essexbasscat

I'm no Warwick expert by any means, but I do remember Warwicks having what appeared to be adjustable brass nuts around the early to mid 90's sounds like you had a spot of good luck there T

[quote name='silddx' post='916023' date='Aug 5 2010, 02:30 PM']Oooh! Contentious! Do explain! [/quote] Yessir, happy to THe CV Jazz has been widely acknowledged as punching well above it's weight for many factors including build quality, playability etc and compares well to the American Jazz (see OutToPlayJazz comparison review). THe Rockbass, while a nice bass in it's own right, has not drawn the same kind of comparisons to it's German cousins that the CV has drawn to it's American ones. In it's favour, the Streamer Rockbass can come with active circuits, which may lend itself better to slap style work. However, having played both the Rockbass and the CV Jazz, the CV is very clearly the winner However, for the OP, I would play all three if I had the chance and decide on that basis T

Go for a 2nd hand Classic Vibe jazz bass instead. Very likely to be better than either the warwick Rockbass or the Vintage T

That's the way to do it !

record and live versions differ, so there's plenty of ways to have fun with this one T

Ah, there are other causes of numbness in areas of the hand, from the fingertips to everywhere else, which no-one has mentioned here. If the problem persists after following the advice on here, I would recommend you seek some advice from a GP or healthcare professional T

I've noticed that some contentious threads hanging about this weekend have had the usual effect of raising some levels of ire. Just for a change, I'd like to offer something of beauty, as a counterpoint, to help reset the karma of the site and a bit of relief from 'other issues' Have a good weekend T

Kinda odd one last night, in Croydon The usual band's drummer split and a replacement couldn't be found in time, so the guitarist and me ended up doing a duo to his backing machine, with me on guitar for a change (played very quietly). I was really there for the vocals. The surprising thing was the material. As it was just the two of us, the guitarist just went through his usual stand alone set with the machine and I busked along, which I'm very used to doing with him. Mostly 60's stuff, but the more unual type that bands just don't cover, as there may be orchestral parts or clever mixing. THe vocals were a joy and we worked extremely well together. I must say I enjoyed the whole night, as it gave me the chance to really sing and harmonise (which I love doing). THe audience thought it was great and they danced the night away. Through last night, I've come to realise the biggest obstacle to my vocals is poor monitoring. After last night, I'll be doing more lead vocals with any luck. I'll take a bass the next time we do one of these though. Good luck for your next gig T

[quote name='Baskesman' post='901907' date='Jul 22 2010, 02:02 PM']And here it is: [/quote] Top man. I can't praise these amps highly enough. I'm considering buying one up one day to take it apart and see if it can fitted to a lighter case without suffering T

thanks for guarding our safety mods. T

I started a thread a while ago titled 'ever noticed slowing up through songs'? or something very similar. A band I was with some time ago used to play 'My Sharona' by the knack. After a while, the guitarist and the drummer would begin to slow down, claiming fatigue when questioned about it. Then came the day I decided to maintain the tempo myself and refused to slow down. Both drummer and guitarist didn't like it, but an audience member came up and said I was the only person holding the number together as they just started complaining, so they went rather quiet. Since then, I'll slow up a little if everyone's tired or the circumstances are exeptional, but if a drummer regularly slows up he usually finds the tempo control has been taken over by the bass player. For me, life is too short to waste it constantly performing at less than my best on the day. A rather well known bass tutor once told me that I should always aim to play with musicians that are in some way better than me. That way, I will always be inspired to improve my own playing and musicianship. I've always thought that was rather sage advice. T

Final nail in MIM ? NAH !! Long ago discovered that country of origin doesn't guarentee build quality, incuding USA. Given this, the title of this thread cold just as easily included USA Fenders too in my humble opinion. Elsewhere on this forum many folks have said that MIM roadworns have far and away been the best in the shop by a long way, even in the presence of CV Squires. There are also other MIM models. Perhaps the MIM title is a bit vague, as there are several different MIM models. A good bass is just that,, regardless of origin. TO label every guitar from one origin the same overlooks the finer points of differences between instruments really. T

[quote name='gary mac' post='910931' date='Jul 31 2010, 08:12 AM']1973 or 74 at Waltham Abbey town hall, a sort of battle of the bands thing. Sporting a Roger Glover stylee hat and crushed velvet loon pants. First number was Deep Purples Space Truckin'. Epiphone semi acoustic bass. Selmer Goliath 4 x 10" cab. 50 Top amp[/quote] My first gig was at Loughton, about 5-8 miles from Waltham Abbey and that Selmer stuff was all over the place at the time Relise - enjoy that first gig !! hope it goes well T

Bernie Edwards did some solid bottom end stuff with Chic back in the '70's

[quote name='Rich' post='910766' date='Jul 30 2010, 10:20 PM']snap In my case, the song was the Quo's 'Caroline' played on my '64 Höfner Artist II (bought from metalwork teacher for £20) through a DIY 50w amp made with help from physics teacher, plus home-made 1x15 cab borrowed from same metalwork teacher. I still have the Höfner [/quote] Bloody hell ! Caroline by Quo !! that was the number we closed with !! I'd completely forgotten until just now Edit: trust me to copy the wrong bit. Doh !

[quote name='Beedster' post='910748' date='Jul 30 2010, 10:03 PM']Substitute, some dodgy social club, late '70s. I was playing a Hofner semi through a 15w amp. I might as well have not been there![/quote] I still play that number now !

[quote name='supabock' post='910731' date='Jul 30 2010, 09:47 PM']On my 70'P bass, I only ever slacken off the strings and take off the scratch plate which exposes the truss rod, then I tighten or loosen accordingly. I have never taken the neck off or released the retaining plate or screws to make this adjustment... Final adjustment with regrad to intonation and action have been done whilst all (apart from the strings) are in situ.............[/quote] MMmmmm, I really hope this is the case y'know. It really does depend on how much the trussrod screw is exposed when the pickguard is removed. Hopefully it will be enough to avoid removing the neck, as yours is. That's a nice precison by the way. Whatever happens, I'm glad everyone's offered their ideas, as I can now approach the whole job with a lot more confidence !! Cheers T

A wander down amnesia alley with a read of the 'What was the first number you ever mastered without duff notes' thread got me thinking, what was the first number you all ever gigged ?? I'll kick off. My maiden voyage was 'Rubber Bullets' by 10cc, played on the school stage during a lunchtime in the early 1970's. It was the very first guitar gig the school ever had and the whole school turned out, well over 150 - 200 in the audience. The band was named Hazard. I was about 12 years old and despite rehearsing it for months and getting it right LOADS of times, inside I shook like a leaf in a wind before going on stage. THe follow up number was an original my band had cooked up about a murder at a disco (what a cheerful bunch. Reflects the school I went to though) what was your first number ? was it a cover ? original ? can you remember ? T

[quote name='wateroftyne' post='910715' date='Jul 30 2010, 09:29 PM']If you have to take the neck off, stick a capo on to hold the strings in place. That way, you just have to pop the neck back on when you're done, drop the strings in the saddles and tune it up. No faffing about restringing it.[/quote] Damn, wish I'd thought of this a long time ago. What a good idea