I gigged for a few years). The TB600 (and the 800Pro head which I still own) use the same power section architecture as the MB1200. It is a monster power section design and that’s where the majority of the (not very heavy) 13kg or so weight is in these amps. I played many gigs with no foh support and the more I turned up the TB600 into my 212 cab it never failed to deliver and was alway big and hefty sounding. It was clean and warm, it could get nice and gritty Sorry for chiming in again but this head will last for ages and is the tone folks will always end up coming back to after trying out all the latest and greatest new gear which ultimately attempts to recreate the sound and feel of a head like this.
  7. The best sounding “p bass but not a p bass” bass out there. That pick up and the three way switch is fab!
  8. Some of that Korg marketing hitting home. Don’t forget the all silver edition too.
  9. There’s a good version out now as well limited edition finish.
  10. You could observe the speaker cone movement if you can take the grill/cover off the cab too.
  11. I’ll add the foot switch is from the mustang amps(?) but works with the TB600 I marked the various functions to each switch
  12. Found these in a gear drawer. I used these a long while back on a 4 string for an old choir gig but not since. Silks in good nick not had a whole lot of play time. Price included postage U.K. pics to follow
  13. My old head! I thought the weight was closer to 14kg This is a fantastic unit and I still have the “clean version” as I call it the 800Pro head which is another monster. It’s the toroidal transformer which really does make it so responsive and the more you turn it up the more it keeps giving. It’s the old cliche but I’d have it back if I was still using a head and cab set up. I’m not doing as big gigs so I can get away with my combo. Someone is in for a treat!
  14. Those wee LBA TX’ers are a lovely wee addition especially if you’re running a HX Stomp or digital board. They’ll warm things up and take the digital edge off.
  15. Haha all they need is a bass and some swept arpeggios!
  16. Buy a kit and build your own for a third of the price 😬
  17. If I knew any grateful dead there might be a clue in some of the sounds they get but I’m completely ignorant to them.
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