Mykesbass

[quote name='Rich' timestamp='1503244548' post='3356651'] [media]http://youtu.be/Res3-YX4X8g[/media] [/quote] Even as a huge Elvis Costello fan I have to agree this is the finest version of a wonderful song. However, is it a cover? It was originally written for Wyatt, with Costello recording it slightly later.

Interesting set of results. Are the other non-users staying just not looking at the this thread? I can't believe I'm in that small a minority.

[quote name='Dad3353' timestamp='1503082360' post='3355641'] The same could be said of drum parts, which are instrument-specific. It's just the nature of the beast, really. [/quote] Not really, as they are standard notation minus specific pitch. The nature of the bass/guitar beast is that they could be written in standard notation, but bass/guitarists choose not to use that form.

My (slight) issue with tab is that although it does basically the same thing as standard notation it only does it for one specific instrument at a time, and only for stringed instruments. It feels a little isolated, almost like guitar and bass players consider themselves guitar and bass players, not musicians.

Do you (like many bands) play everything just that little bit faster at gigs?

Everyone knows That only a rose Will bear the prettiest petal. But nobody knows After so many goes Which bass is the best for metal.

What about the matching suit? Would probably require a bit of a change in musical style though!!

I bought a Hartke HA2500 in an emergency (only thing I could get in time for a gig). I also bought a Citroen Picasso 3 days before Christmas - similar circumstances. Both gave a very poor user experience, and I'm so glad they are both now just unhappy memories.

[quote name='Dad3353' timestamp='1502887620' post='3354180'] That, and the excellent bargains to be had in the Marketplace section. Oh, and, of course there's 'Bad Jokes'. Not forgetting the Basschat Composition Challenge. And the Gardening. And the football topic. (No, on second thoughts, skip that...) There are even some 'running jokes' that recur from TIM to TIM Soooooo much to enjoy... [/quote] Just misread composting...must get back to listening and voting, missed the last couple.

Pal of mine does the solo fingerpicking very nicely - not quite the singer songwriter style that you are after, but still pretty cool. [url="http://www.youtube.com/watch?v=cYcUIa4TYgE"]http://www.youtube.com/watch?v=cYcUIa4TYgE[/url]

Look forward to hearing these later in the year Pete.

"Unplayed, in perfect condition" "This thing just rocks, with a super easy action, and she sounds like a great P bass should" - err, so you've played it then?

I had one, head with single 110 cab. Incredible piece of kit...until just out of guarantee it gave up on me and not a single amp repair person had a clue what to do with it once they opened it up. Yamaha didn't support with parts either, so was consigned to the scrapheap.

That ebony...

Officially you will need to submit the songs to MCPS for a license. They will ask for the publishing royalty upfront (8.5% of the published dealer price). If the songs are all traditional then you will be OK. Check for some other versions of them - they will have Trad, arranged by xxxx instead of a writer's credit. Otherwise, if the writer has been dead for over 100 years the song will have become public domain. I'd guess a lot of acts do ignore the process. MCPS get reports from CD manufacturers, in fact, the manufacturers should not produce the CDs unless a license is in place. If you are running them off yourself or getting CDRs replicated in small quantities then these will not be reported. Chances of MCPS finding out? Probably quite low, but, like HMRC, they are a tenacious bunch.

Just traded amps with Alex - knew it was going to take a while to get together, but good communication all the way and a pleasure to deal with.

[quote name='Happy Jack' timestamp='1502189659' post='3349831'] I've been having the Devil's own time trying to fine a pre-CBS 5-string ... [/quote] Take a string off a 61 Bass vi then

Well I enjoyed that. Shame Pride had taken its toll on a potential audience, and was a bit strange the way the pub wanted you finished and out so early, but the band sounded great, tasty bass playing and a huge tome from that Thunderbird. Let me know if you are down this way again. Cheers, Mike

[quote name='EliasMooseblaster' timestamp='1501925284' post='3348229'] 'morning folks, one last bump before I saddle up a bass and mosey on down to Brighton. [/quote] Don't forget it is Pride this weekend - shouldn't affect the end of town you're in too much, but may take a little longer getting in and parking up. See you later.

Annoyingly GAS free at the moment, but... [quote name='TheGreek' timestamp='1501693198' post='3346646'] [b][u]Style[/u][/b] Traditional or custom – Sort of Traditional - Ripper/Grabber No of strings - 5 [b][u]Woods[/u][/b] Body (inc finish) – Basswood - Painted finish, not sure what colour Neck – Maple with Graphite rods Fretboard – Ebony [b][u]Hardware[/u][/b] Machine heads/tuners – Hipshot Nut (material and width) – Not sure Frets – Yes, this time! Pickups – Nordstrand Big Singles or Fat Stacks Pre-amp - No Pickguard (if any) - Big lump of black plastic Bridge – Hipshot Strings – brand, gauge and type – Bit of experimenting here - definitely roundwound, possibly nickel Other - Schaller Straplocks, Neutrick or Switchcraft jack socket. Built by Jon Shuker! [/quote]

I only rarely use a pick, and when I do it is way quieter. I'm going to suggest something completely different to all the above. You are, like me, probably playing too hard fingers style. I dig in big time. I know I'm not supposed to, have read up on the theory, and have even practiced turning up and playing more gently. I just can't stick to it, and quickly get back to digging in.

Rag n Bone Man has created a very original take on the Blues, just like the Rolling Stones did 50 years ago and ZZ Top did 30 years ago. Sure, none of these have reinvented the wheel, but it shows that music is still evolving significantly.

Level 42 probably not the best choice for comparison of modern pop. They came from quite a serious Jazz-Funk background. Pop acts back in there day were bands like Steven Tintin Duffy, Dead or Alive or Baltimora. As with Highfox suggesting Bruno Mars, Level 42 would compare much more closely with him, or Pharrell Williams.