oldslapper

[quote name='seashell' timestamp='1502969493' post='3354716'] Thanks for 'going on', John! This is an interesting checklist for me as I have my first (proper) dep gig coming up on Sat and I'm still a bit concerned about a couple of the things on your list. In particular, song arrangements. They are all Rolling Stones covers, one or two in different keys which they have told me of in advance and I'm fine with. It's just the arrangements I'm concerned about. If they are exactly as per the original recording then fine, but if they suddenly chuck in an extra chorus or do a longer/shorter intro then I'll need to be on my toes! Also how are they ending the ones that fade out on recordings? Plus I still don't know the estimated start time. Just been told we're 'last on'. Also been told 'don't worry, have fun, it's just a charity gig'. I'm not really comfortable with that attitude - there is still an audience there who are going to want to enjoy it. I don't expect they'll mind if I don't sound exactly like Bill Wyman, but I think they might notice if I'm still playing a final chorus when the rest of the band have stopped, lol! :-) Having said all that, I'm still looking forward to it. I was really pleased to be asked (I previously played in a different Stones covers band and sax player who is in both bands recommended me). And I love playing all those old Stones hits, so as long as I turn up at the right place and time I think I can probably wing it!!! :-) [/quote] I'm sure you'll be fine. It's always helpful to have an advocate in the band, as you & the band can blame them if it doesn't go as well as hoped! 😁 If I'm unsure about topping/tailing of songs, I generally ask if they can be part of the sound check...if possible. But, as someone else said, take cues from drummist so ensure you talk to them first & agree some visual cues between you. Most of all have fun, and remember you're the reason why the gig can happen. John

[quote name='TimR' timestamp='1502975489' post='3354794'] I played in a band where the drummer was adamant we'd never get deps in as it wouldn't work. When the Guitarist couldn't make a fairly big gig at short notice I said let's get a dep. The drummer threw a hissy fit and said it would be terrible, he won't play with a dep, pulled out and said to cancel the gig. So we bought in a dep drummer as well. The gig actually went better than usual. [/quote] That's sir is brilliant..😂😂

I do wonder what percentage of an audience would be able to tell (or care) if a band member was deputising for another...Front person aside....let alone notice any musical nuance a dep brought.

[quote name='stingrayPete1977' timestamp='1502902444' post='3354306'] If they wanted something more vintage looking than a jazz bass it sounds like they wanted an upright bassist!? [/quote] I'd have been happy to have brought one Pete....turns out an old hofner type was what they prefered. To be fair the jazz was a purple levinson Blade...bit modern 🙄 Communication is key. 🤓

[quote name='dand666' timestamp='1502887599' post='3354179'] All my work at the moment is depping. I dep 2 days a week every weekend. We can be trusted :-) [/quote] This. I only dep these days, originals bands. Deps are no different from permanent members, in that both can be ijits, or easy to work with, proficient or not, prepared/practised or half a@*sed in their approach. Clear & timely communication is key on both parts, if you use a dep. This includes (from the band); Songs Keys Song Arrangements Venue Times Important image considerations (yes this is important see BRX above) I have turned up for a video shoot with the "wrong" bass as the agent forgot to communicate that they wanted a vintage instrument, not a jazz bass..and I didn't ask beforehand. Also give more than one contact number out for the day of the event. If you can find a recommended dep, all the better. Most deps I know aren't after your job, and have a number of different reasons for depping. I've played gig's where the regular bassist has turned up & we've had a lovely chat afterwards. There's a facebook page for dep musicians I believe? Sorry, gone on a bit. John

[quote name='Mykesbass' timestamp='1502826841' post='3353831'] I had one, head with single 110 cab. Incredible piece of kit...until just out of guarantee it gave up on me and not a single amp repair person had a clue what to do with it once they opened it up. Yamaha didn't support with parts either, so was consigned to the scrapheap. [/quote] Oh that was frustrating! I'm a Yamaha fan, and their qc is usually pretty good, but that's not helpful. Thanks for the heads up.

[quote name='AndyTravis' timestamp='1502814149' post='3353725'] it lived a long and happy life before being sold on again. [/quote] Such is the lot for the poor amp/cab/bass... If you know of any gear that has been affected by the content of this thread, please call..😀 Thanks again Andy.

[quote name='AndyTravis' timestamp='1502811570' post='3353702'] I had the head for a while. Gutted I moved it on really. Spent ages looking for the cabs. And then when I'd sold the head it seemed everyone found their cabs and sold them. [/quote] Thanks Andy. Did you have it long enough to comment on it's reliability as I've read some reviews/ comments about faulty units...but that's true of anything I guess. J

Anyone any experience of either the 1x10 or 1x15? Fancy the idea of the digital head with programmable presets. Couple near by to try. I only dep these days and have backilne provided for all gig's, but....might be nice to have something of my own occasionally. Thanks, John

[quote name='lowdown' timestamp='1502605460' post='3352368'] Rainey And Purdie, excellent stuff. RAP in all it's glory. [/quote] That'd be a hell of a retirement home lounge.

Oooh, Stonehouse...just 45 mins from me. That range of teles look great.

[quote name='EssentialTension' timestamp='1502571445' post='3352293'] He makes it look so easy I was almost imagining I could do it too. [/quote] Love it! He lost me between 2.10-2.22 though 😊

My current favourite guitar. Yamaha AEX 500 hybrid. Lovely piezo 3 band eq and mini bucker. Everything from sparkling highs to jazz box lows. Strung with nickelwounds 12's. Use it with my Trace acoustic amp.

[quote name='TheGreek' timestamp='1502051511' post='3349040'] Somebody sent me details of this forum/site when I was looking for something specific. Some really nice gear available. [url="https://www.zikinf.com/annonces/liste.php?rub=7"]https://www.zikinf.c...liste.php?rub=7[/url] Edit: [b]DON'T LOOK!!![/b] I will not be held responsible for your GAS when you see what's available here. I'm having GAS issues and I really don't need anything! [/quote] Yeah thanks! I can't unsee this now.... https://www.zikinf.com/annonces/dispannonce.php?annonce=1447254 Brother in law lives nearby...

Saw him at Salisbury a few years ago. Really enjoyed it, very relaxed & fun evening.

[quote name='Twincam' timestamp='1502238029' post='3350205'] I like that! Sounds almost foreign, inspired from a far flung land. Or just out of your hunger haha. I have some noodles I need to record. [/quote] I was hungry, & I picked up the bass to distract myself...so the idea did develop, but all you could hear is my other half coming in & out of the kitchen chatting about something or another, hence the short recording. TBH I'm now more worried that I've agreed to something when I wasn't paying attention...again 🙄

😁😇 OK, no more tapping... seeing as you asked so nicely.

OK so very short noodle whilst waiting for dinner last night, think I'll build this idea and share with more videos as it develops (unless someone pays the ransom ....and I'll stop) 😁 Recorded with my phone sat in top of my practice and...hi tech..i know. http://youtu.be/XgfwB1lj1CE

my favourite 6 string bass. Wide tonal palette, flat (shallow) profile neck was perfect for my playing style. Sold mine ridiculously cheaply, regretted ever since. Little bit jealous 😊