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Everything posted by Delberthot
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Fantastic - I've been proven wrong regarding the punchiness thing so it it down to the actual bass then? Is a Stingray with a naturally more in your face tone than a Fender the way to go if you want a punchy fretless sound? Off the top of my head some of the fretless basses I've owned over the years have been: Bass Collection passive Yamaha TRB6 - converted to fretless Musicman Stingray Fender Jazz Squier VM Jazz Harmony - Gibson Grabber copy maple fretless Ibanez SR370 EF 70s Fernandes Jazz with EMGs Antoria PJ Aria ZZB Trace Elliott T-Bass 5 string Out of all of them I always thought the Stingray was the best but at the time I couldn't put my finger on what made it better than the rest
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Do you have a list of which songs he played fretless on in the studio? i was under the impression that he only played '39 live with a maple fretless
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Hmm - maybe I have a different definition of punchiness in my head - to me that isn't punchy in the slightest
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This is what I keep my Sterling in. The original problem being that the Musicman case is so big I couldn't fit it into my last car (even less chance in my current car) Mine will be 2 years old at the end of the month and looks as good as new and is really comfy when worn on your back
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It's funny you should mention Whitesnake as for years I was convinced Fool For Your Loving was a fretless. I never understood the draw to Jaco myself either but that's for another thread. My main problem with fretless is that it just does not have the same punch and attack that a fretted bass has. I've listened to loads of live recordings of Pino and Tony Franklin and great players as they are there's just no punchiness to the sound. I know that's not the point of a fretless, it's more of a soft swell rather than a hard attacking sound.
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I was just thinking that perhaps less than 0.1% of the music I own has a fretless bass in the recording yet I've had maybe 20 of them over the years. My main inflences and bands I listen to are Kiss, Led Zeppelin, Deep Purple, Yes, Motorhead, Pink Floyd, Aerosmith but there are loads of others - how many have featured a fretless? I can only think of Hey You by Pink Floyd out of those So is there a reason that most of us on the forum have or have had a thing for fretless basses?
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Best Courier for a high value instrument
Delberthot replied to steviedee's topic in General Discussion
Have you had a bad experience with them? -
Best Courier for a high value instrument
Delberthot replied to steviedee's topic in General Discussion
I always use UPS through Interparcel. I wouldn't use anyone else -
Samick Greg Bennett Royale - cheap hollowbody / MM hybrid!
Delberthot replied to dannybuoy's topic in Bass Guitars
Or an extra £60 gets you a sunburst one now https://www.gear4music.com/Guitar-and-Bass/Greg-Bennett-Royale-RLB-3-Bass-Guitar-Sunburst/1IC7 I've been contemplating a semi acoustic for some time but havent come across these before -
now that makes sense
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really? You were working at home because of the weather but complained because the delivery driver couldn't get to you because of the weather?
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I tried those but found them too thin. I normally use Herco Heavy ones which are the silver/grey coloured plectrums Apparently Chris Squire used them and so does Jimmy Page so I tried them and haven't used anything else since. I have tried hundreds over the years from the smallest thinnest ones to the big thick triangular Gibson ones but the problem was the grip. The Hercos are textured so you can concentrate on playing rather than holding it and ending up with cramp mid song.
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I had a PF500 and, shutting down from time to time aside, it felt a lot quieter to me than the stated 500w. I've had my GK MB500 for a couple of years now and love it. I'm only just tickling the volume controls to be heard in the band and it has the same boost control as the RB series heads but doesn't get quite as gnarly as the 700RB. That being said I enjoy having my bass rig stored in a cajon bag and a one handed carry. If I was to change amps tomorrow then I'd probably buy another one as there's nothing that can touch it for me. The Fender Rumbles do come a close second though
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£700 or less bass. Whats the best option?
