Jump to content
Why become a member? ×

KiOgon

⭐Supporting Member⭐
  • Posts

    3,918
  • Joined

  • Last visited

Everything posted by KiOgon

  1. Hi & welcome, I've worked out your way, (a few years back), from Oman to Saudi, through all the Emirates, telecom projects with Cable & Wireless. Rather be home these days Cheerz, John
  2. Hey Yolanda - yeah like already said - you don't need a big introduction here, I reckon you're a bit late to the party but very very welcome. Always good to see a player of your calibre on side there's not many about (ducks for cover) Have fun, John
  3. [quote name='Chiliwailer' timestamp='1370365386' post='2099801'] [size=5][u][b]Ok, the set arrived today![/b][/u][/size] I put them on with HUGE anticipation. Once the truss rod and saddles were adjusted (especially the A string) off I went for a wonder on the Jazz Bass. The feel was an instant hit and couldn't believe the quality of the tone, quite unlike the other Flats I had been using and all for the better. The A string being so thin was a big concern for me, initially the balance wasn't quite suited to my style but I switched on the compressor (which is always on the go anyway) and hey, problem solved! Perhaps it was a placibo, but the bass responses of the E and A balanced better after. I'm guessing the lighter A string is to match it better to the D and G because I was really impressed with that. I'm super pleased with the strings.Big thanks to KiOgon, you're post was on my wavelength and I agree too about our P Bass needs. The other posts were great too, nice to hear what other players are up to and thinking. [/quote] Glad you're happy with, I don't find the balance (size or sound or tension or feel) a problem on my AV '62 Jazz. I have a new set ready for my 60's fretless Jazz I'm working on at the mo, looking forward to that I think the last time I bought TI's I got a few sets from a USA dealer who was doing a good deal on them, nowhere near the price they are now
  4. You've answered your own question, the proper job would be to fill with dowel & re-machine. Cheerz, John
  5. Another 'keeper' bites the dust My pockets ain't deep enough GLWTS Nick
  6. [quote name='Stacker' timestamp='1370335127' post='2099150'] The slugs have become part of the circuit?? (edited 'magnets'!!) [/quote] The way I see it is 'some' of the windings must be in contact with the magnets, not normal surely? How else could I get a few Ohms (16/23) reading?
  7. Getting lots of noise when you touch the poles, 2 'new' sets of SPB-1s here doing the same thing! On one set I've investigated I'm getting a resistance reading between the pole pieces & the common wire, after scratching through the varnish on the back of one pole , the reading between pole & ground wire on one coil is 23 Ohms, the other 16 Ohms. The resistance of each coil is 5.7/5.8 K Ohms, total across output wires is 11.6 K Ohms. All earth connections are good, checked with multimeter. Cheerz, John
  8. Do you get any noise using these when you touch the poles? 2 sets here doing the same thing! On one set I've investigated I'm getting a resistance reading between the pole pieces & the common wire, one coil is 23 Ohms, the other 16 Ohms, resistance of each coil is 5.7/5.8 K Ohms, total across output wires is 11.6 K Ohms Cheerz, John
  9. [quote name='Dingus' timestamp='1370187929' post='2097333'] By way of a comparison , I remembered seeing this and thought you might find it interesting : [media]http://www.youtube.com/watch?v=owYAsxl3LVA[/media] The sunburst on that CS 59 reissue is eye - wateringly beautiful , and it sounds just as good as the Pino bass to me . . [/quote]They're all beautiful - I'm assuming each has the factory fitted strings on at time of the video? Quite a wide range of tones between them.
  10. [quote name='Conan' timestamp='1370178726' post='2097242'] Or to have a root through Uncle Horrid's garage/workshop! [/quote]Made I larf
  11. I had to check a packet - you're right JF344's .070 A - & yes they're balanced lovely. I love the soft & smooth feel on a Jazz bass, fretted & fretless. They don't suit me on a Precision though. I prefer a heavier gauge for the definitive P bass tone, personal favourites GHS Precision flats, 55 G, 70 D, 90 A & 105G. The 43/56/70/100 TI's feel right to me on a Jazz neck, they balance the thinner neck better IMO & the GHS suit Precisions, both 1 5/8" & 1 3/4" varieties
