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Everything posted by samkeen
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Hi there! There are a couple of ways to produce the slap sound using your thumb - you can either bounce it off the string, or you can 'thumb through'. They both work really well, have a look at players like Mark King for the 'bounce', and Victor Wooten for thumbing through. Here's a vid of thumbing through if you're not sure what I mean (watch Victor's thumb, it glances off the string and comes to rest on the string below: [url="http://www.youtube.com/watch?v=nq7IxvfOxTQ&feature=related)"]http://www.youtube.com/watch?v=nq7IxvfOxTQ...eature=related)[/url]. I like to use both techniques at different times, depending on what's needed. I find the bounce gives me a bit of a brighter sound, but thumbing through can be really useful for certain lines. I'm guessing you're trying to bounce? If so, you should try thumbing through (you might prefer it, and it'll get you slapping), but I also recommend you try to make the bounce as fast as possible, so the thumb doesn't get a chance to mute the string too much. Make sure you're hitting the string with the boniest part of the thumb joint, and work on rotating your wrist, it's this motion that gives you speed, rather than moving your whole hand. Hope that helps. If you run into trouble keep posting - most of us are friendly!! Sam
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help busted my little finger on fretting hand
samkeen replied to hagguy's topic in Theory and Technique
Bad luck with the tendon - is it a fairly easy mend? I think old Francis Rocco Prestia's a good example of holding down a great bassline without using his whole left hand (I think he only uses his first two fingers!), perhaps have a look at the way he plays. All the best and hope you're recovered soon! Sam -
Devon Jazz 5 Custom w/burl-willow & Villex(s).
samkeen replied to eubassix's topic in Basses For Sale
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Devon Jazz 5 Custom w/burl-willow & Villex(s).
samkeen replied to eubassix's topic in Basses For Sale
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[quote name='Mykesbass' post='653225' date='Nov 12 2009, 11:47 PM']Doing this incredible stuff to me is like guitarists and shredding - there's always going to be someone to come along and do it faster with shredding, with bass, always someone to push the technique even further. In the end we'll always be going back to the James Jamersons, Bernard Edwards and Norman Watts Roys of this world.[/quote] I know it's been said on this thread before so I'm just reiterating, but it's important not to look at the technique but listen to what he achieves with it. Technique's the key to better self expression. If the technique's what's being expressed, i.e. "look at my flashy chops" then I completely agree with you - we'll always be drawn back to people with something to say rather than people who say nothing but say it really really fast! I don't think this is the case with Michael though, I think his techniques let him speak more fluently.
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Which strings for a Brazilian Rosewood fingerboard?
samkeen replied to samkeen's topic in Accessories and Misc
Thanks for your posts guys. In the end I've opted for the Thomastik Infeld Jazz Roundwounds, they're nickel plated and are also quite finely wound, so shouldn't do much damage but still sound and feel nice. -
Hi guys, I'm about to take possession of a fretless bass with a Brazilian Rosewood fingerboard. I've been in touch with one of the previous owners, who told me that it's possible to use roundwounds (which I'd prefer) as long as they're not stainless steel. What materials do you recommend? Nickel's the obvious one, but would gold plated strings work too? I imagine the gold's fairly soft compared to stainless? What about coated strings? Thanks all! Sam
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Original USA Curbow bass fretless 5 - YouTube link added
samkeen replied to nenor's topic in Basses For Sale
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I've had a few questions about the model so thought I'd update. Whilst this bass has the 'M' shape, it is not of the 'M' series (a fairly recent series of basses created for a cheaper market than the IEP model). This bass predates that series by some years (a couple of guitar shops told me the M series started in 2002, but this bass was built in 95). So do not be put off, this is a very high calibre beastie
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It all depends on how competent you are slapping without having to use open strings. If all you can do is slap in E minor then it's all just w*nkery as others have said. If you're able to develop the techniques so that you can play anywhere on the bass then it's just as good a tool for expression as any other. I love it
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Matt Garrison and Hardien Feraud are using their thumbs to very good effect as well as multiple fingers. If you're using three fingers on the right make up lots of exercises using different numbers of notes in the left hand. A chromatic scale playing four notes per string will have you changing string on a different finger each time. You'll soon see what's most comfortable for you. Good luck!
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[quote name='grumble' post='612037' date='Sep 29 2009, 02:51 PM']BassChat 'er, in plain English, a forum member Welcome Sam, you are just what I need, a teacher !! Shame I'm so far from Devon [/quote] Ah well! Feel free to ask me anything if you need advice, I might be able to help
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[quote name='walbassist' post='611345' date='Sep 28 2009, 10:15 PM']Why not get it defretted!? [/quote] Cheers for the comments. Two reasons; one: this is a rare and collectible instrument, Greg Curbow passed away a couple of years ago so this bass is an important example of his work (there weren't too many 7 strings around 14 years ago) so I really don't want to to anything that would alter it. Two: I think my musical voice lies within a smaller range than the Curbow produces and my playing style has developed away from playing chords. I'm planning to get a 5 string tuned E to C.
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Thanks for your comment! Yes, it is a good price, but it would be nice to shift it quickly (Michael Manring is teaching me next year and I really need to build up my fretless skills!), and to the correct buyer this bass is worth an absolute fortune, easily the price you mention, but I expect there aren't too many of those at the moment! It would certainly make a good investment to someone who's willing to hold onto it for a couple of years.
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