oldslapper

[quote name='Mugz.wood' post='1297540' date='Jul 8 2011, 07:14 PM']thanks John, 2nd hand schaller would be nice, i haven't found a cheap one yet though, fingers crossed. why a precession pickup because of the twin coil?[/quote] Not sure about that, others here may know. I think one of the advantages is that you can angle the pups to follow the curve of the board....roughly.

[quote name='Mugz.wood' post='1297500' date='Jul 8 2011, 06:32 PM']Hi, I've been trying to find a magnetic pickup for my DB and cant find anything for less than £100 which is half the price of my DB. so if anyone could point me in the direction of a cheap one or an alternative like using an electric bass pickup instead it would be greatly appreciated, thanks [/quote] Schaller mag pups come up 2nd hand here pretty cheap. You can use a P bass pup, if you can find a way of fixing them to the end of the board. Someone on here may even have something you could try, sadly I don't. All the best, John

[quote name='Mikeg' post='1295791' date='Jul 7 2011, 11:23 AM']Example for fast playing but awefull sound [url="http://www.youtube.com/watch?v=u0CeJppd_20"]http://www.youtube.com/watch?v=u0CeJppd_20[/url][/quote] He's fantastic, much better than that Victor Berlin, or that other bloke you lot keep going on about...Stanley King?? I don't understand why he's by himself in a dark room though? Where's the rest of the band, and why have they taken the crowds applause out of the mix?

I like them and they are very popular, hence their longevity. I enjoy Marcus Baylor's playing, nicely understated. Quite unusual for the genre, sadly for me. Yellow Jackets can be a "gateway band" for those funk lovers who want to explore something a little more complex, as they still keep a memorable melody/refrain in most of their tunes. Obviously not complex enough for some. I like them very much, but they are as far as I like to go within the sea that is jazz, before getting bored sh@¥less. But then again I prefer music for the "hard of thinking"...you know, songs.

Just looked through this thread, including my own Chilean red induced nonsense, and I've come to the stunning, and sober, conclusion that:- What other bass players choose to play is no one else's business but their own. Don't get why there's so much venom aimed at other players.....get on with your own playing instead of aiming the spud guns at others, they don't care what you think. Back to the wine.......mmmmmm

[quote name='silddx' post='1292512' date='Jul 4 2011, 06:17 PM']Develop your musicality and your toolbox, work the song not your bass.[/quote] Well said N. This thread reminds me of something someone once said about women "dressing up" for a night out.....they don't do it to attract men, they do it to show off to other women and ward them off. I wonder sometimes whether some bass players play to impress other bass players rather than thinking at any point about what the song. So, just like the overdressed "slapper" desperate to be noticed on a Saturday night, the overplaying slapper desperate to be noticed, overdresses their playing, hoping to impress........sadly for them, no one at most gigs gives a toss. But what do I know, I'm an old slapper.

[quote name='lanark' post='1286267' date='Jun 29 2011, 11:55 AM']Just wondering how this is usually resolved.[/quote] Expensive lawyers......

[quote name='Linus27' post='1278209' date='Jun 22 2011, 10:09 AM']To me its all music. You either like it or you don't [/quote] We'll have none of your simple reasoning here matey!

"Now my concern is that, the hardest thing about searching for something like this, is that most of us wouldn't recognise it if we found it and that, if we did, we would carry on tweaking and tampering and lose it again." A very good point. I was watching you tube clip of benny goodman/Louis Stewart playing "Rose room", no idea who the bass player was, but I loved his sound. But there is no way I'd ever find that tone myself, I wouldn't know how. There appears, even to my dull ears, too many variations to factor in regarding DB, that I fear it would be a very expensive journey to find someone else's "tone". You once said "it's not a competition" Bilbo, which helped enormously as I for one felt like I had to sound a certain way. I'll stick with my feeble attempts at trying to play the right notes, at the right time, and not worry too much about anything else.

Bought a lovely bass off Russ. Great packaging, nicely looked after guitar too. Gentleman throughout the deal, thanks. John

Drummers should only be let loose in a band once they can play along (in time) to Trans-Island Skyway and nail the single best drum break ever (round about 4:10...) I know I've benefited from playing with more experienced musicians over the years, so perhaps you can help him? I like the idea of recording rehearsals then listening to them. Very exposing and uncomfortable at times, but a live recording doesn't lie.