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Harry

⭐Supporting Member⭐
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Everything posted by Harry

  1. bump.......
  2. Thanks for the feedback
  3. I have traded and bought basses with Philou ( he has also heloed when i have been loking), great guy and very trustworthy, communication was excellant and was happy with the whole transaction , In fact we are now friends and keep in touch all the time :-} Harry
  4. [quote name='Soliloquy' post='1187055' date='Apr 3 2011, 08:24 PM']Sorry I didn't get in touch, I got dragged away on a gig. I was looking at the photos of the Roscoe a little earlier, I'll let you know .[/quote] no problem, mail me if you need anymore info..
  5. hi, yep,it's a lovely looking bass.....
  6. [quote name='Macko1968' post='1186660' date='Apr 3 2011, 12:46 PM']Yowser - that's lovely![/quote] Roscoe 6, you didn't get back in touch last time?
  7. also looking to trade for an fbass 6 with adjustments
  8. Sadowsky M5 approx 6 months old. As you can see from the pictures, it has a tiny chip on the paint under the pot controls( on the far left, the other mark on the bass is a smydge mark not a acuff mark.and will clean off, yeah i know i thought i cleaned it well ha It is not too noticable, but wanted to flag it to any potential buyers. There is also a slight knock to the back of the neck, again this is very minor, as you can see from the picture. The bass plays beautifully, as you would expect from Sadowsky and weighs just under 9lbs. Professionally set up with a very low action. Selling for £1,350 ono including case. [attachment=76493:IMG_1209.JPG] [attachment=76494:IMG_1212.JPG] [attachment=76496:IMG_1210.JPG] [attachment=76498:IMG_1216.JPG] [attachment=76497:IMG_1214.JPG]
  9. as new £125 including postage to uk, boxed with power supply
  10. [quote name='BigRedX' post='1143376' date='Feb 27 2011, 02:58 PM']Firstly, none of the current systems actually add MIDI capabilities directly to the bass. What they do is provide individual string outputs and some control functions which are then processed by an external unit to provide the MIDI data to drive your synths, samplers etc. I've been playing with using stringed instruments to control synthesisers for over 25 years now and on the whole I'm still pretty unimpressed by the results. All the systems I've tried require you to modify your playing to some degree to get the best out of them, and I've found it far more efficient to spend some time practising my keyboard technique instead. The things you need to overcome in order to derive MIDI from a pitched sound source are: accuracy of tracking the pitch, how to handle variations in pitch (bends, vibrato etc.) how to filter out unwanted triggers, deal with string damping, and latency. For me the biggest problem is latency - this is the delay between you playing the note and the synthesiser actually producing a sound. The latest pitch to MIDI systems are much better at working out what the note is going to be from the waveform, but there is still some delay and it gets longer the lower the frequency of the note - not a good thing on an instrument dedicated to producing low notes. Add to that a slight delay in converting the detected pitch to MIDI data and then another delay in the synthesiser converting the MIDI back into a sound. Each on their own is fairly negligible, but all together they give a distinct lag to the note formation. Some long-time users like Tony James have developed to ability to play just ahead of the beat so that the synthesised note appears in the right place, but of course you can't do this if you want to keep the sound of the bass in the mix as well, as that will now be too far ahead of the beat. It's no wonder that the majority of guitar synth demos either feature pure synthesiser sounds or mix the instrument in with legato sounds so you don't notice the delay. Since the worst of these latencies (and the one that isn't of fixed duration) is the initial detection of the pitch, it makes sense to try and find other ways of doing this instead of using waveform analysis. The Peavey Cyber Bass system used the frets as contacts to detect the notes. This has been discontinued, but the original inventor of the system is now continuing this development under the name [url="http://www.industrialradio.com.au/index.php"]Industrial Radio[/url]. If you want to mix actual bass guitar sounds with existing MIDI synthesisers, this is the system I'd recommend. It's only drawback is that at the moment they don't appear to be licensing the technology to other manufacturers so you have to make do with the bass that they build which may not suit every player. The alternative is to use a bit of lateral thinking. You could use a bass with individual string pickups to run a system like the Roland V-Bass which allows you to apply signal processing to each string separately. Since you're using the bass sound as your "oscillator" there's no pitch conversion required. However what you can do is limited by the internal architecture of the V-Bass module, so if you have a favourite synth you like you'll need to try and duplicate the sound using the facilities of the V-Bass. Otherwise you're back to pitch to MIDI conversion and the delays associated with it. Alternatively you could look at using a guitar-style MIDI controller. The generally regarded leader in this field is Starr Labs and they produce a bass specific controller - [url="http://www.starrlabs.com/products/ztars/zbass"]the ZBass[/url]. However it's not a bass guitar and will require a rethink of technique and you've got no standard bass guitar sound just MIDI to