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Sparky Mark

⭐Supporting Member⭐
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Everything posted by Sparky Mark

  1. I get so hacked off having to guess where in the world all the gear I want to buy is that I just can't be bothered to ask any more.
  2. I used to have a CMD121P combo to which I added a NY121P cab. The increase in volume sounds more like four times and the fullness of sound is amazing. Do it now!!! As I already had a LM3 I sold the combo and bought another NY121P cab for my lightweight rig of LM3 plus two NY121P cabs.
  3. I am no way as experienced as you (thousands of gigs; wow!) but I know that I want colour to come from my fingers/pick/strings/bass/pedals and amplifier. I want my cab to simply make it all audible and as loud as I want. As long as the rest of the chain is correct I've never had a problem with any cab ( other than some won't go loud enough) and Bergantino ceramics stand head and shoulders above all the others I have owned. Put sterile or harsh into them and guess what, that's what comes out loud and clear.
  4. Thanks but how old is the amp please? The date of production is more useful than when it was purchased.
  5. I just have a feeling that there isn't a sub £1000 amp out there that will match the DB751 sonically. Lighter yes, perhaps even more tonally flexible, but if it sounds the way you want then anything else could be a backward step. It's really easy to advise others to spend their hard earned trying our own personal favourite but the OP is already at the top end of what's out there. If weight only and not expense was the criteria the only amp I would suggest purely on other people's reports and reputation would be a Bergantino B|Amp with and programmed for matching Bergantino Reference series cabs of the OPs choice.
  6. Compared to an SVT (and most powerful tube heads) the DB751 is a relative lightweight at 42 lbs and still lighter than many 210/115/112 cabs that it is driving. Personally I think the extra 35 lbs load in/out is worth the effort given that you could be stood in front of it on a gig for 2 to 3 hours. If there's a medical reason for the downsizing then you maybe have no choice; otherwise stick with it as anything else could well be an expensive disappointment.
  7. Totally agree that the frequencies affected are much tighter with the graphic and TE instructions are to adjust adjacent sliders as you describe. However on a gig the low end is the only area where I have no idea what's going to happen. Mid and top are set during rehearsal to suit my bass of choice then low end set dependent upon venue acoustics. All that said most gigs end up with nominally flat EQ settings.
  8. If you know which frequencies you'd like those 3 or 4 EQ knobs to be centred at then just ignore the other graphic sliders. Whichever amp you use you should know which frequencies you like to cut or boost and the 12 band TE graphic will inform better than 3 or 4 bands of semi-parametric EQ IMHO.
  9. It's heavy. 'nuff said me thinks. Anyone that wants 300 valve watts knows the deal.
  10. Apparently, the BTA 300 was a featherweight 33.5 kg.
  11. Sparky Mark

    Markbass

    Well, you could if you wanted to destroy your LM3. Otherwise do what the Markbass website instructs and only go down to a 4 ohm load by using one 4 ohm cabinet or two 8ohm cabinets.
  12. I'm so glad you live at the edge of civilisation as I want to buy most of the gear you're posting lately type bump.
  13. 👍. Someone will get a fantastic bargain here and the 4 or 8 ohm output makes it more practical than the Ampeg SVT CL which has 4 or 2 ohm. (I know many say you can run CLs into 8 ohms but I'd be apprehensive).
  14. How many of these were made and shipped? You missed a number from the original post.
  15. I believe that you can buy direct from Bergantino in the UK. Contact Jim through his website to find out the details. Although not cheap you should avoid the UK distributer/dealer mark up.
  16. I don't know whether Jim follows Basschat but he is very protective of his brand and would be very disappointed with the above. I have had communications with Jim in the past and although he can come across a little terse on occaision, he obviously cares enormously about his product and customer service levels. (Ref: Talkbass). As we all know, speakers tend to be the element that breaks when we over step the mark with our volume/EQ settings and Jim must get loads of requests for 'help' with damaged out of warranty cabs and he has to draw the line somewhere I guess.
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