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thanks guys, "just a hint of breakup at the highest dynamic levels" is exactly how I set the tone hammer, so SVT might be the way to go. one last question would be which of the cab sims would be most similar to a barefaced super twin? I'd assume the ampeg as barefaced's website says its designed to sound like an 8x10 in terms of frequency range but flatter response overall, would the fender cab sim be too different? I dont really want to send a drastically different signal to FOH compared to what I'm getting on stage, at the moment i just tell the tech to hi -cut to around 5k and that seems to do the trick.

Not to highjack a thread but I was also wondering which one might suit me best. I run a tonehammer 500 with a barefaced super twin (no T) for my stage sound but i want to send a cab simulated feed to FOH. Which one of these origin pedals do you guys thinks best for a wide range of tones, and most similar to the frequency response and tonal flavour of my amp+cab setup? I'm running a few FX: OC2, plasma, Doom 2 and Subspace for instance, everything motown flatwounds vintage tones, jazzbass slap, electronic synth octave/fuzz and rock playing with a pick. What does everyone think? Cheers

I just got a V7 and am thinking about ripping out the active controls too, one idea i had was using the first 3 holes for vol / vol / tone, plugging the 4th and then rerouting the jack to the 5th. could be the cheapest / easiest way

wish it had a dry mix control - apart from that, looks amazing value and theyre good quality usually

The FTelettronica octave does the switchable dry only thing, reasonably priced too