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Sparky Mark

⭐Supporting Member⭐
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Everything posted by Sparky Mark

  1. Cheers. Rare indeed; in fact it took me a couple of years constant searching to find that version of the cab loaded with a Fane 15 driver to match with my Series 6 1215 combo.
  2. I'm guessing that's an old passive DiMarzio pickup? I haven't played one since the 80's, but I imagine it's close to perfect here.
  3. I bought a scratchplate and pup cover for my MM Sterling from Dave. Arrived in quick time, as new and superbly packaged. Great price too. Thanks Dave.
  4. Very good condition Trace Elliot Series 6 GP12 AH200 head and Classic compact 1153 ported single 15" cabinet. Everything works exactly as it should and delivers the classic Trace Elliot tones in a lightweight (by TE standards) package. Also does just about every modern tone with its extremely flexible twelve band graphic equalizer section. £350 collected from Bury St Edmunds or localish meet up, including Roqsolid covers, Klotz Jack to XLR speaker cable and mains lead. Thanks for looking.
  5. Mo Foster – A History of His Fender Jazz Fretless Bass – FretlessBass.com https://share.google/3o3Q4mBuGEY8oYkqg
  6. ^^This. It's "brave" indeed to repeat a drummer's comment without a little research IME.
  7. Perhaps Pino was crap back then and your friend's rejection spurred him on to become the player we all revere today. He should feel proud.
  8. Your drummer friend was incorrect. According to IMDb NP was referenced in the first episode.
  9. So which three bass players would we have wanted to select and analyse their own and others iconic bass lines? Can I start with Mr Paul McCartney? Who else?
  10. Are you going for the stainless steel or nickel steel frets? SS will last forever.
  11. This is a nice combo for a pretty good price.
  12. Could you confirm that you are selling two of these for £175 each please? If so, perhaps adding "each" after the £175 would clarify. Cheers.
  13. Have you looked through this thread yet? There's a lot of brochures showing the badges used over time.
  14. On a different tangent but definitely linked; think of one of your favourite classic bass lines that sounds great, iconic even, in the recording mix. Then Google to see if there's a recording of that bass line in isolation. For me, they are rarely a tone that I would use at home whilst practicing, they often have much more essential mid content.
  15. Looking at the grain on the neck it would appear to be quarter sawn, which helps neck stability, and is often a chargeable upgrade.
  16. Beautiful amp, congratulations. My only comment is that unless you believe the valves will be unseated from their sockets during rough transit or handling, I'd remove those retainer springs, that could potentially scratch the glass. I replaced the spring retainers on my amp with the Ampeg Birtcher style retainers that just hold the valve base. My amp never moves though, so not really needed.
  17. I've got one of these and it's effectively the TE Series 6 GP12 pre amp with an adjustable mid pre shape control. It cops the TE heft really well. FS-EQ12-DI – Ashdown Engineering https://share.google/lx57PeJ9I6rntwTU6
  18. I think it wise not to buy any vintage TE gear unless it's exactly what you really want. Don't compromise, you can almost predict that once you buy anything different, what you really wanted will be advertised for sale somewhere. New TE equipment is pretty expensive IMO, and although very good, sounds quite different to the vintage gear. I did see a guy playing rock/pop through an elf head with two of the single 10 cabs in a small pub and it sounded really good, but I'm not sure how that rig would perform in larger venues?
  19. To be fair that's pretty clean for a 40 year old fan; it must've been cleaned of dust/crud a few times. I'd be more concerned about the amount of fluff inside the amp, which is why I prefer the sealed heat sink cooled heads. They're pretty much pristine when opened up.
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