gjones

[quote name='skidder652003' timestamp='1347718186' post='1804312'] eminence kappalite, eeeek seen the price of em!!! [/quote] Try another with a similiar frequency range but with a normal driver. The neodynium driver in the kappalite pushes the price up. They use the neodynium to make the speaker much lighter but there's no difference in the sound with a normal driver (it's just heavier). The eminence Kappa is just £68. The kappa pro is £100. I just bought an eminence kappa for £40 from Blue Aran as graded stock. It had a small crease on the cone but was tested and sounds fine. Received it next day - great service. [url="http://www.bluearan.co.uk/index.php?search=emminence+kappa&x=0&y=0"]http://www.bluearan....e+kappa&x=0&y=0[/url]

[quote name='skidder652003' timestamp='1347709860' post='1804198'] hello well im looking for a 210 cab to add to my 8 ohm 115, so far no luck! Obviously i want an 8 ohm 210 to add so i get the required 4 ohm 500w max load. However havent seen too many 8 ohm cabs but a few 4 ohm 210's out there. Im sure this has been asked before but has anyone run this config - one x 8 ohm and one x 4 ohm cabs into an amp with a 4 ohm minimum impedance? Did you blow up? Is it wise? (probably no!) Any advice greatly appreciated! [/quote] Buy a decent quality 15 inch speaker, like a eminence kappalite, and fit it in your Ashdown cab. These are the ones Barefaced cabs use in their compacts and have an extended frequency range. That should get rid of the wooliness and be cheaper than buying a new cab.

[quote name='Bassmonkey' timestamp='1347644401' post='1803621'] He's a she. Sent me a text asking I correspond via email. Have done twice now. No response.....holding breath......can't keep holding breath...... [/quote] Watch out. When somethings too good to be true............it usually is.

He's either desperate for cash or it's a scam. Nobody sells a £600/700 bass for £300.

I hate to think what that filth by the bridge consists of?

[quote name='tauzero' timestamp='1347635880' post='1803428'] All you have to do is play one to rid you of these unwanted desires. [/quote] I suspect you're right. After all Paul originally bought it because Fenders were too expensive and left handed ones were even more expensive. For years he played other basses and for a long time played a Yamaha.

Fender American Standard Jazz Bass Black S-1 Switch, Hard Case £300. I sent a messgae to him to say he's selling it too cheaply and to sell it on basschat instead at a decent price but no answer yet. [url="http://www.gumtree.com/p/for-sale/fender-american-standard-jazz-bass-black-s-1-switch-hard-case/110884252"]http://www.gumtree.com/p/for-sale/fender-american-standard-jazz-bass-black-s-1-switch-hard-case/110884252[/url]

[quote name='gjones' timestamp='1324287637' post='1472468'] It took me 25 years to pick up a Jazz Bass for exactly the same reason. I've had 3 over the last 4 years. You live and learn. [/quote] Make that 7.

He sounds like an arse (there's a lot of them about in the music business). I would bear this in mind if you ever decide to deal with him again and make sure you get a written contract. If he can't give you a contract you can't do the gig.

At a local venue I play they replaced their old Ashdown Mag 4x10 with an Ampeg Classic 4x10. What an incredible improvement in the sound, even though the bass amp is still the same (an old Ashdown Mag 600). It's also much louder than the old Ashdown cab as well. The Ampeg classic is a pretty expensive cab at £500 to £600 new but if you can find one used for your budget I really recommend it.

The early nineties MIJ Squier basses have a black truss rod adjuster at the headstock like todays mexican Fenders. This one is natural. I know because I have one.

[quote name='voxpop' timestamp='1346916917' post='1794712'] Ashdown amp are great. I love the sound, it's rich, detailed and sounds great with a P bass. For around £300 you can pick up a 2x10 ABM combo,these are much better than the mag series. [/quote] I think he means secondhand (probably from the for sale section on basschat).

I'm playing the Harvest Blues festival over in Monaghan Ireland this weekend. Come up and say hello if you're around.

[quote name='Pete Academy' timestamp='1346703753' post='1792229'] If you play other bands' music, you are classed as a cover band. Most jazz bands and Orchestras are also cover bands. If you cover one band,s songs you are immediately classed ad a tribute band. We are lucky in that Steely Dan never had an image, so no need for wigs etc. If you enjoy the music, then it doesn't matter what the bando or artwist looks like. [/quote] I've seen your band on youtube you're sh*t hot! I don't think you have to worry about being at the cheesy end of the spectrum.

