Pow_22

Agreed, looks like they used old railway lines!

Anyone seen this absolute stunner over at BD? https://www.bassdirect.co.uk/product/fender-precision-bass-3-tone-sunburst-1966-pre-owned/

Amazing amps. I did read somewhere the 10.1 had reliability issues and the 5.1 was more solid but like you say, great sounding amps very similar to the Mesa Big Block in tone

I have been borrowing our rehearsal spaces SVT 3 pro whilst i source a decent pre-amp/DI pedal and encountered an issue at our last gig. Mid set it cut out, the power light remained on but the gain/peak light wasn't blinking as if the amp wasn't receiving signal. It seemed to kick back in and out a few times and i eventually finished the gig on a DI box via FOH. Immediate thoughts were cables but upon setting the amp back up at home with the same cables i was unable to recreate the issue. This leads me to think it may have been an over heating issue (i was unable to crank it at home). However, on opening the amp up i noticed that there was a 12AX7 in place of the 12AU7 so i immediately replaced that. Is there any reason why using the wrong valve here would make it cut out? Could understand it not sounding great but would a wrong valve here cause overheating/cutting out issues?

Great instrument lead from John after mine suffered a mid-gig breakdown. Great lead and top service

Ahh should have mentioned that, the pups were swapped out a while back for the standard Toneriders

Im awful at using words to describe certain tones but i am certainly on the 'old skool' camp. I use an old MIJ Jazz with flats into a Cali76 compressor that feeds into a Fulltone Mosfet bass drive set to 'subtle' and into an SVT 3 pro with gain high up and valve voltage set low. Its not necessarily more breakup I'm after but a clear woody slightly growly tone. I fully get that the below clips will be through valve amps live but is there a pedal - say a Origin Effects DCX drive or maybe something else to get this type of tone. Or alternatively is this more of a P bass tone that ill struggle to cop on a jazzer? https://youtu.be/MOveYAuDJvw?si=rfNAZLNek5cOWRud https://youtu.be/znoxSwzjI3A?si=bze66A-MmRlXFXd4

That is stunning!

Those old SVT III non-pro's are superb!

Major thread resurrection but was thinking the other day.....Whenever I'm in any town i always pop my head in any Cash Converters to see if there are any bargains to be had. Years back you could find the occasional gem but seems nowadays they just check ebay and price accordingly. However, i was in Camden the other day and popped my head in the local CC to see an old USA Ampeg SVT 3 pro (older version with the red and blue logo). It was immaculate, like NOS immaculate. I didn't try it out but when i enquired about the price they said they would take £250 for it, seems very cheap to me so looks like bargains can still be had if you look around?

I used to love their flats and the 55 solo set. However, recent sets of their flats have been extremely inconsistent. The G & D's almost look like they are from a different set, very shiny but really dull sounding whereas the A & E are duller looking but more lively sounding.

Id echo a few sentiments here. I'm a Barefaced user (original 15" compact) and it does exactly what I wanted it to do when I bought it i.e be easy to carry. Does it sound as good as the cheapo Eden 4x10 it replaced - no. Is there a trade off on sound for the lightweight carry ability of the barefaced? Yes. It does sound good and is very lightweight. It doesn't do as some mentioned on other threads though and replace a bigger cab tone/sound wise...for me

Im currently in a 5 piece indie/rock covers band playing small/medium pubs say 50-150 people. Current rig is a flats loaded Jazz bass into a Mesa Walkabout head into a Barefaced original compact cab. I have an ‘always on’ cali76 compressor and a Mosfet bass drive for some rockier songs. Volume wise im never over quarter of the way on the Mesa’s volume pot and we do feed a little bass to FOH. However, recently the singer wants less stage volume and the PA to do most of the work and he stands out front during sound check and can tweak levels/mix as necessary. In view of this im wondering if i could get away with going back ‘all valve’ with the 30w ashdowns. I like my tone oldschool with a bit of hair but not full on mushy distortion. As the PA will be doing most of the work i think i could get away with it. Ive had an LB before but that was through a knackered old ampeg 1x15 and i have read my Barefaced is supposedly uber efficient. Has anyone done something similar with decent results? Whilst i get stage volume will be lower in my new scenario i still want to feel and hear that thump behind me

Now in stock at Bass Direct. Very intrigued as a 'groundwound' user https://www.bassdirect.co.uk/product/la-bella-sp-47107-super-polished-bass-strings-4-string-set-47-107/

Love the colour and how it contrasts with the gold-ish guard and maple neck. Way out of my price range and the messed about electrics make it non original anyway

https://www.ebay.co.uk/itm/126609351907?_trkparms=amclksrc%3DITM%26aid%3D777008%26algo%3DPERSONAL.TOPIC%26ao%3D1%26asc%3D20230823115209%26meid%3D31370409839d4932948103bff88c5f31%26pid%3D101800%26rk%3D1%26rkt%3D1%26itm%3D126609351907%26pmt%3D1%26noa%3D1%26pg%3D4375194%26algv%3DRecentlyViewedItemsV2SignedOut%26brand%3DFender&_trksid=p4375194.c101800.m5481&_trkparms=parentrq%3A32b34e071920a88ae9259724ffffccc2|pageci%3A8fa53fb7-7cae-11ef-aa9e-e27a10b136fe|iid%3A1|vlpname%3Avlp_homepage Possibly the most stunning vintage Jazz bass I've ever set my eyes on. That is genuinely stunning!