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essexbasscat

⭐Supporting Member⭐
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Everything posted by essexbasscat

  1. Dear all At last, the GAS expansion needs to contract, it's time to move a few things on and this Ashdown CTM100 really needs to go. It's in very good condition and comes with a cover Collection from Nr junction 26 of the M25, I'll drive 50 miles for a meet to hand over if that helps Thanks all EBC
  2. I really don't need this bass but I'd love to try it nevertheless. What is the scale length and the spacing at the nut ?
  3. I mean the four string single cut Harlot from 2010 built for Chris 2112 https://www.acguitars.co.uk/project/0032-harlot-s-type-4/ ACG's are top quality basses, I already have more than one ACG otherwise I'd be after the one in this thread for sure Sorry for the thread derail, GLWTS
  4. That's the reason why I have an ACG that you used to own....
  5. I have absolutely no need for this bass, I have no need for this bass....
  6. Met Wayne at a half way point between us to collect a particularly beautiful Ibanez single cut from him, we had a good long chat about setting up basses, photography, all sorts, it's a shame we don't live closer it would've been a great time to have a beer, well met Wayne A credit to BC
  7. Fantastic value for the money, I've no need for this but I'd love to try it anyway, GLWTS
  8. Thanks Merton, I'm looking for cabs with a vintage character, without the vintage weight. I'll keep an eye out for a gen 1 compact 15"
  9. Thanks Lozz, the earlier generation cabs had different speakers from the later generation cabs, I guess I'm asking for opinions about the difference in sound
  10. No doubt others here can explain this far more elequenlty than I, it's the difference between old school and ultra clear. I find the later generation cabs too hi -fi if that makes any sense ?
  11. As it says it the title really, I like the weight of barefaced cabs but find the mids of the later generation cabs too transparent for my tastes. Do the 1st generation cabs have less transparency in the mids ? I already have two 1x10's but would like some larger 8ohm cabs, so thinking around the earlier generations as a possibility ? Thanks BC
  12. Studiomaster Gold 16:2 mixing desk. For full disclosure, I bought it from this forum on the basis it was working, when it arrived I discovered it was a dud. I intended to get it fixed one day, but one day hasn't come around and I need the space. I was originally interested in this desk as it has four aux sends, which is pretty handy. £25.00 collected, I package it for a courier if someone wants to pay for the service Thanks for reading folks
  13. Hi there Here we have a Boss Micro BR 4 track recorder, it been used with scratches to the surface finish, but does what it should. Comes a a stand alone unit, you will been batteries or power supply and a memory card Now £33.00 posted to uk Thanks for reading
  14. Hi E sharp ! I remember it well, my P bass sounded great through your rig, while sounding thin through some of the well known class D amps there that day. Yours was the best sounding rig of the day for me, it sold me on the WT400 there and then. I'd certainly be keeping the WT400 if I didn't have a WT550, these amps sound fabulous, not at all surprised you still have yours, I won't be selling my WT550 for anything
  15. Hi Richardd and thanks for the enquiry, second photo down shows 'hand crafted in Montrose MN USA'. Thanks everyone for the kind comments, it is indeed a fine amp, I heard a WT400 at a bass bash some time ago and went looking for this straight after
  16. I'm leaving this up for sale for another seven days, if it hasn't gone by then I'll withdraw it from sale as I'm not prepared to reduce it any further
  17. Hi Leftfret, thanks for the enquiry. Serial number = 7984, all controls work cleanly, no crackles. No issues with the amp that I can detect
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