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Sparky Mark

⭐Supporting Member⭐
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Everything posted by Sparky Mark

  1. [color=#282828][color=#222222]I bought this on here recently but unfortunately the colour didn't quite work on my faded fiesta red precision so I have fitted it to 2011 USA Olympic White and 3TSB Ps for the photos.[/color][/color] [color=#282828][color=#222222]Imported from America, this is a very nice 4 ply Tortoiseshell pickguard made from reddish brown celluloid. It is not the more commonly found brown plastic type. It has a medium relic finish, so it has scratches, swirls, dulled patches and slightly darkened / stained edges. It has been pre-drilled with the 'thumb rest' in the lower position as well as the pick up cover holes. There is also the metal shielding plate which is cut smaller than the pickguard and will therefore not show once fitted.[/color][/color]
  2. Fenders are usually dated by the youngest date marked component not just by the neck date. The bass was 'born' when it was fully assembled. Fender necks were date marked when the batch of necks were made, not when the neck was pulled from stores to be assembled on to a bass which could be many weeks later. If the pups are dated 67 then this is at earliest a 67 bass. This makes no difference to value but could be an issue for someone looking for a year of birth bass.
  3. One feature of this amp that I don't think has been commented on yet is the absence of surface mounted components. From WOT's thread photos the PCBs all appear to be hand soldered through hole construction which are a whole lot easier to service and repair than high density SMT. If I didn't already own a shed full of heads I would have one on order as they are in a different class to the easy to produce, almost impossible to repair units that now prevail. HB have certainly put a great deal of effort into the aesthetics of their amps which I really like and it will be interesting to see if they continue to offer the variety of cosmetic and casing options once they become more established.
  4. I had this issue once with my Markbass F500. I was playing in a loudish rock band driving bergantino ht112er and EX112ER cabs. When I dug in it tripped out. Never had the same problem with my Bergantino AE112s, perhaps the HT stack being less efficient pushed the amp too far?
  5. Just bought Mark's Markbass Super Synth. It was packed superbly, shipped to me immediately and arrived in practically mint condition. I won't hesitate to deal with Mark again.
  6. Ampeg website is very clear. Ported
  7. Why not contact Orange itself? It is headquartered in Borehamwood, North London(ish).
  8. And another tenner off type bump.
  9. Luckily, Jim was prepared to wait until my latest expedition north to buy a cab from me. Unfortunately we didn't have a lot of time to put the bass world to rights but Jim is obviously a genuinely nice guy and a tasty bass player to boot. Good (thorough) communications throughout. Cheers Jim.
  10. [quote name='Roland Rock' timestamp='1461496574' post='3035092'] Sure. Glockenklang Blue Rock [/quote] 1000 Watts.
  11. When I think back to my older heavier amps from Ashdown, Ampeg, Trace, Peavey, Laney, Hartke and others I have forgotten for the moment, they quite often printed peak power on the rear as well as the official continuous RMS rating. The peak output was often two or three times the RMS rating and probably allowed for transient peaks for the occasional slappy bit. Maybe this extra energy was available because of the general over engineering of the older heads (big transformers, capacitors etc)? I know cost has always been important but nowadays the race to market the biggest output for the price seems to have led some manufacturers to quote maximum RMS figures but maybe the class D topology doesn't allow the peak capability that we were brought up with? Hence the proliferation of 1000 watt class D heads that possibly give us a similar transient load capacity to the 350 to 500 watt heavyweight heads?
  12. I had the same issue with my F500 when pushing it hard into my Bergantino HT112ER and EX112ER. Does it cut out when it is turned up loud and you are digging in? If so you may be at the limit of your F1. I think that like quite a few of the early class d bass amps that their continuous output ratings were a little optimistic.
  13. My F500 didn't have any problems driving a pair of the more efficient bergantino AE112s, just the HTs.
  14. Markbass STD104HF 4ohm is a lightweight 26kg cab a smidge under 24" wide. I am selling one on here BTW.☺
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