[quote name='Mr. Foxen' timestamp='1346581441' post='1790694'] Is the SVTII pro vintage now? I sort of considered them hold up example of the compromises in modern amp construction. [/quote] I think the engineer said they were introduced in the nineties so not 'vintage' ampeg but definitely 'expensive'.

[quote name='gjones' timestamp='1346520640' post='1790234'] I'm assuming he's just miming. In which case, what's the point of him bothering? Edit: If he's not miming I'd give him a 10/10 for vocals and 7/10 for the dancing. I'd give a 5/10 for the whole Micheal Jackson experience because most tributes are a bit naff. [/quote] Although I do have some friends who did an Allman Brothers tribute at the fringe recently which was pretty good.

I'm assuming he's just miming. In which case, what's the point of him bothering? Edit: If he's not miming I'd give him a 10/10 for vocals and 7/10 for the dancing. I'd give a 5/10 for the whole Micheal Jackson experience because most tributes are a bit naff.

This is where I bought mine [url="http://www.allparts.uk.com/online-shop/guitar-bass-parts/hardware/screws-and-springs/bridge-screws-and-springs/saddlebridge-height-screws-c-277_1_47_69_71_72.html"]http://www.allparts.uk.com/online-shop/guitar-bass-parts/hardware/screws-and-springs/bridge-screws-and-springs/saddlebridge-height-screws-c-277_1_47_69_71_72.html[/url]

I've learned to set up my bass myself via youtube vids and trial and error. As long as there's nothing fundamentally wrong with your bass then it's not too difficult. If you have a setup booked then leave it to the professional and he'll confirm the bass is ok and just needs a setup. But next time you feel the bass needs set up to your liking I recommend you try it yourself.

Jeff Beck in 1980 with Mo Foster, simon Phillips and Jan Hammer.

If that's not a good incentive to loose the beef I don't know what is. This is from somebody who was in a similiar situation years ago and lost 4 stone. In the end we didn't get the contract but I did get fit. Since then I've put it all back on again...... but that's another story.

[quote name='Lozz196' timestamp='1346439364' post='1789339'] You can get very near that old Ampeg sound with the PF-500 - I say that having recorded with both that, and an old SVT, and being pleasantly surprised at the PFs results. In a recorded mix it is surprisingly good. The studio engineer/producer, whose fave bass sound is Precision/Ampeg was also very appreciative in his comments. I`d expect the SVT-7PRO to be even better. I agree about the older Precisions sounding better - but then that`s all subjective, some may hear them and think they sound weak and lifeless in comparison to the more modern sounding ones of today. [/quote] Very interesting about the PF-500. I tried one about a year ago as part of a flip top and thought the combination was too middy for me. But then I went and bought a TC Electronic classic 450 from the same shop, which I disliked immensly, so what do I know?

[quote name='thisnameistaken' timestamp='1346421752' post='1789063'] You don't need to get as close with a live rig because the FoH sound won't reproduce it anything like as accurately as a recording, so don't feel like you have to buy a big tube amp and a spine-ruining cab to gig with. I actually think the tube pre in my Shuttle sounds great when it's turned up. Others may disagree but I've been genuinely impressed with it. And that weighs under 2kg. [/quote] It's true about live sound. I used exactly the same amp at a festival last Saturday and the sound out front was awful (for all the bassists that played that day not just for me).

[size=4]I got the chance to use some classic gear while recording yesterday. The studio let me use their [color=#333333]all tube Ampeg SVT 2Pro, through the corresponding 1x15, and a 1977 Precision. What a sound! I was never one to be a gear snob and I was always a bit dubious about the idea that 'vintage' are better than 'modern' basses but that combination was something else.[/color][/size] [color=#333333][size=6]I WANT!!!!![/size] I just can't afford the 3 or 4 grand I'd need to get that kind of gear [/color] [color=#333333]And I don't have the back to carry a 5 stone head up 3 flights of stairs to my flat.[/color] [color=#333333]Out of interest,.... does anybody (who has used both) know if you can get that ampeg sound from one of their cheaper lighter amps.[/color]