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Sparky Mark

⭐Supporting Member⭐
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Posts posted by Sparky Mark

  1. 9 hours ago, Stub Mandrel said:

    And 500W RMS is lots more power more than 300W RMS, volume wise it's my very efficient cab that's making most of the difference.

    It could also be worth considering the Total Harmonic Distortion level at both those stated RMS outputs. If the Trace output was increased so its THD matched the other amp, it may be closer to the 500 watts. (I wonder if an amplifier expert could comment please?).

  2. 45 minutes ago, Wombat said:

    There is a post in another thread about a courier that will take valve amps without any packaging at all. Possibly cost prohibitive for this but you never know!

    Cant remember where I saw it unfortunately!

    Yes, it's Lenspeed; I've had experience of them. They are great for moving expensive kit and instruments, but not economical at this price point unfortunately.

    • Thanks 1
  3. 3 minutes ago, snorkie635 said:

    The only surviving image of me, when I played through a TE Quatravalve into a 1x18" and a 4x10" and a 4x5" brightbox. So young back then, I didn't even notice the weight. 😢

    IMG_1554.jpeg

    Do you still have the Dolphin?

  4. 11 minutes ago, Stub Mandrel said:

    Would it be a sin to remove the gp11 preamp from my 1110 combo and marry it to a 500W class d power amp?

    Absolutely not, but what are you wanting to achieve; a lighter weight?

  5. 12 minutes ago, Burns-bass said:


    Yes, I sold it last week. I’m pretty sure they could easily replicate what made it special. Neck profile, lovely maple neck, pencil thin frets. They couldn’t replicate 40 years of playing I guess…

     

     

    The Musicman Retro '70s StingRay Bass is exactly that. I bought my pre EB Ray new in 1981 and the original 2 band preamp is much less refined than more modern versions. I understand the retro model has that more "in your face" delivery, as evidenced by many YouTube videos.

  6. 4 hours ago, roger said:

    i don't understand the thought process behind the bridges on newer & special models with the bridge, what's happened to the bolts that screwed into threaded inserts into the body? it must be better for sustain surely, that to me is a step backwards! (cost cutting)??

    Screenshot 2025-09-19 at 13.08.36.png

    I think the main reason is to reduce the weight of the bridge and the overall weight of the latest Special Stingrays. The machine heads are also a reduced size lightweight design. As long as the bridge plate is well secured to the body there shouldn't be any noticeable difference in sustain. The classic pre EB bridge looks great but probably weighs twice what is necessary. 

  7. I guess there's always a possibility that a deposit is taken to remove an item from sale, the potential purchaser delays for whatever reason, then asks for the deposit back. The retailer has then lost days or maybe weeks when they could've made a sale.

    • Like 1
  8. 8 hours ago, danbanbass said:

    It caught me off-guard when I was there trying it and a guy messaged online offering the asking seconds before trying to negotiate.

     

    In hindsight I agree but at the time with my ADHD being the way it is I couldn’t think.  

    If that situation occurred in a car saleroom, you'd seriously suspect it was a pressure selling tactic.

    • Like 2
  9. On 23/08/2025 at 10:34, danbanbass said:

    I really liked the neck on a 66 P bass in refin sonic blue at Andy Baxter’s, unfortunately he wouldn’t budge on price at all as he had another person online interested whilst I was there in person trying it. I wasn’t after masses off but everyone likes a deal don’t they?

     

     

    Maybe thats just me.

     

    Sad to say I didn’t buy it as I was about £100 off what he was asking and that was as much as I could offer. Lovely old thing though.

    If I really really like a bass, especially if it's a relatively expensive (£2k+) vintage one that I'm unlikely to find again, I definitely wouldn't lose it for the sake of £100. Sometimes however, I think we might subconsciously put obstacles in the way when we're not 100% sure we really want an instrument. 

    • Like 3
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