Delberthot

I'll take your challenge sir The Punto boot is 127cm long with the back seats folded and 103cm wide. The 1524 is about 94cm long by 61cm wide by about 40 deep. This should mean that you could get 2 cabs lengthwise on their sides with enough room for the amp and 4052Hs down one side. Plus the car would be scraping along the ground, that is of course if the suspension hadn;t completely given up. When I had my Punto I had a Trace 1153, Peavey 4x10", 8u rack, 2 basses, another 3u rack for my bass amp and a huge holdall for my cables.

I had 7 or 8 at one time but only have 1 and its not one of the usual suspects. My Epiphone Gothic Thunderbird that I fitted EMG HZs and Roto flats does everything. I am, however, planning a purchase next year as I celebrate my silver jubilee (25 years in old money) since I began playing. I'm going for a Gibson Thunderbird but something a bit special like a Bicentennial or one of those dark blues Japan only fellows I missed out on a couple of years back

[quote name='Old Horse Murphy' post='1160550' date='Mar 13 2011, 04:08 PM']Long-standing regular gig last night in Wimbledon. The ne Drummer offered to help take the PA so popped round mine first. I told him it was in the garage and he loaded the monitors and mixing desk in his car. 90 minutes later we arrive and set up. unfortunately the Drummer has brought my camping table rather than the mixer! Martin the landlord is unflappable and phones a mate who arrives with a spare desk in less than 5 minutes. The gig went really well and the Drummer is now referred to as Baden Powell[/quote] I was pissing myself laughing when I read this.

Tonight's gig was at a hotel that we play often but they had us on the stage which meant that everything was booming. Sound was terrible. There were a lot of pissed people who wanted me to die as they kept trying to put their drinks on the stage about an inch from my pedal board. Some drunk people trying to get on the stage and I managed to resist kicking one of them in the chest although the temptation was there. Last weekend's gig was much better. Masonic do so it was raised trouser legs and 'how old's your granny'. They loved us and want to book us again. I'm not surprised as we did it for about half what we normally charge just to get us in the door so to speak. There were a couple of high up ones from other thingies there as well. Had to resist the temptation to do any Grandmaster Flash or that Village People classic 'in the masons' In the wedding band we have to do a fair amount of sh*te but tonight we actually got asked to learn songs that I like. The usual ones are songs that the guitarist and singer already know so it was disapointing when they couldn't be arsed to learn them properly. AC/DC - Whole Lotta Rosie, You Shook me All Night Long. Stereophonics - Dakota. Killers - Mr Brightside

Bugger, missed you the last time you were up and just noticed this thread.

I used Elites Nathan East signature strings but it looks like they don't do them anymore. You need to get the tapered B string to fit the Warwick, I snapped the one that came in the set cos the winding goes to far and ends up round the tuner

How about a couple of Trace 1524 2x15"s and a couple of 4052H brightboxes?

I use an 80 watt Meridian guitar combo. its plenty loud, fited with a Celestion and doesn't rumble through to next door. Although for the last couple of days I've had a Trace 15" 150 combo that i picked up on Gumtree during the week for £60

I had a Gallien Krueger 800RB, sold it and went round the doors with Ashdown ABM500, Hartke HA5500, Trace MK V AH150, Hartke LH500 and Orange TB. Ended up back to a Gallien 700RB II last April. Galliens are not light and they are not flavour of the month but they do sound very good and are build like brick outhouses. They have such a great inherent sound that the only thing I need to adjust is the volume

I had two - A Carlo Robelli and a Tennessee. The Carlo Robelli was the house brand for Sam Ash or something like that in the US but it was made in the same factory as Deans and Galvestons. Solid with a flame maple top. The Tennessee was a semi and possibly made in the same factory as the Waterstones - slightly deeper than those. 8s are fun, I remember Lee Ritenour's bass player using one live but 12vers are crazy mad mental. There is a huge difference between them. If you tune one of the octave strings slightly sharp or flat you get an amazing chorus effect. The biggest thing you need to be able to do is play your notes sparingly - I have a tendency to be all over the shop at times and this doesn't suit the 12ver. Play too quickly and fancy and you'll end up sounding like you've thrown the bass downstairs while plugged in. When I got my 12ver I used it with the rock band for the entire set. I just couldn't put it down. I really wish I'd kept the Carlo Robelli. I will get another 12ver at some point, either another one of those if I can find one of one of the Korean (I think) made Hamer B12s. The Daddy is the Chandler but I'd take a Hamer B12A any day of the week. The last time I heard, Doug had a specially made Yamaha 12ver.

Another faultless transaction for me. Couldn;t have been nicer and the pickups arrived quickly and exactly as described. nice one.

Its quite a small package compared to a guitar so there's a good chance it will slip through undetected. As for the threaded inserts, Neepheid is building a headless Thunderbird so he may still have the inserts from that

I'm still finding my Roto flats are still bright after 3 months and I'm guessing they must've settled in by now so hopefully that's the sound I'm going to get for the next few years. I'm like you as well, I can't imagine going back to rounds again

[quote name='Mykesbass' post='1189610' date='Apr 5 2011, 08:21 PM']Pretty good evidence for the Entwistle / Rotosound case but can't work out what the Danelectro reference is about: [url="http://www.thewho.net/whotabs/gear/bass/bassmisc.html"]http://www.thewho.net/whotabs/gear/bass/bassmisc.html[/url][/quote] From what I can remember, My Generation was recorded using a Dano I think. Anyway the story I rmember was that JE loved the sound of the bass but couldn't get the strings on their own so when they got dull or they broke, he had to buy another bass.

Not an 8 but Tony Senatore has a fretless [url="http://www.12stringbass.net/"]12 string[/url] made by Rothstein Warmoth can do you a fretless 8 string neck. The main intonation problem that i can see is that if you fretted the note at a slight angle, it would result in one of the notes being slightly out for either a nice chorus effect or 'bag of cats' effect depending on how much of an angle your finger was.

I suppose if you really wanted one you'd pay that since EBMM doesn't sell them separately. Maybe someone with a Stingray with a non original pickup in it looking to put it back to standard.

nothing near it but as a former trace amp user. they're great.

My GK 700RB II and Laney Nexus 115 does every gig, regardless of size. If the venue is large enough then you'll have a PA. The lightest 8x10 is around 65kg and a pain in the arse to move

To me its just wood and metal. I've owned around 70 4, 5, 6, 8 and 12 string fretted, fretless, solid body, semi acoustic and electroacoustic basses. As I mentioned last week I used to gig with about £6000 of basses and now its about £400 and am getting an amazing sound, great playability and much enjoyment from them. They could end up in my Will or they could end up on Ebay next week.