
roceci
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Everything posted by roceci
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Passive MM3 in natural/maple in good condition. OLP manufactured these licensed from Ernie Ball MM. Great Stingray banger with a good range of tones available, does the Stingray sound surprisingly well and nails it completely with the addition of an active preamp as many have done before. Prefer collection, will consider shipping at buyer's expense.
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Second of my USA Deluxes to go. One of Fender's best 5 string jazzes, now discontinued. Absolute quality build and finish. This bass has been played - by me, original owner - and has a few knocks and dings to show for it as pictured. There's a small nick in the tip of the headstock (damn those venues with low ceilings) and the finish has come away in a small spot on the back of the guitar exposing the wood. Nothing to affect structure or playability though and gives it a bit of the old roadworn in a couple of places. Amazing range of tones available from the N3 pickups and 18V preamp which is active/passive switchable. The neck plays wonderfully with rolled edges, B string is tight and action can go nice and low. Comes with original Fender ABS case + case candy. Prefer collection in person but will consider shipping at buyer's expense. Urethane Finish Neck: Maple, Modern C Shape, (Tinted Gloss Urethane Finish) Fingerboard: Bound, 9.5 Radius (241 mm) No. of Frets: 21 Medium Jumbo Frets Pickups: 2 N3 Noiseless Jazz Bass Pickups Controls: Master Volume, Pan Pot, 3-Band Active EQ Treble Boost/Cut: /- 10 db @ 8kHz, a shift in the cut frequency, and about a 2dB slope per octave Mid Boost/Cut: 10dB, -15dB @ 500Hz, and a wide band slope Bass Boost/Cut: /- 12 db @ 40 Hz, with a 4dB slope per octave Active/Passive Mini-Toggle Switch Pickup Switching: Pickup Pan Control Bridge: HMV, High Mass Vintage, (Strings-Thru-Body or Topload) Machine Heads: Fender Light-Weight Vintage Style Tuners with Tapered Shafts Hardware: Chrome Pickguard: 3-Ply Black/White/Black Scale Length: 34 (863.6 mm) Width at Nut: 1.625 (41.3 mm) Improved Electronics Resulting in Increased Headroom and Tighter Low-End Response 18-Volt Power Supply Passive Tone Control for Passive Mode Stealth A String Retainer Tinted Neck Posiflex Graphite Neck Support Rods 5-Bolt Neck Plate Contoured Heel for Easier Access to Upper Frets Rolled Fingerboard Edges Highly Detailed Nut and Fret Work Genuine Bone Nut Wide-Slot Flat Head Screws on Battery Compartment (for Easy Changes with a Coin or Pick) Pearloid Block Position Inlays Neck Binding 70s Style Logo
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£1,100 NOW £1,050! Thinning the herd so this beauty is up for sale. One of Fender's best 5 string jazzes, now discontinued. Absolute quality build and finish, in near-new condition apart from usual micro scratches to pick guard and back surface. Amazing range of tones available from the N3 pickups and 18V preamp which is active/passive switchable. The neck plays wonderfully with rolled edges, B string is tight and action can go nice and low. Comes with original Fender ABS case + case candy. Would prefer collection in person but will consider shipping at buyer's expense. Urethane Finish Neck: Maple, Modern C Shape, (Tinted Gloss Urethane Finish) Fingerboard: Bound, 9.5 Radius (241 mm) No. of Frets: 21 Medium Jumbo Frets Pickups: 2 N3 Noiseless Jazz Bass Pickups Controls: Master Volume, Pan Pot, 3-Band Active EQ Treble Boost/Cut: /- 10 db @ 8kHz, a shift in the cut frequency, and about a 2dB slope per octave Mid Boost/Cut: 10dB, -15dB @ 500Hz, and a wide band slope Bass Boost/Cut: /- 12 db @ 40 Hz, with a 4dB slope per octave Active/Passive Mini-Toggle Switch Pickup Switching: Pickup Pan Control Bridge: HMV, High Mass Vintage, (Strings-Thru-Body or Topload) Machine Heads: Fender Light-Weight Vintage Style Tuners with Tapered Shafts Hardware: Chrome Pickguard: 3-Ply Black/White/Black Scale Length: 34 (863.6 mm) Width at Nut: 1.625 (41.3 mm) Improved Electronics Resulting in Increased Headroom and Tighter Low-End Response 18-Volt Power Supply Passive Tone Control for Passive Mode Stealth A String Retainer Tinted Neck Posiflex Graphite Neck Support Rods 5-Bolt Neck Plate Contoured Heel for Easier Access to Upper Frets Rolled Fingerboard Edges Highly Detailed Nut and Fret Work Genuine Bone Nut Wide-Slot Flat Head Screws on Battery Compartment (for Easy Changes with a Coin or Pick) Pearloid Block Position Inlays Neck Binding 70s Style Logo
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Just switched to the new B1 Four X so moving these on. Zoom B3 £75, £80 posted. Good condition, been gigged lots but perfect working order. Velcro strips on base, easily removed. Includes unit, PSU, battery cover, box and manual. Zoom FP02M expression pedal SOLD Zoom FS01 momentary footswitch £15, £20 posted. Great condition, perfect working order.
