Mykesbass

Seeing this thread revisited reminded me a needed a new, slightly longer speaker cable. Just ordered and yet again excellent service from Dave.

Fabulous. Really like the whole Tiny Desk Concert concept. Dad3353 - with you on the drummer comment. Would love to play with him.

[quote name='Les' timestamp='1497715607' post='3320230'] Not so fast. I'm gigging in Stockport tonight so I'll report back if anyone's still traumatised [/quote] [quote name='TheGreek' timestamp='1497720455' post='3320258'] Your 1,000th post!! [/quote] Obviously the post count doesn't include kebab status updates!!

[quote name='GarethFlatlands' timestamp='1497481582' post='3318642'] Shameless plug but my Gordon Smith Gypsy is still kicking around the for sale section somewhere! [/quote] When I saw the topic I came on here to suggest one of these! Didn't know there was one up for sale though. Great guitars.

[quote name='merlin' timestamp='1497461843' post='3318411'] awaiting a "P" fretless,well its on order...had to give into gas. [/quote] Ha, saw you gassing on Facebook. Looks great.

[quote name='Woodinblack' timestamp='1497455693' post='3318334'] I play for at least half an hour every day, often more often. I still get blisters when I play live as I play much harder on stage [/quote] Yes, was always gigging that did it to me until I switched to flats. Tried the turning up and playing with a lighter touch but as soon as it was showtime the adrenaline kicked in and I start digging in. Always plucking, not fretting hand though.

Even at that final price somebody got a nice deal.

[quote name='bluejay' timestamp='1497006637' post='3315235'] The SE Bash is the best attended of all, so what works fine for smaller bashes will not necessarily work in its case. The requirements are: - a venue that's easy enough to reach by car and has lots of parking; extra points if it's close to a train station and bus services - several large rooms, separated from each other ideally by soundproof doors - ideally a nice foyer area for BC sales tables and the raffle - basic kitchen facilities and toilets The ground floor of a school would usually fulfill all of those requirements, but there can also be other suitable places. [/quote] I could make enquiries at my local school (I have contacts there through hiring for the rugby club). Burgess Hill is central Sussex and only an hour from London by train.

Have a word with this guy, Russ Hunt. Only an hour away from you: [url="https://www.facebook.com/whiterabbitshrewsbury/"]https://www.facebook.com/whiterabbitshrewsbury/[/url]

[quote name='steantval' timestamp='1497078298' post='3315660'] Totally understand using them if you are a solo artist or duo. If you are a full band i.e. guitar, bass, drums etc, IMO I call it cheating. [/quote] Don't quite follow your logic there. Surely if it is cheating for a band it is an even bigger cheat for a solo artist/duo?

[quote name='Bass_Guardian' timestamp='1496766034' post='3313727'] Worth a punt? http://www.ebay.co.uk/itm/122532184076?_trksid=p2045573.m570.l5999&_trkparms=gh1g%3DI122532184076.N36.S1.R1.TR2 [/quote] If that is local to you, and you like mellow warmth then snap it up straight away!

Can't imagine it on a sunburst, but could look cool on white IMO.

+1 for Mike Still, just fixed a valve amp for me. Great price and all done in a week.

[quote name='Dad3353' timestamp='1496662017' post='3313006'] The French rugby final was on, but we did zap to this during the half-time break, as it was broadcast 'live' on French Channel 2. We must have just been unlucky, then, as the few minutes we could stand (all the family, not just me...) were dire, to say the least. Whilst applauding with both hands the spirit of the thing, that Gallagher bloke can't sing for toffee, and his lyrics are sub-Dylan, too. Saw a couple of girls singing (they all look the same to me...), and was seriously underwhelmed, musically. The rugby second half quickly took our interest back. Well done for the event; pity I missed the good bits. [/quote] All lyrics are sub Dylan 😎

Hi Musicbassman and welcome. Whereabouts in West Sussex? I have a couple of horn players I know who may be able to hook you up with a big band / rehearsal band. Mike

[quote name='chris_b' timestamp='1496442418' post='3311556'] I find I mostly use both 112's because they sound so much better together. On the 5% of gigs where I only need 1 112 then that works too. [/quote] Me too. One of my Purple Chili cabs would easily be enough for my gigs but I do like the fullness (and yes, shallow I know, the look) of the two together.

[quote name='Monkey Steve' timestamp='1496407426' post='3311170'] they banned me from apologising on stage We finish the set, and i go for a chat with the sparse crowd and organiser, and mention how badly I messed up the solo. Nobody noticed anything wrong. And not a polite "don't worry about it, it's was OK *we did notice but we're being nice about it*" but rather "really,? when was that? which bit did you get wrong? sounded fine to us, just like the original" In summary, the audience are idiots and we deserve better. people who really notice when we f#ck up and hold us to account [/quote] [quote name='bassman7755' timestamp='1496420289' post='3311323'] And quite right too - audiences only ever notice the band noticing (frowns, reproachful looks etc), they never notice the actual mistakes. I had ban one singer from telling people stuff like "weve only practised this once so it might not go to well", not as bad as apologising for mistakes but the principal is the same: act like your totally confident and know what your doing all the time, never overtly react to things going wrong, look like your relaxed and enjoying it even if things are going to hell musically and 99% of people will not know any different. Now while people will say that this means audiences are thick/ignorant or whatever, I dont think its a simple as that - senses are related and are affected by what people are expecting. If people see a professional looking band who are enjoying themselves they will hear the song played properly even if is isnt. I know this is a powerful effect because I have on the odd occasion been in the audience for bands that I have previously played with or depped for and have never spotted the mistakes that they have moaned about afterwards - I could only tell that mistakes were being made because of the facial expressions. [/quote] ^This. Had a singer that used to do the - "oh, this is the first time we've performed this" NO! Just get on with it, play it confidently, ignore any mistakes, enjoy it and, unless they are completely the wrong audience for you, they'll enjoy it too.

[quote name='molan' timestamp='1496425836' post='3311386'] The Carvin combos deliver a lot of bang for the buck (as our American friends would say). However, build quality can be a bit patchy. Combos tend to be better than the heads but they aren't without issues. It's all a bit random as to what might go wrong with them. Some are great and never miss a beat, others get niggling faults that sometimes come back. In the end we discontinued them because we didn't feel we could reliably offer them for sale to regular gigging players. Shame really because the ones without faults were great value for money [/quote] Wow, that surprises me. The head I bought from you guys hasn't missed a beat. Must be 4 years by now, and although not massive amounts of use, it has been gigged at least once a month and rehearsed every week since then. Absolutely love it, so such a shame they aren't all as good

[quote name='eude' timestamp='1496392865' post='3310978'] Have they stopped making their little combos now? [/quote] Not sure, but I know they only had limited UK distribution with Bass Gear who stopped stocking them despite Phil using one himself.

Carvin if you can find one.

[quote name='Pow_22' timestamp='1496240752' post='3309835'] Cool, glad it got sorted and is back to pumping out that lovely valve tone! Did the tech say what the fault was? [/quote] Said was very rare, but one valve failed and burnt out the bias resistors.