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franzbassist

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Everything posted by franzbassist

  1. franzbassist
    Good score; the Doubler is a great head. Surely it's worth spending a bit to get something decent to keep a £500 amp in? How about one of [url="http://www.maplin.co.uk/Module.aspx?ModuleNo=36796"]these[/url]? Cheers Gareth
  2. franzbassist
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  4. franzbassist
    The whole setup is now sold pending payment.
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  10. franzbassist
    Demeter on hold
  11. franzbassist
    Price drop to £775
  12. franzbassist
    Now that is an incredible deal.
  13. franzbassist
    What are the dimensions and weight of this please?
  14. franzbassist
    Of the two, I'd go with the Epi 410.
  15. franzbassist
    A few internal shots of the Demeter. The whole thing: The front panel: The rear panel: The Tung Sol tube. Note the gain trim pot (set at 50%).
  16. franzbassist
    That is a booty shaking cab at a great price. EBC is also a total gent to deal with.
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  20. franzbassist
    Mick bought an EA cab from me. He was a pleasure to deal with, paying promptly and keeping up great communication.
  21. franzbassist
    Thanks, and I'm sure you're not missing anything! It was just the unity gain setting that was confusing me.
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  24. franzbassist
    Cross posted this is the technical forum as well, but lised it here as I only got one reply there (thanks Geoff!) -------- So, I'm loving my new PJB M-300 amp, but getting the most out of it, literally, is leaving me slightly perplexed. As you can see, the "Input Level" has -10dB and +10dB marked on it, which means that with the knob set to high noon it's at unity gain. My question is this, is it more important to have this knob at unity gain, and therefore adjust the gain inside my active basses accordingly, or should I make the gain going into the amp from the bass as big as possible and trim the input level on the amp? Cheers Gareth
  25. franzbassist
    [b]The Intro to Upright Bass DVD by Andy Howald [/b] [color="#FF0000"][b]SOLD SOLD SOLD[/b][/color] Duration: 70 minutes This is a video lesson that focuses on the beginning player and emphasizes proper technique. The video discusses the parts of the bass, proper playing position, tuning the bass, right and left hand technique, marking the positions, how to read tablature, playing notes, how to play with other instruments. It also teaches several songs and focuses on playing in a folk or bluegrass style. The video features split screens that allow for close up views of the left and right hand as well as the tablature to be on screen at the same time. [u]Techniques Covered[/u] Parts of the Bass •Playing Condition •Holding the Bass •Right Hand Position •Tuning •Left Hand Technique •Marking Positions •Tablature •Playing Notes •Chords •Muting •Playing Songs [u]Songs[/u] Tom Dooley •3 Chord Song •Going Down That Road •Soldier's Joy •Nine Pound Hammer •Sitting On Top of the World •He's Got the Whole World •Dark Hollow [b]Victor Wooten: Live at Bass Day 1998[/b] [color="#FF0000"][b]SOLD SOLD SOLD[/b][/color] Duration: 140 minutes Victor’s entire performance from Bass Day ‘98. With Reggie Wooten on guitar and Kelly Gravely on drums, Victor presents a set that stretches from the serious thunder-funk of ” U Can’t Hold No Groove” to a classic performance of “Amazing Grace” and “Norwegian Wood”. Oteil Burbridge joins for the finale. This performance also includes and question and answer period, a 30-minute private lesson on technique. Special features!: an additional 60-minute interview. [b]£10 each posted 2nd class, or £17.50 posted for both[/b].
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