Oldman

The case and gig bag expensive, and La Bella strings circa £65.00+ I’ll get a snap of the bag tomorrow. Price reduced, gig bag extra

1 mic needs to go, will include 1 x XLR Connect

NOW ONLY £325.00 choice of gig bags not included in the price. I have a basic gig bag £15.00, another Deluxe £50,00, or nothing if it’s a meet Max 60 miles. Not long got this Jazz, fitted with La Bella Flats, it sound sublime. A few dinks on the head stock This gig bag is £45.00 This gig bag is £60.00 Ken Smith Design 5 string Jazz bass EBS PRE 19mm string spacing Around 10 pounds weight Buyer Collects or meet would consider delivery I can post at buyers cost. Not gigged by me, no band no need just noodled and tones explored.

Scale 34” or 35”

Where did you get the trolley ? I want one type bump

New Price Terror = £365.00 including insured posted OBC12 = £210 including insured posted

UPDATED

I relinquished a MarkBass Alain Caron Combo for the Orange rig.

It is 8Ohm, 250Watts into 8Ohm, 500 into 4Ohm I had 2 x OBC12

Terror = £365.00 including insured posted OBC12 = £210 including insured posted

A fabulous rig, the transmission line cab’s are delight. GLWTS

100watts or 200 ?

Sold to Martin’s (Norris) son, Charley

All dressed up, nowhere to go, yet!

I’ll sell the Cort with a gig bag (Fender) instead of the case in the original post. £300.00 with Fender Gig Bag.

Thank for L👀king

I’ve not had this beauty a week and realised couldn’t get the synth in head out of the pedal. Up she goes. In book it’s a fair cop at £100.00 delivered UK mainland. Nothing wrong with pedal it’s my ears that are faulty.

The “B” rings true and compares with a Basses 3 time the price and more

A tad over 4kg

Available separately, PM me

I would consider a combo Part Ex, 150 + watts, not too heavy, I is old. Balance 💷

■Main Features ●The Dual Bass Station is a high-performance bass preamplifier with dual inputs and EQ channels. With a single bass guitar plugged into the IN-A input you can switch between the A and B channel EQ settings as required. Both channels feature versatile 3-band equalizers that are ideal for use with a wide range of musical genres and playing styles. The parametric midrange controls allow detailed tonal adjustment. ●Great care has been taken in the selection and implementation of all signal-carrying parts and circuitry, achieving overall specifications and sonic per- formance that rival high-end audio equipment. The internal circuitry is powered by a 24-volt supply, allowing the expressive dynamic range of bass guitar to come through with maximum impact and clarity. ●EQ controls employ precision potentiometers with a control curve that has been specially designed for maximum subjective linearity. ■Controls and Connectors 1BASS (A CHANNEL)/5BASS (B CHANNEL): Boosts or cuts the bass frequency range. Response is flat (no boost or cut) at the center click position. 2MID (A CHANNEL)/6MID (B CHANNEL): Boosts or cuts the mid-frequency range. The center frequency of the mid-frequency range is set via the corresponding MID FREQ control. Response is flat (no boost or cut) at the center click position. 3TREBLE(A CHANNEL)/7TREBLE(B CHANNEL): Boosts or cuts the treble frequency range. Response is flat (no boost or cut) at the cen- ter click position. 4MASTER(A CHANNEL)/8MASTER(B CHANNEL): Adjusts the output level. At the center click position the output level is approximately equal to the input level. 9A ch MID FREQ/10B ch MID FREQ: Sets the center frequency of the mid-frequency range that will be affected by the corre- sponding MID control. 11MUTE LED: Lights (red) when output from the OUT jack has been muted via the MUTE footswitch. 12Channel A LED: Lights (green) when the A channel has been selected via the A/B footswitch. 13Channel B LED: Lights (orange) when the B channel has been selected via the A/B footswitch. 14MUTE Footswitch: Alternately mutes and un-mutes output from the OUT jack. 15A/B Footswitch: Alternately selects the A or B channel. 16IN-A Jack: This is the input jack for channel A. The output from a bass guitar or other effect unit should be connected here. When no plug is inserted into the IN-B jack (below), the signal fed to the IN-A jack is routed to both the A and B channels so you can set up two different EQs and switch between them as required. When using a single bass guitar, always connect it to the IN-A connector. 17IN-B Jack: The IN-B jack can be used to connect a second bass guitar to the DBS-1. When instru- ments are connected to both the IN-A and IN-B jacks, the instrument connected to IN-A will go through channel A, and the instrument connected to IN-B will go through chan- nel B. 18TUNER: Connect to an external tuner when required. The TUNER output jack is active even when the main output is muted. When two instruments are connected to the DBS-1 the signal from the channel selected by the A/B footswitch will be output via the TUNER jack. The input signal is fed directly to the TUNER jack without being affected by any of the DBS-1 EQ or level controls. 19OUT Jack: Outputs the processed signal from the DBS-1 to an amplifier or mixer. 20DC12V IN Connector: The DC output from the supplied AC adaptor should be connected here.

I traded my fretted version for ‘88 NT in ‘88 from R & B Music Aberdeen.

Not long had as part of a trade, as much as I like look and playerbility of this Bass I really do not need 3 x 35” Basses. Nothing has changed on the bass since I have had it. Shipping U.K. Mainland possible or meet within 60 miles. Thank for l👀king