Delberthot replied to FarFromTheTrees's topic in General Discussion
I know someone that's selling ones of these -
Before I sold my SR5 to get my Sterling, I had to make sure that I could play everything on a 4 string. The way to do it was to get a Hipshot doublestop that can drop the E down to 2 lower tunings. I have mine set to D & B and regularly switch it during songs. I did play 6s for a few years but in the end I could see no point in having a C as I never used it - I only had a 6 for the sake of having a 6
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I say live and let live - If you're happy with your playing ( I know I am ) clap your hands. If you feel the need to change or a condition forces you to change styles then go for it - it's always good to learn new skills if you feel the need to. At the end of the day it's a hobby for most of us, not a competition. If I get a blister one gig out of a thousand then it's something at that gig that caused it, not necessarily my playing style.
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I bought this around Christmas time and have really enjoyed playing it but prefer my Sterling. There's no point in it sitting in a case so it's time to go to to a new home. These basses were made by Ernie Ball Musicman in the USA as a way to compete with basses being made in the far east but keeping production at their factory in San Luis Obispo, California. They used solid, uncontoured bodies and textured paint as a way to keep the costs down but the basses are fitted with the same bridges, pickups and 2 band EQs that the regular USA Stingray models were fitted with. This particular bass was made in December 2003. Other differences between this and the USA version is that the scratchplate is the same shape as the 4 string Stingray and uses the 2 band EQ instead of the 3 band EQ. The pickup uses Alnico magnets which is the same as the 5 string Stingrays produced in the early and current models and is wired in parallel same as the 4 string Stingray. Eventually Sterling Ball realised that he was losing too much money on these so production ceased around 2007. In 2009 production began of the Classic Stingray 5 which looks remarkably like this bass and I have heard that the scratchplates for the classic series fit these basses as well. There are a few differences with the hardware but they use the same pickups and 2 band EQ. The original scratchplate would have looked like metal chequerboard but this has been changed sometime in the past and it would not surprise me if this was a Classic Stingray one that was fitted to this bass. The Classic 5 retails for around £2,500 which makes this bass a bargain. The SUB4 is relatively common as that is what most people went for but there are relatively of these SUB5 models in existence. I believe that this will be a future classic due to it's rarity, it's different to the other USA Musicman models and they were only produced for less than 4 years. A lot of people believe that the true Stingray sound only comes from the 2-band EQ and until the Classic series came along, these were the only 2-band 5 string you could buy. The sound of this is incredible and sounds like a 5 string Stingray should with plenty of growl. It has Schaller style straplocks fitted to the bass (I'm not sure if they are real or not) so you only need to buy the parts that attach to the strap. The bass is in excellent cosmetic condition. There are a couple of tiny chips on the body on the back at the top of the bass that could probably be filled if you wanted to but you have to look very carefully to find any other marks. This bass has been well looked after and everything works as it should It comes complete with a Musicman branded hard case which is in very good condition with no major scratches and no broken parts ( the Stingray 5 I bought brand new in 2000 didn't even come with one of these ) I'd prefer a straight sale but am open to offers. Insured postage will come in at around £35 but I am also happy to meet up within reason for cash.
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Is it this video? If so I managed to find the dots on his website but I can't remember how. I think that this is the most accurate one and the one I used to learn the track
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Both of my Warmoth '54 single coil precisions had jazz width necks. I much preferred that size to the regular Fender '51 reissues which were a bit chunky for me
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I've been a fan since I saw them on the telly doing Live Aid. In fact the main reason I play bass is because of Queen
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SOLD - Musicman Sterling (USA) 90’s NAT/RW
Delberthot replied to Quatschmacher's topic in Basses For Sale
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After 130+ basses of all shapes, sizes and pedigrees I've finally settled on my Sterling. It's not the fanciest, blingiest, nicest or bass with the most strings I've ever owned but it does exactly what I need to it to do and it's really comfortable. I do remember the thrill of the chase with some of the basses like the Modulus Flea, Stingray 20th & 30th anniversaries, Yamaha TBR6 fretless, Rickenbacker 4003 Blueboy etc but ultimately the bass that suits your style, is comfortable and sounds right is the right bass regardless of the brand name on the headstock or number of strings. I've really enjoyed playing the SUB5 as it is essentially a classic Stingray 5 for less money but I can't see it hanging around for long