Mykesbass

The modern bass player - someone who isn't on here [url="http://basschat.co.uk/topic/277926-2016-poll-how-old-are-you/page__st__30__p__2968557__hl__poll__fromsearch__1#entry2968557"]http://basschat.co.uk/topic/277926-2016-poll-how-old-are-you/page__st__30__p__2968557__hl__poll__fromsearch__1#entry2968557[/url]

[quote name='EliasMooseblaster' timestamp='1455197903' post='2976934'] Yeah, the more I look into it, the more expensive it becomes. Previous builds, I managed to keep down to £2-300, but then I was happy to use a lot of inexpensive hardware - whereas on this I'd like a pair of T-bird pickups...and I'd probably want something more substantial than a "BBOT" bridge, for example! Plunger's advice above sounds quite sensible, though it then makes me wonder whether I'd have the time to fashion a quick-and-dirty neck out of softwood. Perhaps I would be better off approaching someone who does this professionally. [/quote] Don't forget, you can re-use these parts on the final build.

Any use: [url="http://www.amazon.co.uk/5-String-ML-Factory-Through-active-electronic/dp/B00SNMRW44"]http://www.amazon.co.uk/5-String-ML-Factory-Through-active-electronic/dp/B00SNMRW44[/url] ?

[quote name='spectoremg' timestamp='1455191857' post='2976814'] Prompted by the recent Adam Clayton post (re The Edge playing bass occasionally) who else do we know of who's taken on the regular bass players parts? Ronnie Wood - bass on Maggie May. [/quote] Wasn't Ron(nie) Wood actually a pretty regular bass player?

As well as advertising check out local jam nights - go along and watch for a couple of times, talk to the folk running it, be open about your ability. Most of the jams I know are very supportive places, and often the best musicians there will be the ones that help you along the most.

[quote name='Twincam' timestamp='1455139007' post='2976435'] but I'm playing such basic stuff nearly anyone could play it. [/quote] But they're not, (and actually probably can't) and you are (and can). Keep it up, and enjoy it.

^ This. If you think about it, each string is individually adjustable at the bridge, and the nut SHOULD follow the radius. Some players (especially guitarists) go for flatter radii for faster playing necks, but I think that is more down to the style of playing.

[quote name='Billy Apple' timestamp='1455127276' post='2976254'] High end. A coffee table with bits to get in the way of the biscuits. [/quote]

My beloved... a piece of old tut that I'm desperate to get rid of.

Matsumoku - Legendary Japanese Nirvana a bit like the bass and guitar version of the Big Rock Candy Mountain, where every guitar built between 1965 and 1999 were done so to legendary standards, by just three master craftsmen, and they were all better than everything else we've ever owned (but we sold them all years ago).

I really like the two 112 Rumble cabs I have. I keep gassing over more expensive gear, trying to convince myself that a couple of sub £250 cabs can't be that good, but they keep sounding great to me!

[quote name='wateroftyne' timestamp='1455023033' post='2975073'] I suppose as well as the obvious, you should include one of the first - Frank Sinatra's 'In the Wee Small Hours'. [/quote] Although wouldn't something like the 1812 Overture have a stronger claim?

Marvin Gaye's What's Going On.

Surely any band that has been together for 30 years is allowed a little flexibility in the line-up! Do the gig. I worked on an album with US gospel act The Sound of Blackness. They ran as anything from a full 60 piece choir and band, down to four lead vocalists (two who also played keys)!

[quote name='chriswareham' timestamp='1454966234' post='2974711'] Andy Cairns is often described as the nicest bloke in rock, as he's very down to earth and friendly. Dave Ball from Soft Cell took the time to explain to me how to get the synth sound on "Youth" which I was most pleased about. [/quote] Funny, I came on to this thread to suggest all the current line up of Therapy?, Michael and Neil are also great. The vast majority of bands I worked with were pretty decent human beings once you broke the ice with them, but these guys were in a league of their own.

That Purpleheart board looks as though it should be awarded a Purple Heart

I always loved Hagstrom, and desperately wanted back in the late 70's when I started playing guitar, so was excited when I saw the reissues a couple of years back. I then read several really poor reviews, all singling out poor finish. Now bearing in mind one of the biggest criticisms of guitar/bass magazines is that they are always too generous with their praise and star rating (got to look after the ad revenue), and without being able to try one locally, I had to take it that these reviews were, sadly, honest and accurate I'd love to hear that they have sorted all the issues and are making great instruments again!

[quote name='Twincam' timestamp='1454957006' post='2974623'] There's loads of famous and admired bassists that mainly play in a more simplistic way that don't get anywhere near the stick that Adam Clayton has mainly in the past, [/quote] Very true, but the same could be said for his band!

Another happy user of OBBM cables, and having seen the Whirlwind prices quoted from the Chichester shop, I think you will be very pleasantly surprised!

I like all sorts of pop music, never been worried about things being "uncool", but Gilbert O'Sullivan is one of just a small handful of acts I really can't enjoy (even odder considering I really quite like Dean Friedman's Lucky Stars). I did think it was an oldie until I heard it for the third time in three days.

[quote name='Highfox' timestamp='1454711007' post='2972398'] I can well believe that. I worked for many years with one of the guys that Directed TOTPS during the 70's 80's and 90's and to say he made sure he covered his own ass would be an understatement. We all know now the BBC wasn't as clean cut as it made out at the time. [/quote] He'd have probably laughed , saying we should have known (especially as the manager in question was a very dodgy character)! It was some po-faced business affairs executive that had obviously never seen the inside of a TV studio!

[quote name='Highfox' timestamp='1454709566' post='2972391'] I could be wrong but I think for live a top of the pops a re-recorded live version had to be submitted, normally recorded at a BBC studio and then mimed to . Not sure what year that might of changed but I know it still went on in the 80's. Think the Whistle test was the same in the 70's. [/quote] This was all a bit of smoke & mirrors to get past the Musician's Union, who insisted that the musicians got paid to re-record the track, so as soon as TOTP had booked the acts the record companies rushed to recording studios, would set up, the MU rep would turn up, see everything being done as per their agreement, at which point the plugger would take the MU guy to the pub, and when they returned a nice freshly copied tape would be handed presented to the rep and used on the BBC. I had a big run in with the BBC, Sony Music and a very well known manager over a set of tapes that were supposedly "live at the BBC" but which Sony paid a musicologist who proved the tracks were the original masters. The BBC were furious, and denied this could have possibly happened, and yet it was a well known practice throughout the industry.

[quote name='Dad3353' timestamp='1454699114' post='2972276'] I'll have a look around in the attic; one never knows... [/quote] You'll have a better chance in your uncle's attic

Found the reissue just a tiny bit more polite - but so little that if I were to listen to either in isolation I wouldn't have a clue. Great playing and review style SergeBass!