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i happen to have local copies of all patches. this should work for you @Sharkfinger Aint-Nobody.zip

Whenever I've posted that, someone always says the same thing. I dont know why they wouldn't make them anymore. I suppose the market isnt there, but the company is still around. They just make "normal" instruments.

https://shop.warwick.de/en/parts-for-instruments/warwick-spare-parts/just-a-nut/30040/warwick-parts-just-a-nut-iii-8-string-38.5-mm-width-brass/tedur Too narrow for what i need ornid have bought one

Just got the call to pick up my bass tomorrow. We'll see if this was a ridiculous folly or if i get something really awesome!

Yeah, im going to have to get one cut. Warwick makes one but its very expensive and not quite big enough for my nut

I have a moses graphite neck on one of my mains i built. I feel like it's hollow.

You can get the patch here. https://auraplug.com/fidatabase2/downloads/aint-nobody/ You'll need to register and use the midi adapter your man threw in to add it to the pedal To me, the FI is the single greatest effect pedal of all time.

Where did you order the nut from? I've been looking for a precut 8 string nut as well. Is it a warwick one?

I have barts in all my custom built basses, but in my MIA jazz i have SD antiquity IIs. I out them in a long time ago and have never regretted them. I love the bart sound, but i dont like the no pole pieces look on most traditional basses.

If youre mot fussed anout headstock, I'd go with guitarbuild.co.uk They make what looks like a nice neck with plenty of options at a good value. I am currently putting together a fender bitsa and i fully admit i paid more to get a genuine fender neck. I really wanted an MIA, but couldnt grt the configuration i needed. The MIA was double the MIM i got and i am sure the only differencr is a mexican fella running the cnc.

That was me. Theyre amazing. Check out that low end lobster fella's review

Detroit Rock City is their best tune. No need for brackets.

I played a WM 15 throughout the 90s as my practice and small gig rig. Loved it.

Go high end and get the BOSS waza air bass

Lovely. Are those 50-110s?

If anyone is interested: https://www.moosetwentythree.com/

Have you seen this one he did? A collaboration with my local shop. https://reverb.com/uk/item/51693203-moose-electronics-deadly-fuzz-collaboration-with-some-neck-guitars-signed-no-15-20 Such a cool pedal

It's a sledghammer and sundrive. I call it the sunhammer! Had him build it for me in january.

Sounds awesome. Im a big fan of moose and he's a pretty cool dude. I think his distortion pedals are as good as anything out there. Super clean builds as well. Up until last week he was based a mere 400m from me.

Yoir manxwho is building that wal-ish bass in build diaries is using a lusithand onboard dual NFP preamp for his build. I posted recently about it here. This is what i wrote about the jazzplate: So i used to own a wal, and the thing i really loved aboutnit was the electronics. It never occured to me that there were other vendors making the same style which turned out to be a folter based preamp. I suppose i never made the connection. I figured it was just Wal's thing. So i deep dove into the idea of getting one. Went with the lusithand as they had the dropin plate. JTEX makes a cool looking one out of canada. Woth the lusithand, i went with the single NFP for my jazz as the double you need to rout. It dropped in perfectly and the sound is, to me, perfect. As opposed to preamps which basically just boost your tone, i find this preamp actually helps you dial in a smoothness and thickness otherwise unattainable in an active pre. My recent switch to flats also seems to have really taken to this preamp. In 25years of playing i have never turned up the tone knob past 20-30%. I was easily at 80-90% last night punching through and sounding incredible. I honestly can't believe it.

The lusithand stuff? Ive got his compressor which is fantastic and one of the jazzplates and it is the absolute business.