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steelbeard

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Everything posted by steelbeard

  1. REDUCED - £150
  2. REDUCED - £100 including postage
  3. If anyone cares any more, I own and use both OB1 and 4-Stroke in 500w versions. This is my opinion on comparison:- The OB1 is their solid state amp that really tries to sound like their full-fat valve amps, with the typical limited Orange EQ range and the drive. It's great if you want a rack mounted item that you will not feel the need to change the valves in every couple of years, however it's no substitute really for an OR-120 or even an AD200 (have both also) if you absolutely want the traditional creamy Orange sound. It's close but not perfect. The 4-Stroke lacks the drive of the OB1 but is able to open up a bit more in the EQ range and is more flexible on adjustment, similar to many other rack amps from the likes of Ashdown, Hartke, Ampeg etc. If you play all sorts of crazy venues and really get worried about your tone and insist on the additional EQ headroom then this might be a better bet. It does a good job at this and there are a lot of competitors out there but if you want a more traditional tone I'd recommend the OB1.
  4. £160 collected
  5. I suspect that those who are familiar with this vintage of string will know exactly what these synonymous Austrian-made items look like, but should anyone want pictures of the strings unwrapped I will of course send to them on request.
  6. SET OF FOUR DOUBLE BASS STRINGS - THOMASTIK-INFELD WIEN SPIROCORE 4/4 This is new old stock, I have opened each string and checked condition is good prior to sale. Set S.42 consists of S.36 - S.39 with red silks, I believe this puts them at medium.
  7. TOBIAS TOBY DELUXE IV BASS GUITAR in light natural wood. Truss, action and intonation have all been set up ready for use. Has a few minor dings and scratches from original owner but nothing that effects the performance of it or is visible from a distance. You're welcome to try before buying.
  8. MTD KINGSTON K4 ARTIST BASS GUITAR in metallic red. Has the asymmetrical neck and classic MTD overall body shape. Truss, action and intonation have all been set up ready for use. Has a few minor dings and scratches from original owner but nothing that effects the performance of it or is visible from a distance. You're welcome to try before buying.
  9. TRACE ELLIOT VINTAGE 1153T 15" BRITISH MADE BASS CAB Has been upgraded with a 450W Eminence Kappa 15-A at some stage. This is the carpeted version and is in good condition for it's age. Bidders welcome to try before purchase.
  10. My travelling TC rig for sale complete as pictured. BH250 amp head with K210 cab Comes with power and connecting leads You're welcome to come and try it out.
  11. [quote name='dan670844' post='1085468' date='Jan 11 2011, 01:30 PM']With the exception DH none of the above are rackable, but they come with there own box cab or whatever so no problems![/quote] It's got to be rackable I'm afraid
  12. [quote name='icastle' post='1084867' date='Jan 10 2011, 09:20 PM']I can't find the reference, but I do remember readng that Ashdown stuff was originally made in the UK but latter models were made abroad. You can't buy enough english made electronic components to make an amp anyway these days - all the components tend to be sourced in the far east regardless of country of manufacture of the final product.[/quote] Granted there's hardly any component manufacturers left here in the UK but what I mean by 'hand made' in essesnce is an item that's designed and the boards etc assembled here rather than boards mass-manufactured overseas.
  13. Can anyone recommend a manufacturer here in England of hand made (not imported as assemblies or re-badged) rack-mountable bass amps that also warrant and support them to the same level? I heard say once that Ashdown sort of carried on with hand made stuff where Trace Elliot (UK) left off, any truth there ?? If so which of their models can anyone suggest with respect to the above question ??? Thanks..
  14. Looking for pro or semi-pro work www.myspace.com/steelbeard Please message me there..
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