I'll second all of this. Had the 350 (only sold as needed cash early in lockdown and will replace with the same as soon as I get into a band again).
Oh, and cheaper than a lot of amps getting mentioned on this thread.
I think @Dad3353 may have the answer here. Someone with better than my very old Grade E physics A level may be able to shed more light on this, but sound travels faster in hotter temperatures, and I'm pretty sure this would be more noticeable in the higher frequencies. You probably sounded great out front.
I'm waiting for the Mallory Park model - lovely vintage sound, but some truly dreadful corners!
Seriously, this looks like yet more great work from @stevie
They're not the IBMs are they - intense, bearded men? Usually avidly watching the guitarist's fingers, and wanting a set list at the end of the night. To be found at EVERY blues club, and most classic rock gigs.
This one will hopefully meet the approval of many of you - new material from Meshell Ndegeocello. Jazz/Soul, just beautiful, and one of the best bass centric tracks I've heard. Thanks to Cerys Matthews who played this today.
Heard this on the radio this morning. Loved it until I turned the car radio up and the Bassline became more apparent. In parts it is great, fits the song perfectly. But in others, it sounds a complete mess ( or am I missing something)?
Interesting front runners. I thought L&LD would have been in clear water by now. Nice to see fellow bass players are a bit more diverse in their tastes.