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** Now £825 for the complete rig or will split ** Up for sale is my beloved Genz Benz rig, comprising the rare ShuttleMAX 12.2 head with matching 2x10 and 1x12 Focus cabs. The power and tone on this rig is awesome but I've converted to in ears so this is just sitting around and needs to be used. All components are in VGC and in full working order. Been gigged a fair bit but looked after in pet/smoke-free environment. ShuttleMAX 12.2 class D 1200W head with dual FET and tube channels. Includes foot switch, original box and manual. Light scratching to top of head but otherwise in VGC. £550 Full spec here: http://www.genzbenz.com/?fa=detail&mid=2825&sid=86&cid=95. WIll ship at buyer's expense + arrangement. FCS-210T 300W 2x10 cab with adjustable tweeter £150 Full spec http://www.genzbenz.com/?fa=detail&mid=2859&sid=704&cid=96 FCS-112T 200W 1x12 cab with adjustable tweeter £150 Full spec http://www.genzbenz.com/?fa=detail&mid=2857&sid=704&cid=96 Less Usual bits of scuffing to tolex and plastic corners but no rips on cabs. Not prepared to ship the cabs so ollection from Cardiff or happy to meet within a reasonable radius. **Would trade for decent 6 string jazz type bass**
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Sounds great 😀 As this has been resurrected, I might as well say I actually quite like the Beatles now despite still having most of the same problems with em I had initially, especially Ringo's drumming.
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Seen them twice over here and was a bit disappointed to be honest. The band was hot (hehe) of course, but the whole thing was on half speed and it's painful watching Don stretch his neck to reach for notes he can't get anywhere near these days. I'll save the ticket money and put it towards Nearly Dan next month, sound better than the real thing nowadays, great show.
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Sorry mate been on holiday. Z-SYN Saw wave Decay 0 Tone 6 Freq 3 Range 7 Reso 7 Synth 50 Dry 100 160 Comp THRSH -25 Ratio 4.0 Gain 6 Hard Knee Bottom B Bass 6 Trebl 5 I've got the tone just a tad back from wide open on my Jazz in passive mode, pickup blend at 50/50 and plucking over the neck pickup for fatness. Doing my best to isolate each note with judicious muting. Hope that helps.
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Using a Harley Benton PowerPlant PowerBank to power an always-on Zoom B3 and a G30 receiver here. I can get at least 2x 2hr shows out of a single charge and they're so cheap I bought a spare just in case. Rock solid so far after many gigs.
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The humble Zoom B3 can yield a few surprisingly decent 80s synth sounds if you mess around with it I've found. This is a patch I use for Whitney's I Wanna Dance With Somebody and anything else that sounds DX7-esque... https://www.dropbox.com/s/n1topj3b3m42yw3/I Wanna Dance...B3 bass.mp3?dl=0 It's not the greatest for quick-ish runs as the demo shows towards the end, but the tracking is fine for the most part if you watch your technique and keep your lines steady. That patch could probably use a little octave but I'm maxed out at three slots on the B3...time to look at an MS-60B I think!
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Get depping for other bands if you can. Opened up a whole new bunch of likeminded musos for me after being off the scene for a few years 👍
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Hi mate. Is your proper name Cicero? Only asking as it's my surname and there ain't too many of us about in the UK (assuming you're from the UK like!)
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Entry level stuff at Cardiff PMT?? They've had Fender Elites and Professionals not to mention Stingray 5s and a fair few decent Ibbys in there since day one. Did you just stick with the one wall there?? They'll order you anything in to try as well, so if like your Dream Theatre, ask em to get a Bongo in perhaps. Also, if you like your Dean but the sound's crap, I'm thinking upgrade the electronics before you splash serious cash on another bass. You seem to be painting yourself into a corner of your own making here!
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Thanks mate. I bought it for all that good stuff but it's the lack of parameters on some fx compared to the B3 that's letting it down for me. I just can't dial in direct replacements I use in my sets
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Watched this in spite of myself. Really enjoyed some of the quieter bits where the Rhodes came through, if he switched to doing stuff like I'd happily listen to more. But he kept going back to stock Foo Fighters stuff which I find really boring. Nice guy tho aye.
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So I bought a B3n as an upgrade to my B3. But I'm finding that with only 4 parameters per effect, I can't dial in the sounds I'm getting from the B3, particularly on the synths. At the moment this is stopping me from switching over. Any other B3+B3n users hit this snag?
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Bought a Fender Jazz V from Nicco. Quick & efficient transaction, bass was even better than described & a lovely chap to chat with to boot. Buy & Sell with confidence!
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This all day long: https://www.scan.co.uk/products/stagg-(mxs-a3)-adjustable-mixer-and-keyboard-stand-in-black-84cmm-max-width-70cm-80cm-height?v=c Folds flat, goes pretty high, takes a decent weight & in most cases you can put your cab cover over it so it looks tidy for the gig