ead

I have the 32ohm DT770 and drive them with a Fiio E12. They work very well together.

Here are the orginal Limelight pics with the plain p/g.

Kubichi X factor I think it was called.

I put some Fender Original 7150L Pure Nickel Wound (40/60/80/100) on my 66P which sound really nice.

Cheeky 86%, but one was a very lucky guess.

Sad news indeed. Loved each and everyone of the AC/DC gigs I've been to over the years.

This, from Limelight. We used pics of the original plus from the Mega$ US CS version to try to make it look as close as possible. The original pics on the Limelight porn thread need to be re-instated which I will do tonight, but here's a quick preview as I found a pic on my phone.

Will do. Here's one I have on the phone, the others are on my PC at home.

Loving the industrial look.

Most of mine are less than 9lbs due to neck injuries from rugby. My lightest is (surprisingly for me) a Sandberg Cali II VS at a touch over 7lbs. I find it makes a significant difference over a long gig or rehearsal.

We do Shang-a-lang (Bay City Rollers) for which I am obliged to activate my taste bypass pedal. Trouble is it normally goes down a storm at the end of an evening.

Thanks boys, sorry I missed the update comms. I don't think anything mission critical was lost apart from Ped's promise to buy me any bass of my choosing for Christmas this year.

My PMs seem to have disappeared. I had a around 12 or so lurking around as I tend to hang on to conversations about gear I've sold in case there are any issues. Did I miss a note about this somewhere? Great looking update though.

I put some black tapewounds on an ACG fretless with the full filter EQ. I have to say that they didn't really rock my world.

[quote name='Meddle' timestamp='1510084396' post='3403909'] I'm not a fan of U2 by any means, but I'm secretly rooting for them simply because of the level of hatred directed at them simply for existing and for being fiscally rewarded for their efforts. Anyway I'm off to turgidly plod through a listless, groove-less rendition of Born Under A Bad Sign down at the Dog and Duck. Lets hope I can fit my epic 112 Markbass/Trace rig in between the pool table and the fruit machine. Do I take my Sue Ryder P bass or the Maruszczyk? [/quote] Complete bastards. Fancy making music people like and buy in reasonable quantities to make a living out of. Bastards.

Martin Barre in Barnoldswick last night playing to a (sold out) crowd of 70 folk. Just him and a mate, two acoustic guitars and occasional mandolin. Outstanding evening of Tull, blues, Beatles, etc. etc. Brilliant venue too, will be going back. It's basically a pub cellar.

The two best gig bags I have are the Fusion one (but I can't see it on the website but it looks a lot like the F1, maybe it's an older model now) and the Sandberg item.

Well said that man ^

I'd forgotten how good this is. Paul Young is a great singer/frontman too. I remember seeing him with the Q-Tips a little while back, I think it was before he found fame and fortune.

OK so here's the 63J.....ish. It sort of morphed into a Limelight Geddy Lee '72 Jazz bass. Comes with a spare pearloid pickguard that's going to get an Amalgamation symbol on it. It's based on pics of the real thing and the Fender CS version they launched a few years ago (at a rediculous price iirc). Whilst the neck on this one is not sanded back and oiled like the original it has been rubbed back to make it a smooth as possible with the the usual nitro finish.

Fairly straightforward for me: Best: Fender '66P Least best: Squier MB5 (narrow string spacing made my risible attempts to play a 5-string bass even worse )

[quote name='MikanHannille' timestamp='1509229915' post='3397495'] Did anybody ever ordered a 70's jazz bass with maple board and blocks and bindings from Mark? Just wondering as I haven't seen one yet. [/quote] Yes, it's due fairly soon I think. Please feel free toPM me for details if you would like to.