Merton

No such thing as overkill 🤓 Other amps to consider would be the Glockenklang Blue Rock or Blue Bird - both of which are in the classifieds at the moment. As in fact is the GR 1400 thingamibob. Personally though, o think the Trace is the bomb, seems like it really suits being a platform for pedals/fx etc

Certainly are - Sunday 2nd June. Will be the end of a long weekend of non stop gigging as I’m at Epsom Derby with the “rock band for kids” on friday and Saturday, got a pub gig on the Saturday night and then in the car Sunday morning to drive to Liverpool 😀 If you do come along, please come and say hello. I’m crap at the socialising thing too but would be ace to put a face to a name

I realised next year is the 10th anniversary of my ACG Finn 4 arriving, and that means it’ll then be a year off being the longest serving bass I’ve had* (currently a Status Retroactive J holds that record at just under 11 years). And that is the longest serving of the current crop - I can’t see any of them going anywhere any time soon. *I’ve still got my Vester Jazz which was my first bass but it was retired from main bass duties about 10 years after I got it, when I got my first 5 string. So I don’t count it.

Yep, I play bass for Katy Hurt who originally branded herself “country” but there are so many influences in her music it’s easier to call it Americana. Doing Black Deer fest this year, have done Buckle and Boots, Rock’n’Ribs, Long Road in the last and hopefully again in the future. As @jimmyb625 says the festival scene does sometimes feel like a very closed club though. Have met some lovely people through it though - Gasoline and Matches, The Jackson Line, Two Ways Home to name a few bands worth checking out.

I vote you hold off for an ST to appear in the classifieds, that way if you decide it’s not for you you won’t lose as much on it. And for me, no tweeter 🤓

That’s a fine shout.

Brilliant cab. I use one with my TE1200; I’ve used it for punishingly loud bands and it hasn’t batted an eyelid with the TE. I have to say I find the Barefaced 10s “easier” and as @Lozz196 says, you need to consider your EQ a bit with these. I ended up setting up a switchable 10 band EQ on my HX Effects to soften the mids a bit and it’s perfect. So for me, 10s for the smaller gigs with PA support and 12s for the gigs where I have no PA to help.

I’m miraculously still in too. Not a lot tempting me and no budget to go crazy so that’s handy.

My last two Katy Hurt gigs have had the 500W combo as backline. Hugely impressive little things. Bet the 800W slams!

Agreed @BassAdder60 I keep saying I find the TE1200 an excellent “pedal platform”. The core tone is superb but if you want grit or anything else, the amp just soaks it up and makes it sound better. A really impressive noise machine 😎

I agree wholeheartedly regarding the TE1200 Martin - glad you are liking too!

Hi John, No idea what “flat” settings are I’m afraid. AFAIK mine is still stock, I’ve done nothing to it since buying it from here in about 2018/2019 IIRC. Sorry I can’t be any more help!