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Everything posted by ead
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Thanks for the suggestion, folks I'll try that.
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The pages seems to be languid in they way they load. I can be typing and everything just freezes before catching itself up. I've tried a few different websites and they all seem to be fine, just this one really?
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I bet this J bass can produce some interesting tones. Something quite appealing about it https://www.ebay.co.uk/itm/194460756020?hash=item2d46c3a834:g:EHcAAOSwxkxhdDaF
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I have one of these I was considering selling, would it be of interest to you?
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Rustier knobs and plate already fitted The bridge looks surprisingly shiny in the pic compared to what it is actually like.
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It's a fair point @NancyJohnson makes. If it's a unique bass then this ACG would be mine I think. As close as you can get to a custom bitsa and costing significantly less than an American Std Jazz (or whatever they are called now) this is a cracking bass and gets used a lot at ead towers.
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I got this from a guy in Stoke iirc:
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It is one of John Shuker's creations. Whether I have the talent to merit earning this as my sig bass is entirely debatable.
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Dave very kindly drove over from Liverpool to buy my ACG. Great bloke and brilliant to do business with, deal with confidence folks. Many thanks again.
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Something like this:
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Mine were deffo solid shafts. Are we allowed to say that nowadays
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Now sold thanks for all the interest I acquired the bass a few months back from skb558 per the ad below. The fretless neck is now up in Moffat being added to a new body to make a whole new bass for which I will need some funds. As I'm now playing a lot of fretless bass (without too much readily identifiable talent) I am reluctantly moving this on to contribute to the fund raising effort for the ACG beastie being forged in Scotland. The bass remains in immaculate condition and has very recently acquired a brand new set of D'Addario nickel wound strings. It's a lovely example of Alan's work frankly and deserved to be played and cherished. Both the black pickguard and the balck perloid item are included as well as a good quality gig bag. I'd much prefer to meet up to hand over in person if at all possible. Trade wise I am interested in a mid range 4-string fretless bass with some cash my way that I can gig in places where I would be concerned to take the ACG. I've added a few photos of the bass below but if you'd like to see any more you only have to ask
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Also recently acquired this replica of Sting's '57 transition bass. Just fitted some grubbier knobs and plate for added effect (no shown in this pic.:
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Don't the American Specials have the slimmer neck? Although although also the grease bucket tone circuit that I understand is not universally loved, although I don't mind it.
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I've owned a Nate Mendel P and a Geddy J. Both were sadly boat anchors and became difficult for me to gig so they had to go. I have since commissioned a Sandberg 'Geddy' bass but with pickups in the 60s position which is my preference. Token Sandberg pic
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Is Jaco more of a bass player icon that might not have had the wider recognition? Those two 1970 Js would, I imagine, have been custom orders. There is certainly evidence of fretless Jazzes (& Ps of course) before 1980 so they have been quite niche and only really got going when Fender moved production back to the US after the success of the MIJ/CIJ basses. Still no clearer on the p/up placements though.
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Thanks for that. The reason I went with 1970 is the attached photo from my "Illustrated History of Fender" which has this pic of two 1970 Js. This is the earliest I've found so far and unhelpfully both have pickup covers.