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Pow_22

⭐Supporting Member⭐
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Everything posted by Pow_22

  1. Very tatty tolex but works superbly. Grill cloth, however, is good condition with no warping to the frame. I have added heavy duty casters to the bottom to help moving. The is the USA made version so sounds great. Always ran this with my Ampeg SVT III and a flats loaded P bass and got an excellent vintage beefy tone. Collection only from Bolton or our rehearsal space in Chorley. Can deliver within reasonable distance potentially. Price reflects tolex condition and pics will follow asap.
  2. Further Trades - I like P basses (not PJ's), Jack Casady basses (in black), semi hollow basses, and anything with a vintage/classic type vibe. Still prefer sale really but throwing some trades out there.
  3. That's exactly what it is Bill. The peavey valve amp ive bought only has 4ohm and 2ohm outs
  4. As a bit of a BC Special Offer (and seeing my new amp needs a 4ohm cab) if you take the head at the £375 ill chuck in a tatty but fully functional USA made Ampeg 410he for an extra £100. A full USA Ampeg rig for under £500
  5. A recent lowball offer on Reverb for an old Peavey valve amp was unexpectedly accepted which now leaves me needing a 4ohm cab. I currently use an 8ohm Ampeg 410he which I love so im thinking I should probably stick to 4x10's and maybe a sealed cab (adding another cab to my current rig isn't really feasible, we don't play places that need multi cab stacks). Will be looking in the used market with a budget of say £200 to £400. Would consider a decent 2x12 too maybe. 4ohm cabs ive tried before include the Ampeg 410HLF (but too boomy and loose in the bottom end) Ashdown RM 410 (more meat on a spiders knee cap) and the cheaper Ampeg B series (again, muddy and loose). I lean very much towards a vintage type tone, using predominately flatwound loaded p basses. Whats everyone else using within this criteria?
  6. Original USA made Ampeg SVT III non-pro. These sound miles better than the current production 3pro's and much closer to an all valve sound. Excellent sound with recently installed 3 x 12ax7's. Can be heard/tested either in Bolton or at our studio space in Chorley. The tolex and wooden case i have it stored in is slightly too shallow so back of amp sticks out but case provides easier carrying capability. Ive put brand new handle and rubber feet on it. When on top of a cab it looks fine from the front and i have also installed Ampeg type metal corners to match the ampeg cabinets. Ive run this through my 4x10 and never wanted for more volume or tone. Proper classic sound with my flats loaded P bass. Also has a great DI that ive used to record with several times! Collection from Bolton/Chorley preferred but im sure we could sort something out either a meet up or courier at your expense
  7. Sorry, been offline for quite a while.  Will catch up on all PM's asap.  Good to be back!

    1. Taylor Bitch-blues

      Taylor Bitch-blues

      Hello from a newbie  ...

  8. In a time honoured Basschat tradition of a pub car park meet up she was passed over to her new owner last weekend who I hope she brings as much joy to as she did me.
  9. John Deacon - taste and class personified. The growling Roto Flats sound perfect on a p bass 👌
  10. ON HOLD
  11. Wont let me change the price but its £30 delivered in UK
  12. Heavily padded and wide Minatour suede strap. Missing original extension piece but can supply it with a black leather type one as shown (either standard or extra long). Has had strap locks fitted in past. Excellent for weighty axes! Price includes UK p&p
  13. Now up for sale in a few places so obligatory BCer discount to £1400 and will chuck in delivery/meet up within 50miles of Bolton
  14. The chrome is in excellent condition so any apparent major flaws will be reflections
  15. Bear Leather Guitar/Bass strap. 2.5" wide and extends from about 50" to 57". This is their Classic #2 model in a lovely deep brown colour with brass hardware. Very little use and smells amazing! Has had strap locks fitted which will be removed for sale. £40 posted or can be collected from Bolton
  16. Didn’t think id ever do this but it just isn’t getting the use since I used it to record the bass lines for our album 6mths ago…… Here we have an absolutely amazing sounding Ampeg SB12 from 1966. Ive owned this for around 18mths and in its time with me its had two full services at renowned amp guru and ampeg specialist Roland Lumby – once immediately after I bought it which involved several caps being replaced and once again around 8mths ago before recording the album where the 2 x 7868 power valves were replaced with new Electro Harmonix ones and the 2 x 12ax7’s replaced with NOS RCA’s. The 5AR4 rectifier is a Japanese one. Original speaker and tolex that shows a few nicks given its age, grill cloth has no tears. Ampeg metal scroll logo complete and the light up Perspex logo hasn’t been modded with someones name like a lot of these and B15’s tend to have. In its life it looks like the top handle has been replaced and there are tiny screw holes on either side where it looks like side handles had been added in the past. It also comes with a crudely modded roqslid cover. If you hear this with my flats loaded 78 P bass you will see why it’s the ultimate recording amp. Its basically a smaller B15 and sounds glorious! Surprisingly loud for its rating too! As its an original USA amp it also comes with a step down transformer. Price at £1,500 has small amount of wiggle room but posting is not an option on something so special. Im based in Bolton but can arrange meet ups. More pics to follow asap
  17. Have been doing some recording recently with my 1978 Tokai P bass with flatwounds plugged directly into my 1966 Ampeg SB12. This amp (coupled with being sat in close proximity to it) seems to have really highlighted a shielding issue with my bass. The usual hum/buzz that disappears whenever any metal component on the bass is touch. I have figured I need an hour or so to gut the bass and copper tape the internal cavity as well as the underside of the pickguard to get a more silent axe. However, the question I have is that currently I have an earth wire running from the underside of the bridge to the pots. Some suggestions ive seen suggest id should, instead, run an earth wire from the pot to an eyelet screwed into the newly shielded cavity bottom. Is this a preferable/more effective way that using the bridge as a ground point? As part of the work I also plan to fit a new harness as the volume pot is a tad scratchy. Being an old jap bass the cavity is tight to say the least so full size pots are probably out the question (I don’t want to start routing!) so will probably look to build a new harness from mini CTS pots or such like. Any further hints/tips on shielding very much appreciated
  18. Im after an amp sleeve rather than the usual rackcase type offerings but all I can find on the likes of eBay etc is ratfur covered efforts. The tolex ones seem to go for an absolute fortune. I know I could go to the effort of buying the rat fur ones (which are around £25) and recover it but im surprised at the this seemingly big gap in the market. Anyone ever comes acorss the tolex sleeves at all that aren't in the sort of £75+ bracket?
  19. Major GAS for the Squier 70's P Bass.  Black/black/maple with black block inlays mmmmmmmmmmmmmm

  20. Didn't think id ever see a less convincing roadworn than a Limelight!
  21. Ideally id like to swap this for a like-for-like speakon to jack cable for my new amp rather than sell. Excellent build quality and in perfect working order. Based in Bolton but will post
  22. Also a bit of a fan of ashdown (bar the terrible CTM15!) Always LOVED the tone from the old Spyder series heads, never understand how they weren't a bigger success and continued
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