Phil Starr

Hi Sam, I don't know if your Ibanez is active or passive, passives give outputs of a few thousandths of a volt actives a few tenths of a volt usually. most power amps are designed to take a 0dB input which is just under a volt though this can vary also. Fortunately amplifying a guitar up to line levels is just a straight piece of amplification and almost any simple pre amp will do it. If you have a practice amp with a headphone output then this will probably drive the power amp. I use my iPod to drive our power amp directly for example. I've also used a mixer aimed at editing the sound on videos which I got for £10 to drive into a power amp when my head broke down. You can buy cheap preamp units from Maplins also. When you can afford it there are lots of effects/modelling boxes that will give a line output and have plenty of gain which you can use to replace the cheap and cheerful solution. Interesting though, I rarely touch the tone controls on my Mag either especially at gigs, though I do roll off the bass a little when the room acoustics are bad. Apart from that I change tone by altering my picking position, dialling the bridge pickup in a little for some songs and cutting the top with the tone control on the guitar. I just prefer the sound of the guitar as clean as possible. Cheers

Have a read of this for the technical side of choosing an amp. [url="http://www.ultimate-guitar.com/columns/gear_maintenance/making_it_loud.html"]http://www.ultimate-guitar.com/columns/gea...ng_it_loud.html[/url] Your going to need 200W if it is going through a reasonably efficient (loud) speaker. I personally wouldn't buy any amp I couldn't try whether new or second hand as the sound it makes is kind of the point. I've used Peavey and Ashdown, both good and in your price bracket but there are plenty of others just as good. Think about what you want to carry too. Thats why I lost the Peavey 2x15.

Ooh there's nothing like a good tech debate. Is there something special about the relationship between bassists and speakers. Regarding Xmax. Celestion give the length of the coil and the magnet gap and the difference between the two is how far the coil can move without coming out of the gap. The magnetic field extends beyond the gap a little way getting weaker as it goes so the further the coil and cone move the greater the distortion. It is not clear on the Eminence website how they calculate Xmax but two years ago they used the same method as Celestion. I decided against Celestions because of the excursion/Xmax issues with my own speakers by the way. Why, if you are stuck on Celestions, dont you go for the BL series which have better excursion. Although they have conventional magnets you aren't going to notice the extra weight with your monster cab. The neo's are designed to have a light fast bass and they have sacrificed overall bass output to achieve a certain sound. You could also look at the Fane Sovereign range in this price bracket. (slightly cheaper actually) If you cant get on with the software try this [url="http://www.ajdesigner.com/speaker/index.php"]http://www.ajdesigner.com/speaker/index.php[/url] which is dead simple, just type in the figures from the manufacturers spec sheets. Not as versatile as other programs but it will calculate the basic enclosure sizes and port dimensions and give you a frequency plot at 1W and full power. Cheers

the internal speaker is 8ohms and the ashdown only develops it's rated output into 4 ohms. It is designed to work with the extra cab so no worries. Your sound man may have wanted things up high for two reasons. If you put out the bass through the stack and keep it out of the PA and monitors it reduces the demand on the PA and can clean up the sound. Alternatively he may have just wanted a high level feed to the mixer because it reduces noise and/or the mixer lacked an input which was sensitive enough for the feed. The line out on an Ashdown is only at mic level and a lot of cheap mixers only have a limited no of mic pre amps to keep costs down. The line out on my Ashdown is at quite a low level. In other words he wanted it turned up at the mixer but not necessarily on stage. An Ashdown giving 200W into 2x15 should be loud enough to drown out the drummer unless you are cutting the mids and boosting the bass

The trouble with these debates is that they are in terms of watts and not about how loud things are, which is measured in decibels. If your amp/speaker combination can reproduce 100dB average and 120dB peaks it will be loud enough for anything including permanent damage to your hearing. An efficient speaker will produce 100dB with one watt, doubling the power produces an extra 3dB and ten times the power 10dB so 100W will produce an extra 20dB and 200W 23dB. So 123dB which is plenty giving you 3dB of headroom through this speaker. Average speakers in combo's often produce only 96dB/W so a 200W combo might only get to 119dB. Then you add in effects. A compressor will limit the dynamic range so if you have it on low it might gain you 5dB or on high 10dB still leaving you with a dynamic range of 20dB. If you use 3dB bass boost you will need to double the power of your amp and 12 dB will need 16 times the wattage. A lot of the problems come because people miss the point that our ears don't work in a linear fashion. Doubling the power is only a small increase in volume, you need ten times the power to get double the volume. This is why bass amps come in silly powers an 800W amp isn't twice as loud as a 100W amp through the same speakers! It is also much better for your final sound to keep the volume down on stage as all the old musicians know. There are a whole load of technical reasons for this which I've written about on Ultimate Guitar, but for a touring band it can be a good decision to keep the bass out of the PA. Putting bass through the PA is an expensive decision as you will need a much bigger PA. Potentially you might need to upgrade your main speakers and add bass bins plus their associated amps. It is a lot cheaper to just put in a big bass stack and since bass is fairly non directional you can still sound good. All you lose is the ability to adjust bass levels from front of house, so long as you keep the bass filtered out of the vocal mics. There's nothing wrong about either way of putting out bass to the audience, PA or stack, it is just a decision you need to make. So I guess people putting 100W through efficient speakers are making good choices and so are people using 1000W amps through less efficient speakers. You need more power if you boost bass ( though you could just change your speakers) and less if you cut bass or use compression. It is sensible to go through the PA and monitors and it is sensible not to do this.