control your synths and the image may not suit. You do however have a lot more control options and the latency is the same as any other MIDI controller keyboard. There are cheaper options with less control but useful if you simply want to play a guitar style instrument and get MIDI data into a DAW or sequencer. I use the now discontinued Yamaha EZ-EG, which like most of these cheaper options provides MIDI connectivity as secondary feature, but is effective nevertheless. In the end it all boils down to how much you want to spend and what compromises you want to make. None of these systems IMO are perfect and all require you to make adjustments to your playing or image. For me if Industrial Radio would consider selling the technology separately so I could have my favourite luthier build it into a bass of my choosing then that would be the one for me. There are several other people here on BassChat how are using pitch to MIDI systems far more effectively that I've ever been able to manage and they should be along to offer their options. Alternatively you always spend some time learning to play the keyboard.[/quote] Ok thanks for that, it has got me thinking, i have a v bass system at the momen and also a gr-20 with the new updated software for the bass they are waiting to be used so i'm looking to go down that road, it's mainly for messing around with at home, getting ideas etc, saying that though looks like there will be some duo work coming up ( vocals and bass, chords etc) so was looking at a way to maybe make that a little more interesting. i will have a read and look over the stuff you said, please feel free to add anything else and will wait for the others to add... once again thanks for your time, very informative regards harry
  11. Thinking about getting midi put on one of my basses,i'm really looking to get it instaled internally rather than using the external midi pick up you can buy...Anyone had any experiance with this or any ideas and thoughts please... I'm after what systems are out there and if anyone has had any experiance with midi stuff, i have heard midi for bass has progressed a lot recently, any help or advice would be greatly appreciated cheers
  12. [quote name='JensWest' post='1089097' date='Jan 14 2011, 11:17 AM']Oh, pics please! [/quote] any pics yet?
  13. [quote name='yybass' post='1091700' date='Jan 16 2011, 07:06 PM']Hello fellow Basschatters, My F Bass AC5 is up for sale because I prefer using my F Bass AC6. The asking price is £2600 for a well maintained bass, which has been recently re-strung. The Spec: [url="http://www.fbass.com/ac_info.php"]http://www.fbass.com/ac_info.php[/url] The tone is excellent, no need for aggressive playing to acheive the 'Mwah' sound and it is also possible to get a Double Bass tone. You are welcome to 'try before you buy' unless you are already familliar with George Furlanetto's work. Please feel free to ask questions and I will gladly send pictures to your personal email address. I sold a Ken Smith BSR 5EG to 'thestick' & Ken Smith BSR 6TN to 'overwater1' last year. [attachment=69034:IMG_0968.JPG] [attachment=69033:IMG_0971_wall.JPG] [attachment=69031:IMG_0976.JPG] [attachment=69032:IMG_0969.JPG] [attachment=69035:IMG_0977.JPG][/quote] I've dealt with yybass on a number of occasions and he is a very honest and trustworthy guy.. this fbass has an amazing tone and lovely to play and one of the best fretless basses i have heard..
  14. [quote name='bubinga5' post='1073379' date='Dec 31 2010, 01:28 AM']Ha ha..(spits out beer)...i always like Chris's comments..i gotta agree..... what a bass though, and a great bass tone.. worth a bump[/quote] Have you sold it yet?
  15. lovely and in mint condition, not a mark on it, never been gigged ,as you can see from the picture of the back of the bass it still has the wrapping over the pre amp plate.Bass has just been sitting at home in it's case. sorry not the greatest picture taker but the colour is a gorgeous and very rich translucent red, you can get a rough idea from the pictures... .sale includes original hardcase. specs scale 35" fingerboard ebony radius 40" frets 26 body figured maple/ash/alder/maple bridge solid brass pick ups side by side double coil alnico v active 3 band eq. with pearl and gold tuners and mother of pearl and abalone inlays loooking for £1600 ono and also looking to trade to a ken smith 6 string, fodera emperor 5 etc with cash adjustment.. thanks [attachment=68425:IMG_0369.JPG] [attachment=68426:IMG_0411.JPG] [attachment=68427:IMG_0416.JPG] [attachment=68428:IMG_0391.JPG]
  16. Bought a bass from him, was in mint condition and he is an honest and easy guy to buy from... hope your well my friend ....
  17. Harry

    Sold

    bought a bass from him, fantastic guy and very trustworthy..... sadowsky looks nice...
  18. hi, what's the scale length cheers
  19. Sadowsky MV5 natural , lovely condition, vtc control. Lovely bass in excellent condition, hardly been used and hardly used now so here it is.. Lovely low action, great Sadowsky tone. shipping costs not included or buyer collects, easy either way.. £1450
  20. [quote name='skelf' post='972229' date='Sep 29 2010, 11:36 PM']I have used several East preamps with Armstrong pickupscand have been very happy with the results.[/quote] cool, have you got any sound clips or know of any you tub e vids so i can have a listen ]cheers
  21. Hi i'm having a Sei Jazz bass made and am looking at either a Demeter pre amp and Kent armstrong pick ups, or a J.east pre amp and Kent Armstrong pick ups, any one had any experience of these or heard any of these combinations together cheers
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