  12. A; The Pino is just a copy of an old P-bass Uncle Horrid found for a certain P-player for a few quid, (a few years back), don't ask me how they come up with the price tag B; I've played a few & they do seem to play very nicely, I'm sure a lot is down to the TI Flats fitted as standard, the only Fender P (AFAIK) to have these & usually the only bass in the shop to have them. If you're not used to TI's when you try a Pino it's bound to be a revelation C: I hate the rusty bridge on them. I fail to see how a top class working musician would let his equipment get in such a state If I had one I would have to change the bridge, (for a same style Vintage but in good condition). D: My American Vintage '62 P plays, (to me at least), even better than a Pino They are nice though
  13. [font=Arial][font=Verdana][size=2][b][u][size=4]Jazz Bass - Complete Ground Shielding kit.[/size][/u][/b][/size][/font][/font] [font=Arial][font=Verdana][size=2][b][u][size=4]As used on Fender USA Vintage Series & Custom Shop Jazz Bass[/size][/u].[/b][/size][/font][/font] [size=4][font=Arial][font=Verdana][b]Brass Shield Plates for Neck Pickup, Bridge Pickup with Bridge Ground + Control Cavity Shield.[/b][/font][/font] [font=Arial][font=Verdana][b]Fitted Black Waxed Cotton [font=Verdana]Ground wires, ready soldered.[/font][/b][/font][/font] [font=Arial][font=Verdana]Fits into the body cavities under the pickups & the controls, to provide shielding from buzz, hum and electrical noise. [/font][/font] [font=Arial][font=Verdana][font=Verdana]As used on FENDER USA Vintage[/font] Series '62 Jazz Bass + others.[/font][/font] [font=Arial][font=Verdana]All plates are hand cut from Real Brass Sheet, (.020"), Pick up [font=Arial]c[/font]avity Shield Plates, supplied [font=Arial]w[/font]ith (0.4" thick) High Density Foam Rubber.[/font][/font][/size] [size=4]Control cavity plate supplied drilled for fixing screws, self adhesive backing also supplied. [font=Arial][font=Verdana]Pick up plates [font=Arial]f[/font]it underneath the pickup providing shielding from external electrical interference[font=Arial].[/font] [font=Arial]B[/font]lack waxed cloth covered wires soldered on, the other end of these wires is simply soldered to the pre-soldered area on the control cavity plate, [/font][/font]or can be terminated under the fixing [font=Arial][font=Verdana]screws provided. A wire [font=Arial]is fitted[/font] for connection to the Bell Plate lower fixing screw to complete the shielding circuit.[/font][/font] [font=Arial][font=Verdana]The bridge has to be loosened so the extension can be fitted under the flange to make ground contact, then the bridge re-tightened. If a ground wire is already fitted under the bridge this can be left in place.[/font][/font] [font=Arial][font=Verdana][font=Arial]The[/font][/font][/font][font=Arial][font=Verdana] black foam rubbe[font=Arial]r[/font]s st[font=Arial]i[/font]ck onto the top of the Pickup plates t[font=Arial]o[/font] serve as the pickup 'riser' when you loosen the four adjusting screws. [/font][/font] [font=Arial][font=Verdana]Each kit is cut from sheet brass, machined, finished & wired by hand.[/font][/font] Some sharp edges are inevitable, normal caution advised when fitting. [font=Arial][font=Verdana]Cost of the complete shielding kit is £25 + £2 1st class recorded postage.[/font][/font][/size] [url="http://smg.photobucket.com/user/kjon51/media/Shielding%20kits/20130601_163414_zps22bed5d7.jpg.html"][/url] [size=5][font=Arial][font=Verdana]Precision bass, P/J & special/custom kits available to order, please PM me for more info.[/font][/font][/size] [size=4][font=Arial][font=Verdana]Cheerz, John[/font][/font][/size]
  14. Flats rule - a few speed bumps ain't gonna change anything
  15. Watching the Otis Redding story now! Then ~ ~
  16. Bigger - longer - harder - & go down deeper, no contest
  17. Howard came up trumps with a little nugget of gold for my 60s Jazz rebuild, rarer than a rare thing that was lurking somewhere in that famous workshop, preserved for prosperity, now mine. A diamond gent of the highest calibre. Cheerz, John
  18. Shouldn't this be in the Basses for sale bit Gary? GLWTS, John
  19. Does it really look metallic GREEN to you?
  20. Just an idea - you could sew them on the cuffs of your best shirt - like cuff links
  21. I didn't get Guy Berryman but the others were easy, can't believe the lowest score was Chris Wolstenholme, being current like!
  22. [quote name='ambient' timestamp='1369759740' post='2092430'] The white one came with my Precision bass, I bought the tortoiseshell one for the 'Pino' look, but it was too dark, so I bought another. Both are in good condition, the tortoiseshell one is in excellent condition (it was only fitted for 10 minutes). Both are 3 ply, the white one is white/black/white and the tortoiseshell one is dark red/white/tortoiseshell. Both have 11 screw holes, the holes pretty much match up with each other. I'd like £7.50 for each one, this includes postage. [/quote] I think you may have mis-counted the screwholes they look like 13 holers to me - I'll take the tort please - PM coming. Cheerz, John
×
×
  • Create New...