krispn

I still have my Cali 76 so I may well patch that in and do some A/B with the presets on the HXS. Typically the C-19 virus may well put an end to gigging for the foreseeable so lots of time to refine things!

As is the Pearce pre amp he used and I think there was some modelling done on that too by L6 for him. Jeez the typo’s earlier. Apologies 🙂

Biy has been working with Line 6 so I’m sure it’ll be a hardening back to some of his vintage gear. The L6 guys would likely be more keen to model some older hard to find stuff that a pigtronix - no gear snobbery intended.

@Al Krow do you favour other cabs over the F112 for a particular reason or is it simply a weight/size issue?

I was gonna say classic case for using the right cab for the gig.

I’ll take this as a playful nudge at me as I’m a big advocate of gigging my gear. I’m certainly in the camp that encourages the use of gear on the gig/in rehearsal with the band. I’d not call it snobbery to use gear live if you have the capacity to and I think a lot of folk might feel that way. Being able to say an amps EQ frequency points aren’t as useful for live is something that the most nuanced of listening to at home may not reveal but would be quite evident with the band. A drive pedal which sounds overly mid forward in isolation could be just the ticket with the band to make the bass drive a song along. A pedal or onboard EQ delivering huge satisfying low end at home or via headphones or the classic Smiley face eq curve for example might overly dominate a live mix or cause ones tone to become lost. I’ve mentioned before that most of my playing is at home with head phones via my DAW. I’ve experimented with pick ups (different types and positions - a Thunderbird pick up in a P bass for example). I’ve installed a tone styler, numerous versions of the classic p pick up in a the same bass for the very point of hearing the nuance and differences inherent in each one. I’ve also had them in ‘normal’ and ‘reverse p’ positions and listened for the differences. I’ve geeked out with looking at the related eq frequency charts in Logic to see where the different pick ups had their unique boosts and cuts in relation to each other. I recall noting one bass would have been a better recording bass due to it more flat response across the board compared to another bass which had a noticeable bump in around 500Hz which made it a bit more pokey live. I’ve 4 sets of headphones/earbuds that I use to listen to music and my home noodling, each have different low end response, treble response, mid character let’s call it nuances if you will. I’ll use different ones for different listening scenarios. I’d agree the majority of us use our gear at home more than at gigs, I know I certainly do but I’ll not have the ‘snobbery’ card pulled out because I enjoy using my gear with my bands as much as at home. I really don’t understand how using gear with a band constitutes snobbery but your opinion is your opinion and you’re entitled to express it. I’ll not argue with that! I respect your premise that you as a player won’t hear the nuance of certain gear on the gig especially if using earplugs. I also acknowledge that punters won’t known an in time bass line or a fluffed note from a perfectly timed/executed bass part let alone if it’s a classic p bass tone or a more strident BB pick up. They just wanna sing along to a decent singer and shake their butts. You’ve mentioned that you’ve recently had a gear evolution to more readily nail classic fender p bass tones with a new cab which can reproduce more high end above 4k etc etc but I’m guessing you’ll be gigging this new rig wearing the same earplugs which you’ve already identified diminish the nuance you’re seeking to achieve in the first place. And it’s been often repeated that the punters couldn’t tell anyway. But who cares right? If one can nail that sound at home and it gives joy then that’s where the value lies in any of our gear purchases. You don’t need to run a bass into a graphic eq and note where it sits to enjoy it. Some of us do that cause we’re into those nuances and it can help when getting eq right in a gig By all means use or don’t use whichever gear you feel is appropriate to the gig/scenario/setting. Enjoy it’s subtlety when you can and trust the the audience will have a good time regardless of how close you are to the recording in terms of sounds/tones and the rest.

On the plus side for this thread @AlphaK can add me to his/her list of stomp statistics! How’s the poll looking now anyways AK? It’s been live for a few months. Any definitive answers?

Amps fail, pedals fail, irrespective of age it’s no biggie. It’s about being prepared and being able to play the gig.

The Fender 800Pro crapped out. The fan still sounds like it’s working but no sound- a trip to the amp doctor is in order. I’m actually glad it cut out as it’s given me an excuse to clear out the pedals and go full iem. You know my views on the stomp already. I think it’s a highly capable unit. I don’t think anyone ‘expects’ an amp to die on a gig and while it’s inconvenient it wasn’t a disaster and my board met the task admirably. It’s kinda why I had my board set up the way it was - to cover a failure on a gig. I’ve still got my big box CaliTX but knowing I can set up multi band compression on the stomp and a parallel signal path it may too be made redundant but patching it in is an option via the fx loop. The sheer amount of flexibility means that if I do bring my rig I can have a patch with the amp/cab sim going straight to the desk but not the amp so all options are covered. I don’t think the Stomp will arrive before my gigs on Tuesday so I’ll have a bit of time to dial it in- I think I still have a folder on my laptop and I’ve been kindly given some IR’s by a fellow BC’er which should accommodate my need perfectly. You shifting your HX soon then in favour of the VTDI for live?

I’ve just acquired a Stomp (again) and looking forward to going full IEM for the foreseeable future. I still have a good rig for when needed or a special occasion but having had an amp failure a few weeks ago and having no option but to go direct it was grand and I’m happy to embrace it.

This should keep me going until Luna gets released!

When white with gold hardware isn’t the worst decision that was made...

I'd need to hear them side by side to give a real comparison and I'm not saying a 110 would be 'better' just that it might offer up an alternative which could work well with a B string. As for RMS handling depends what driver is used but I'd hazard that a 10 might be expected to handle 450-500w.

I think 14kg is is about the weight of the F110

Yeah I was just thinking about AK being the gear guy in his band (as in transportation etc) and how say a fearless F110 (as he knows the brand might) have killed two birds with one stone - smaller, tight B, lighter etc. I'm sure his current stable of cabs will continue to deliver though.