[quote name='OutToPlayJazz' post='389769' date='Jan 23 2009, 04:35 PM']As someone who's read since the age of 7, reading is second nature to me, but I think it's all down to the particular situation you find yourself in. If you're mainly playing in 3 chord tricks with rock/blues bands, you'll pick a lot up without reading. So in this particular situation, perhaps it's not as necessary?
But in my own case, I can drop into any playing job, sight read the parts in any style. How useful is that?! Makes me ultra employable. But again, this is from the standpoint fo a professional musician. If you're back in the pub band, perhaps it's not going to be as important to you?
From a technical standpoint, I loathe tablature. It's great for getting the novice playing things they like to hear, but it completely bipasses sound fingering techniqes. I see so many bass players who could be sooo good but are held back by a total lack of technique. If they took the trouble to read & work through a good db tutor book, they would be open to so many more possibilities on this front.
The problem I had in my late teens was actually the total reverse. I'd never played anything I hadn't read, so when it came to playing in bands/at jams, I had to start from scratch and learn to improvise.
So if you're always wondering if you should perhaps take a stab at reading, go on - Have a go!
Rich.[/quote]
+1 to all that - I've been reading muzak since I was 6 I think, bass clef since 11