Yep you are right. At low frequencies the cone has to move further to achieve the same velocity so excursion becomes important. Without knowing the details of how excursion is limited in the Hartke's I couldn't say whether you will damage the speakers but I personally would look for something else. Generally speaking open back cabs won't go low enough for satisfactory bass as they would need to be huge (4mx4m) to reproduce bass. In addition the spring of air trapped in the cab helps control bass excursion as you have seen.

So long as you keep the sound clean you will be fine. Your average sound is only a fraction of the peaks. A 10dB headroom means you are running at an average of less than 50W. If you run into 'fart' territory or use a lot of effects though all bets are off

So long as you stay out of distortion levels you should be safe enough. The ratings of most speakers are EIA or something similar which is how much continuous power they can handle without overheating. If your peaks are 300W then your average level will be at least 10dB down unless you are using effects/distortion or compression which means an average of 30W. Since you don't say what amp or speaker or tell us the impedance of the speaker it is quite possible if it is an 8ohm speaker that you won't be producing 300W anyway. There is a risk but a small one the only way to be 100% safe is to use an over specced cab by 140%. It wouldn't worry me so long as the tone stays clean.

First of all you shouldn't get burning smells from a speaker cab. I think you said their was some discolouration of the fibreglass. If it isn't actually fibreglass but polyester wadding then this will singe even with speakers working normally at high power levels. You will have at least explained the smell. Move it around until it no longer contacts with the speaker. Neo's have smaller magnets so less area to dissipate heat. The easies way to test the speakers is to push some recorded music through them and listen at low volumes with your ears right up to each speaker one at a time and then with the volume up at a high level. If there is no obvious distotrion or funny noises then the speakers are ok. Have the closest look at your tweeter as this takes the bashing if you use overdrive. I can't think of anything that would cause a loss of gain without causing other problems with a power amp though I suppose a component failure around an op-amp in the preamp stages might change the gain of a stage. Tricky to find without the amp and a circuit diagram in front of you. There are two possibilities if it is the amp, it is actually ok and you just need to turn it up or you need a better tech. Don't worry about the volume settings between the amps though, that's al about gain and sensitivity and a halfway position on one amps gain control need bear no relationship at all with halfway on any other amp. There is an excellent piece on this on this site but you could look at this too [url="http://www.youtube.com/watch?v=EbVKWCpNFhY"]http://www.youtube.com/watch?v=EbVKWCpNFhY[/url]. Again if you play recorded music through the amp you should hear any problems as distortion. If you get the chance to try this then let us know what you find

[quote name='offom' post='722642' date='Jan 23 2010, 09:54 PM']I have an Aria Ab-25 and i feels buzzy when forcing the top strength strokes. I'm about to get a new speaker for it. Are car sound system based bass-subwoofer speakers suitable for such an application ? Any ideas or suggestions will be appreciated. Thanks.[/quote] No they are not the wattage ratings are almost never RMS which means they won't handle the power and the frequency response isn't good for bass either. In addition their efficiency is lower than most instrument speakers.

[quote name='Geek99' post='687954' date='Dec 18 2009, 04:21 AM']On talkbass wiki there is an article about queitening a marcus miller jazz. In it he advocates a separate wire to earth for each connection rather then each pot being chained to the next as standatd. Also says to de solder the earth tag of each pot and wire that to earth too. Would this nake a difference ?[/quote] Traditionally the best way to earth things is to use a star earth with each earthed item being taken back to a single point. This avoids any currents flowing along the earth wires and causing hum and noise. it increases safety and means if a cable breaks the earth remains secure on all the other connections. If there is a problem with noise on this bass it might well help.

your 4x10 with 300W should be producing peaks of 124 dB and be able to play at an average level of over 100dB which is loud enough to cause hearing problems. Something doesn't seem quite right.

The amp will give at least 150W into the 8ohm cab which should make it really quite loud. When you say it was worse with the old cab do you mean that it is worse now or that it was never very loud with the PA cab? Either way there are not many things that could go wrong with an amp that would make it quiet without making it very distorted. since you liked the sound it doesn't seem as if much is wrong. Try gradually turning the amp up full and trying different inputs if you have them. Also try changing your lead and trying a different guitar. Let me know how you get on.

Just to say we have the same problem with a female vocalist and the sm58. We now use a cheaper Samson mic and it does a better job for our vocalist. The biggest problem with the shure is that you really need to get right up close. (there's a rude comment about putting things in your mouth there somewhere). we found that our vocalist has the mic closer when she hand holds it rather than leaving it in the stand meaning we can reduce the gain. Feedback is caused by resonance so moving the speakers around is always worth a try. lifting them off the ground means all the lower frequencies are radiating in free field rather than half space ( A posh way of saying that the sound isn't reflected off the floor in the same way) and this can clean up the sound and improve the intelligibility. Of course the main way of reducing feedback is to turn everybody else down and reduce sound levels on stage. Good luck with that!

you have had some good advice but no-one seems to have mentioned that a reflex cabinet has to be tuned to a particulat driver and that you need to march both the volume and the length of the tuning duct to match the drive unit. If you google thiele small and ported enclosures you should find plenty to read. Fane speakers in the UK are made in the same factory as Eminence and should be of a similar quality and cheaper though they changed the specs this year so they don't match exactly. I'd go for the 15/500 with a decent magnet and a good Xmax or excursion limit. Should be about £50-60 -try Blue Aran for about £20 extra you should be able to get the same speaker with a cast chassis which should be more reliable. Celestion do some reasonably priced speakers and also some expensive ones. I've not tried these but they are a well known firm. I have a black widow which I bought second hand. It is very bottom heavy, clean and deep but not much in the way of upper mids. Get the black widow with the metal centre if you go this route or plan on using it with a 4x10. They are pricey in the UK