iconic

You see in many shops nowadays, no matter what they sell, decent staff are just so tough to find.

I like it, reminds me of a 70s Cadillac dashboard, with the fake plastic wood and sudden colour combo. 😎

Depends if you like, boutique and/or off piste basses. If, like many and you don't, then it's down to the usual suspects. Think carefully, a spendy bass says a lot about it's owner, well it does to other anorak bass players😉 they will sum up your character, house decor, car, sex life just by it's profile, obviously no one else would give a toss, it's just a funny looking, long geetar thing.

I like Stingrays, although not enough to keep the one I had, one of those basses one needs to own, the Alfa Romeo of the bass world. Do play before you buy, some, like my mine had/have annoyingly quiet G strings. And the larger necks aren't for everyone, each to their own. And, I know this maybe a tough ask, be great to try it over a few days, a shop maybe able to accommodate you, just be a pest, pop in again and again. Because some can have quite 'lively' necks, as in need tweaking more often than most. Fortunately the truss wheel type fitting makes this easy enough, just a heads up. Good luck with your search 😎

That's brilliant, well done sir😎 My bass tone is more nasal..... Like my nose, runny.

According to Davide Romani (Change et al) basically anything Chic was recorded in the studio with Bernard Edwards on...... a Fender P. Anything played on TV or in concert was played for looks, Stingray, BC Rich, Jazz, Sadowsky etc. Bernard Edwards and Davide Romani were great friends during the Chic days, shared studio time and session singers/players when needed. Ohh, and that oft quoted comment of not knowing what strings were on his bass? Just BE being witty, but went completely over the interviers head. Bernard and Nile were grade A anoraks when it came to production. Again, Mr Romani.

Those old B1000s were a cracking P bass, good pups and nice shallow neck, halfway P 'n J neck, good fit n finish, what's not to like. I've a pink and maple one that's been a keeper for years, whilst my spendy stuff has come and gone.

Well, there seems to be a lot of vintage instruments for sale, that aren't finding new homes. ....going the same way as classic car and bike market?

Just because you can....

I went to that stag night too...and quite by chance the female part of that production shops in my local Asda, small world😉

Hit Me, Ian Dury.....it's too tough to play cleanly for me😔

Me too, seems to be a bit of a thing at the moment on here. ... sold a shed load of gear this year and out with the spendy stuff that sounds just as broken as my cheaper buys.....with my playing.😉 All passive. Two long term keepers, a £49.99 pink Westfield B1000 P bass from that Scots music shop that shut down 10 years ago (a belated thanks for the heads up Basschat), Squier first generation VMJ. A new Harley Benton MB4 Snideray.... ....ohh and last week a bargain too good to turn away Harley Benton JB75 in black crept in which is much lighter than the natural finish JB75 super tanker anchor I had, but same great fit, finish and sound....the pups are stupendous. So 4 bass, one Pacifica, from 10 ish bass and 5 geetars, I feel cleansed. There isn't one that sits unused, which is my barometer. Fenders, Yamaha, Spectors et al all gone and happier for it.

I use these and foam nail file blocks, feels so much better after a dressing. Takes the newness feel out of the bass giving it a played in feel. 😎

I can use both growing up in the 70s, but do lean towards a right hand one.

Spot on for all three