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Everything posted by oldslapper
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[quote name='Truckstop' post='1360813' date='Sep 3 2011, 11:36 AM']Sell this guy stuff with confidence![/quote] I just did!! Great chap, quick payment good comms, take Truckstop's advice & sell things to Andrew.... Many thanks, John
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[quote name='MikeBass' post='1360015' date='Sep 2 2011, 03:56 PM']"2 x Bartolini Mk.I’s. Soapbars Passive controls, 2 concentric pots (vol/vol, t/" is that tone/blend or treble/bass on the second pot? that really is gorgeous. wonder if it could be made active? postage and price got me very interested - have you any sound files of it? cheers, mike.[/quote] Hi Mike, Second pots are bass/ treble. Previous owner had discussed putting active circuit in. The cavity is at the back, so I guess it's possible without spoiling the top. I think that with the mass of the mahogany, bridge and 35" scale it's not needed it? I've only got garage band to record onto through my iPad, happy to do that and send you a file....don't know how to post that here, but I guess I could try that too. John.
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+1 I had one from Dave Hall and I used it on a small tour earlier this year abroad. I didn't want to take backline and didn't trust what I may have had to use. Used this straight to desks, fab clean signal and as said, very nice eq. I use it for acoustic 6 string gigs as an outboard eq/volume/DI box too. I can't believe how inexpensive these are, for what you get. Hand built, here in UK. John
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Fender Precision Bass, Sunburst/Rosewood/Tort MiM
oldslapper replied to KiOgon's topic in Basses For Sale
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[quote name='lojo' post='1359147' date='Sep 1 2011, 07:38 PM']Funny how these threads come back to reading being the benchmark, I started the bass clef YTS thread, and made some effort, only to figure out that what I do is what I do and the time I was devoting to it, was better spent on other things as it wont change what I do (play covers in a number of bands) Im not a pro, wont ever be, but earn from gigs, have fun and entertain others If I could go back in time, Id learn to read, but then Id also learn the cruyff turn instinctively along with loads of other skills, and Id have an arsenal of skills that would challenge batman[/quote] I'm sorry but I have to completely disagree..............I'd learn the Franny Lee keepie uppie, followed by the vinnie jones nut grabber and implement it at my local open mic night for those hard to reach notes.
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You have no idea how much I try and stay away from these threads, but I'm tempted again to butt in. Musical development is as much to do with those you play with as much as your own "shed" work. This not only includes they're musical skill, but your colleagues as people. I love playing with the acts/bands I play in because of the relationships I have with each band member. You can shove your talent where it doesn't shine if you're an antisocial knob. I am a guitar/bass tutor and my no. 1 mission is to get each student playing with other musicians, firstly to learn the spoken and unspoken language, as well as the written. It is a social activity, where we learn cooperation, listening, putting the song before our own ambition. These are life skills. But then again, I'm a selfish git and you must do as I say, or the talent fairy will come and put a curse on your alembic. Bye
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[url="http://www.pawfest.co.uk/bands-and-musicians.php"]http://www.pawfest.co.uk/bands-and-musicians.php[/url]
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I'm going to suggest there's a lot more to being a musician than, for instance, whether you can play, by ear, "flight of the bumble bee" fluently and accurately with great "groove", whilst hanging upside down in a vat of pims, with your bass behind your neck. Or whether you can accurately read, interpret and play Rachmaninov's 3rd piano concerto on your 6 string foderbernieshukebic. Reading, or "just playing by ear" is only part of being musical......and I don't really even know what that means and I suspect that no one else does in full, we're all on a journey, no ones' is better than anyone else's. I get tired of people laying it on other's about what they should do, we've all been "should on" from a great height at some point or another, don't need it here thank you very much. Very happy to post links to notable blind musicians, classical and contemporary. Or links to deaf musicians who were pretty tasty, again classical and contemporary. But I have a feeling it won't help, as won't this post. Who you are is more important, not what you can do. If you're identity is only in what you can do, then you're royaly screwed if, for some tragic reason, you're unable to do it anymore.
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Bought these to match a Gotoh gold bridge on a MIM Jazz. Changed my mind after fitting them, so took them off. They are 1:22 ratio and fit a MIM Jazz bass. They are boxed and approx 1 week old. The screws supplied with this were soft cheap ones, so the cross heads are worn, but usable. I have included some chrome spares that came with the Wilkinson tuners I bought, which are substantially more robust. £10 posted.
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Dream rig? no bass or amp. I play "air bass" and the sound coming out is Bernard Edwards crossed with Dee Murray.......is that too much to ask? In the mean time I'll have to do with fender into Markbass and Epifani and sound like me, nightmare!!
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[quote name='Monckyman' post='1352370' date='Aug 26 2011, 01:25 PM']Might be nice to tell him.[/quote] Just had a reply, saying he has the bass which he's selling with his Tele to fund trip to NZ. He's pretty annoyed about picture being used. I've asked the other seller to provide serial number, etc.
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[quote name='Monckyman' post='1352370' date='Aug 26 2011, 01:25 PM']Might be nice to tell him.[/quote] I have done. I'll let you know if I get a reply. I've also asked the other seller to give me some more details about the bass.
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[url="http://www.ebay.co.uk/itm/110733905178?ssPageName=STRK:MEWAX:IT&_trksid=p3984.m1423.l2649#ht_500wt_922"]http://www.ebay.co.uk/itm/110733905178?ssP...49#ht_500wt_922[/url] [url="http://www.ebay.co.uk/itm/120766871997?ssPageName=STRK:MEWAX:IT&_trksid=p3984.m1423.l2649#ht_500wt_922"]http://www.ebay.co.uk/itm/120766871997?ssP...49#ht_500wt_922[/url]
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Lakland Joe Osborn neck. 35" scale Body is 2-piece mahogany with a maple top finished in tung oil and wax. Schaller 3-D5 bridge. 2 x Bartolini Mk.I’s. Soapbars Passive controls, 2 concentric pots (vol/vol, t/ Jin Ho tuners fitted with leather washers. String spacing 18.5 approx Weighs over 10 lbs. Excellent nick. Trade for Jazz or P, or a P/J £300 posted Based in Dorset, but happy to travel to meet.
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BASS COLLECTION - yes... SGC Nanyo ! plus more...
oldslapper replied to rogerds's topic in Basses For Sale
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Yeah top man is Sean. Sent me his Epifani T212 cab, quick delivery and great comms all the way. Thanks, John
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