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Ramirez

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About Ramirez

  • Birthday 14/03/1985

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  1. Thanks, Yeah, I was thinking it would be much bigger than the Ampeg. If I were to buy it would be to stay in the studio (and to entice bass players to the studio! Although the V4B does a decent job of that too!) I think I’ll pass though, good luck!
  2. Thanks. I almost bought a Pf20T and cab today but it fell through. I had one, liked it and really regret selling it. Has anybody used the Ashdown and Ampeg? Is the Ashdown a clear step up? The one thing I’d really miss on the Ashdown is the ability to use the Ampeg as a very posh DI without the cab.
  3. Ok I’m tempted… does anyone have an idea how much it would cost to get such a thing hauled across England to north Wales?! And are they just styled after the B15, or are going for that sound as well?
  4. Well, to answer my own question, I tried the 3 they had at Wunjo’s in Denmark St yesterday, and walked out with one. I was very impressed, sounded beautiful, and the weight, feel, sound and build quality were very consistent between the three. Also a shout out to the excellent and patient service at Wunjo, even on a busy saturday. They currently have the Casady fretless at £649, which is cheaper than anywhere else I can see.
  5. Two Klark Teknik CT1 inline mic boosters for dynamic and ribbon mics. £30 delivered.
  6. Boxed as new. Stereo Big Muff Pi than can be used as a ‘hardware plugin’- ie. routed from DAW through the pedal for recallable analog fuzz in your DAW. Also works as a conventional (stereo) Big Muff. Very neat! £200 delivered
  7. Instrument/amp selector £20 delivered
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  8. Simple slapback echo £20 delivered
  9. A bit road-worn and missing one knob and the runner feet, but otherwise working great. £70 delivered
  10. Genuine Fender (have receipt if needed) £40 delivered
  11. The mics will be fine. Ribbon mics with conventional XLR wiring are also perfectly fine with phantom power as long as nothing’s faulty- it’s become a bit of an internet myth that phantom power WILL break ribbons! XLR outputs from other equipment is a different story - some (most, perhaps) are fine being connected to an input with ohantom power present, while some don’t like it. I’ve seen a few digital mixers shut down when their outputs are connected to an inout with phantom, and I’ve some some older equipments outputs go bust. It will PROBABLY be fine, but it’s safer to use the jack inputs* if you can (or a t transformer isolation box/phantom blocker) *Phantom power should not be present at the jack inputs, and this is true in most cases with properly designed equipment, but sometimes, on some equipment using XLR/jack combi inputs, the phantom can be present on the jack input. Always best to check!
  12. I'm selling my Beatbass fretless, because I really fancy one of the new Epi Casady fretless, and I'm struggling to get to grips with a short scale fretless alongside a double bass and a fretted electric! It's in as new condition, barely used, with LaBella 760FHBB flatwound strings and a soft case. The bass sounds great, pickups are powerful and noise-free. The only work that's really needed is that the nut is really too high for fretless (was like this from factory), so it needs lowering for the bass to be at its best. Asking close to the cost of a new one due to the strings and gig bag. Pics to follow. Would much rather meet in person than post. Aled
  13. Anyone else had a go on one of these? I'm seriously tempted.
  14. I think you're confusing 'professional' and 'elite'. Most professional players play off the shelf basses, and I'm sure plenty of them own and play Squiers. My DPD delivery guy doesn't get to drive Max Verstappen's F1 car, but they're both professional drivers.
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