MIne is Ziggy Stardust, listened to it last night.
Great to see Hendrix, Deep Purple, Aladin Sane, Sheer Heart Attack and Quadraphenia coming up, all could easily appear on my list
White Noise ! I'd almost forgot that one !
This being a family forum, I'll refrain from expressing my thoughts about Mustang Sally. Just to say the language is decidedly viking
Safe to say that one will never appear on a set list that I'm responsible for ....
Just thinking around this one. How does one tell what the problem is ? after all, in many cabs there's the crossover and tweeter as well as the main driver
Is it possible the problem may be something other than the driver ? loose wire ?
Just some ideas
[quote name='paul h' timestamp='1423228186' post='2682475']
I'm a terrible bass player, musician and person so I never even try to learn most bass lines!
I much prefer making stuff up on the fly so I learn the chords (roughly) and then just throw in the odd riff reminiscent of the original to keep the rest of the band off my back
[/quote]
Classic
[quote name='funky8884' timestamp='1423338807' post='2683747']
I had a play with this set up the other day and found the Crossover quite sensitive, I was giving the cab loads of level. Wish I had more time to mess about with it.
[/quote]
I'd imagine that does sound [i]rather[/i] tasty. Is it a monster sound ?
and..... apologies for the gentle thread highjack
Bought a mesa head from Graeme, which arrived in it's original box from Mesa -it was like opening a brand new head straight from the manufacturer. I couldn't have been happier, the box was well wrapped and everything as good as you could wish for.
Highly recommended
Thanks again Graeme
It seems the zed 60 -14 and the soundcraft mixers don't have any monitor sends. Or am I missing something ?
Is it the case that small mixers don't have monitor sends ?
Electronic drums have really worked well in the recent past. The decrease of on stage volume made harmonising vocals so much easier. Overall, it led to better individual performances and improved real time communication between musicians. That's on stage.
Off stage- volume was more appropriate to the circumstances.
Reality is, it led to more bookings for the band
I've used them for years, more so after the tinnitus kicked in. Even keep another pair in the car, as they really take the edge off road noise too.
Custom moulded plugs do a better job, but they're a heftier price
[quote name='Maude' timestamp='1422300019' post='2670925']
The bridge may make a difference, it may not.
Nobody watching you knows or cares, just get out there and play the damn thing.
Spend the time saved not worrying about it practicing. Your improvement in playing ability will sound better than any improvement from a bridge.
I try and convince myself that this is the best approach but I still spend hours fiddling with my basses regardless
[/quote]
Great post
Your starter for ten.....
Paul sold me a tuner which arrived in good condition, well packaged and protected with bubble wrap. Everything went smoothly and quickly, no hassle whatsoever.
Recommended to BC
Thanks Paul, nicely done
Tom
[quote name='JapanAxe' timestamp='1421675722' post='2663813']
If someone coils my cables I have to uncoil them and start again!
[/quote]
I end up doing the same. The guitarist says I'm a bit obsessive about my gear - this from someone that allows a onboxed PA desk to bounce around in the back of his car.
In the end, I went with a system that allows a name to be written on the label. As for getting other band member to coil the cables properly, that's an ongoing task.....
What an interesting programme.
Went all the way back to Thomas Edison's invention of the tin roll to capture sound and play it back for the very first time, showing the machine that did it and the very first recorded sound ever heard - Edison reciting Mary Had a Little Lamb.
Later on, the very first blues recordings, including Louis Armstrong playing a mean trumpet and improvising vocals on spot - again a first on record.
Absolutely fascinating