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SimonK

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About SimonK

  • Birthday May 4

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    Southampton

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  1. Definitely this for me as well... I think new/expensive gear is also about the satisfaction of owning it, which I do think gives a better playing experience even if it makes little difference to the sound per se. Thus said I do find it easier to dial in a sound I am happy with using Trace Elliot or Genzler/Genz Benz amps, but nevertheless I still have numerous occasions where I am not happy with my sound despite having the same kit, being in the same room etc.
  2. That looks awesome, although your AI generated description puts me off - is the bass something that you've played and have some experience with?
  3. I play in a church with a number of other bass players who are all quite young or beginners. I was asked a few weeks back by our music director to have a look at the amp settings they use (a Trace GP7, 4x10) as they don't sound "as full as you do". My initial response was to feel please that my 1k+ pedal board and much better basses were making the difference (given the amp setting are exactly the same), but having now sat down with three of them it turns out that technique makes the biggest change to the sound. Playing closer to the bridge, not using open strings, left hand muting other strings, playing passing notes rather than just roots etc. and we all start to sound far more similar! Annoyingly for GAS new/different equipment is seldom the answer to these sorts of things!
  4. I suppose it depends how band finances are set up. All the ones I have been in have not had joint owned kit, favouring individuals buying specific items so if they leave we know exactly whose is whose (and what the other band members then need to buy). Also the reason why my garage is shrine of random pieces of PA/lighting kit!!
  5. My keeley compressor has a similar problem (also blue) so I've put some masking tape over the LED. You can still see when it is on, but can also make out the settings. Otherwise simply open it up and solder on a different LED?
  6. I would say band purchases count as a fail - I have periodically taken great delight in buying pieces of PA, microphones, and even stage lights for band usage, and my wife (who is the ultimate authority) has counted all of these as GAS related!
  7. I'm in, although doubt for long... (but am pleased to be responsible for the rule change RE loyalty points!)
  8. In my experience it is almost always the room/PA. The only time I can hear the difference between a very expensive and cheap DI is through headphones or in a studio. As soon as you project into an imperfect room through an imperfect PA there are other factors that make a much bigger difference (although I agree there is also quality of construction differences and the more expensive ones are built like tanks). BTW did you put something over the soundhole? This does a slightly different thing to the sound and also helps stop feedback.
  9. No - you are right - I meant 1/4" and 1/8" which are easier to write than 6.35mm and 3.5mm! What was actually confusing me was the number of rings on the connectors as I always thought that more than the normal two ment there was also a mic line, so didn't realising that there was also a wider jack 4.4mm connector with four rings! Then I thought maybe it was an IEM thing and I had inadvertently bought the right thing, but no, the "pentaconn" connectors are a cork-sniffing audiophile thing! Anyway the adaptor has arrived now and all is good.
  10. So the upshot is that IEMs normally use standard 1/2" or 1/4" jacks and the 4.4mm connectors are just there to catch out the unwary?
  11. Well there's a discovery - I didn't know 4.4mm balanced jacks existed having spent years just thinking they were only 1/4" or 1/2"! Now had to buy an adapter for my new headphone cable to go from 4.4 to 3.5 (1/4")... apparently there are also 2.5mm jacks out there as well... humanity should have learned from the USB debacle! (although is 4.4 common for IEMs?)
  12. I bought the Ibanez Talman for my kids to learn to play, but after they cast it aside have found it to be a nice round the house bass, also because being quite cheap I don't worry about keeping it in a case to avoid knocks and scrapes (unlike my other instruments). It is very playable but I think the cheap electronics do not do it any favours (as multiple failed jack sockets over a relatively short time have proved). Indeed I now most often play it just acoustically. I suspect one of the main problems with short scale basses is the fact that the majority are fairly low end to cater for children/beginners, and hence they have a reputation for being low end.
  13. ...never been a massive fan of short scale basses for gigging so normally overlook this thread, until realising that my Ibanez Talman is almost always on my lap when sitting in front of the computer for random noodling as the size makes it perfect for around the house!
  14. ...I suppose this is the bass players equivalent of "guitars and girls" threads (from guitar forums), apart from as bass players we can't find the girls... 🥲 !
  15. ..and yet reading back through this thread it is quite a good example of how internet forums can be quite unhelpful. The OP was just concerned about not blowing a speaker to which they got the answer in the first couple posts - check what it says on the back, and if the amp has a higher watt rating than the speaker don't turn it up full!!
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