Franticsmurf

I was at the Hammersmith Chronicle show too. I'd seen them the previous year, same venue, when Lemmy guested. I took loads of 'great' photos, probably some of my best work 😀 - but my camera was stolen at the end of the night so we'll never know. I went on to see them several more times over the years. My first band was heavily influenced by them - synths, sound effects, spoken passages between songs. We covered Assault and Battery/Golden Void, Utopia and if we needed a filler, Silver Machine.

I remember watching Carl Sagan's 'Cosmos' series and hearing the excerpt from 'Heaven and Hell' and wondering what it was. Took me a while to find out (pre-internet days) but it's a great album. I also have Aphrodite's Child '666' which is a great, if a little bizarre, album. Vangelis is my go-to chill music provider.

Same here. I wanted to learn how to programme decent fills and I was given the remains of an ancient Carslbro electric kit that had been plundered for spares. It has no dedicated hi-hat or snare pad but for my needs its perfect. I started to understand fills, but more importantly for me as a bassist, I started to get what the drummer was doing, and that it wasn't just banging things with sticks. 😀

I spent ages experimenting with the best balance between bus and car to get the perfect grungy urban sound. The clean sound is based around the Nissan Leaf. It has a bypass switch, too, which is modelled on the Newbury bypass, I believe. 😀

I love playing live and probably wouldn't be playing at all if the lure of gigs wasn't there in some form. I've played great gigs (my opinion) and bad gigs (everyone's opinion) and lots of mediocre gigs but all of them have something to look back on and be pleased with - even if it's just the packet of crisps as rider or the inebriated bingo caller. I've been fortunate to play with some gifted musicians way above my standard, pushing me to be better. I've played with the odd numpty (tuning the guitar because the guitarist couldn't for alcoholic reasons, for example) but they only tend to happen once. I enjoy the relaxed creativity of rehearsals, particularly when we're working on brand new material. I'm not that keen on practicing at home unless I'm working on something new - be it a new part or trying out new effects. But there's something special about sharing a stage with a bunch of like-minded friends in a venue with an expectant audience, band vs world, and their reaction to the first few songs. If it's a good gig, it's great and there's nothing quite like it. The buzz is amazing and I genuinely get pleasure from knowing our audience have had a good time. If it's a bad gig, the journey home in the bus/van/overcrowded car is lively and usually ends with 'Great Plans' for next time. (Which tend to get forgotten, of course.)

Arrive and set up at an outdoor gig. Plug in and make a noise to make sure the amp is working then off to help with the drums before the soundcheck. Sound guy connects me to the PA through the DI out on the amp. Soundcheck - bass through the PA but nothing from my amp that was working minutes before. Pedals ok, bass ok. 'Discuss' things with the sound guy. Prepare to play the gig with minimal monitoring. At the last minute, I remember my amp has a volume control. D'oh. Sheepishly apologise to the sound guy and prepare for endless p*** taking from the band. I was not disappointed. 🙄

Hi all, I'm Dave and I'm relatively new here - I have been hovering in the shadows for the last few weeks as I've been looking for information on lightweight amps and cabs as a result of a muscle injury that has left me unable to carry my usual bass amp - a Laney Richter RB7 and 1x15" cab. After reading through a few threads, I finally settled on a TC Electronics BAM200 head and Warwick Gnome 1x10" cab. Thank you for the info and opinions, which really helped me make an informed decision. I'm happy with the new kit, which will enable me to continue to rehearse and play small gigs while I recover. So - a bit about me. There is no test at the end so feel free to skip the boring bits. I started playing in bands way back in the late 80s as a guitarist (am I allowed to use that language here?) before seeing the light and swapping to bass, initially to fill a gap in a mate's band. I found it far more fulfilling, and it felt natural. My mate was the drummer, and we already had a good relationship so that drum/bass groove just worked from the start. We went through the 'we're gonna be big' phase and I popped out the other end still relatively small and inconspicuous. But I enjoy playing, particularly live, and for the last 15 years or so I've been in a successful local covers band working across South Wales. With the enforced break, the band decided to part company (amicably) with the singer and we are currently putting together a new project playing a mix of 80s and 90s rock and funk. It's still at an early stage (although we have some dates booked in July and August - so no pressure then) and the final setlist and exact sound has yet to be finalised. The line up at the moments is drums, bass, lead guitar, keys/guitar and vocals. For most of my bass playing years, my main bass has been a Steinberger Spirit headless 4 string with drop D tuner. It's lightweight, small (like me) and the tuning is so stable. I love the sound clean through the RB7 (and more recently DI into the PA) and the neck feels comfortable and is easy to access for the higher frets. I have recently added a GK3B pickup into a Vbass and although I haven't gigged this pair (the Vbass was a lockdown purchase) I have been using it to record. There have been basses that have come and gone but my main bass is now a Sterling Ray34HH which had a few outings in the latter part of 2021 via a Laney Digbeth pre-amp pedal into the PA. I find the two humbuckers and the 5 way selector give me a range of tones which are working well in the preliminary rehearsals with the new band. I can growl, shimmer and punch at the flick of a switch. The line-up is completed by a Sterling Stingray 5, a Gretsch Electromatic short scale and an Artisan electro acoustic 4 string which I play in a side project - a 13 piece local festival band complete with mandolins, banjo, brass and which is enormous fun to be in. I'm looking forward to being a part of and contributing to this forum. Take care all. Dave