Rich

Let It Be - a band with no future in show business, and anyway guitar groups are on the way out

I'm in!

These Boots Are Made For Walking - Nancy Sinatra

He Knows, You Know - Marillion

Strawberry Fields Forever - some obscure beat combo

I agree. I like everything except the reverse headstock. i hate them.

For You - Judie Tzuke

@Albs, I don't know if you're following it, but this gig-bag thread has got some excellent suggestions.

I like the look of this one. That little pocket looks just the right size for wireless transmitter, batteries etc. And by the sounds of it, would be big enough for my Sire fiver. This and @CameronJ's Thomann Premium are my two favourites of the bunch so far (apart from the really expensive Momos etc. which would be out of my price league).

Jump Around - House Of Pain

Visually a great idea, but tonally/playability a non-starter for me... I hate the feel of flats & tapes unfortunately... ...but they are definitely an idea worth a look, yes! EDIT: and the DRs are a good price at Lord Of The Strings too

The proof of the pudding is in the eating I guess 😉 it's all very modular so changing the pickups or the guts will be easy enough. Having said that, all my basses are pretty hot actives including my current go-to gig bass Sire V7.

So while I'm waiting for the two week paint-hardening period to end (this coming Sunday) so I can get busy with the wet/dry, I thought I'd take the opportunity to mock it together and get an idea of what it will look like... pleased is an understatement. God, I hope it works. The EMG eq is squeezed in place under the control plate and just about fits with the PP3 into the titchy cavity. That's the original black pickguard, with some 50mm reflective checker tape applied. The reflective white bits are very reflective indeed, so I'm hoping it will look pretty good under stage lights. Also: just how good is tung oil?? I cannot believe I've never tried it before. I am never going to lacquer a piece of wood again.

Word Up - Cameo

Been Down So Long - Doors

My current gig bag isn't hugely padded, is getting on a bit and certainly isn't Sherman tank proof. But its previous owner was OldGit, so it's going nowhere. I might treat myself to a heavier second bag at some point in the (hopefully not too far distant) future though, to celebrate the start of gigging again. So I'm going to keep an eye on this thread for recommendations too.

A pedant writes: "Actually, I think you'll find you can drive over any gig bag in a Sherman tank, or any other heavy vehicle for that matter. Whether it survives or not is an entirely different matter. To be strictly accurate, I think you'll find that you should have stated that you are 'not after something diamond-encrusted that will survive intact should it be driven over by a Sherman tank or any other tracked or untracked armoured vehicle'. No I don't have very many friends, as a matter of fact. Why do you ask?"

Throw Down Your Arms - Burning Spear

Planet Earth (Duran2)

Good morning and welcome Albs. I echo the comments of both my colleagues above. If you're willing to sacrifice having the 'F' word on your gig bag, you'll get a far superior bag for your money (or a similar spec bag for rather less).

When it comes to ambidextrous guitars, Otway did it first and best..!

Ohhh, the Trace SMX. Still my favourite ever preamp.

True, although hideousness is highly subjective. See sunburst / coffee-table / relic / etc.

Quite frankly I'd take the Skjold, or pretty much any of the others pictured here, over yet another P bass any day of the week, and twice on Sunday.

My beloved parents looked on with interest as I got to grips with the bass. They were pleased to see me doing something creative. My dad in particular was interested in my progress; he had an artistic bent and always loved music, and I think he would like to have picked up an instrument himself but World War 2 got in the way a bit. They didn't even complain at hearing me practice Level 42's 'Dune Tune' over and over again in an attempt to get it right, in fact my dad grew to really like the tune. (Years later I sneaked it onto a mixed tape I made for him, and when he heard it he laughed fit to bust.) Then one evening I was sitting with them in the living room, they were watching the telly and I was flicking through the adverts in a mag -- I think it might have been the sadly missed IM&RW -- as I was desperately in need of a new amp as my band was starting to get somewhere. Dad asked what I was looking at, I said I was quite interested in this Laney Pro Bass 4x10 combo that had just come out, it looked like just what I was after as I couldn't afford a similar Trace, and I said I was thinking of popping into London at the weekend (rail travel was actually cheap back then!) to check it out. Dad looked at Mum and said "What do you think?". Mum said, "Well it is his 21st soon." Dad looked at me and said, "If you try it out and you like it, we'll buy it for you." You can imagine how stunned I was at this bolt from the blue. I told them how brilliant that was, and that I hadn't been dropping hints or fishing for it. Mum said yes we know, if we thought you had we wouldn't have offered. I still remember driving home from Tempo Soundhouse in Hanwell a few weeks later, feeling like a dog with two danglies, with my shiny new amp in the back of the car. It served me faithfully for 20 years and I wish I still had it. Wish I still had my parents too.