40hz

I love Warwicks. *LOVE* them. Imo, the best bass brand, best sound, feel and quality. But Imo, these are gawky looking (like most of the cross-breeds they design). The price at £3400-3500, is bonkers. Who's buying these new? Also, Andertons bass videos only really work with Nathan and Lee.

Dunlop Marcus Millers / Elites Stainless Steel are the brightest strings I've used.

Off the top of my head (and some tongue in cheek before responses from over-earnest brand defenders). Ampeg - need to do a small, valve/hybrid head - Like a PF800 but more Boutique-y. Ashdown - get rid of the VU - turn it into a tuner. A super light ABM too please. Fender - I'd like to see 'Mini-esque' levels of customisation with new basses. Pick your colour/pickups/fretboard Musicman - lower your insane pricing - allow some form of customisation of orders if you don't. Warwick - See above, and also some new designs please. You always make interesting, unique, designs, but, there's been nothing new for 10/15+ years. Markbass - slimline your range. Your products all seem like the same thing, in different chassis. Spector - you make possibly the best mass produced basses - stop marketing them solely to the rock and metal crowd. It does the basses a disservice. Gibson - reissue your classic basses. Do you not like making cash or something? I want to see an import line of Grabbers and Rippers. Barefaced - nothing. You are perfect.

I'd always go higher power. It's not necessarily about volume, but about cleanliness at volume. Smaller powered amps will get you loud, but normally you'd work the gain control that bit harder, resulting a lot of harmonic content. You may think this is a good thing! For me, gigging, minimum 500w for a composed tone.

It is fair in this Instance. It was the worst I have ever seen. It was so far out of whack as to be unplayable. I reiterate - how that left the factory and was signed off, is utterly beyond me. I appreciate this is not everyone's experience, totally. But it was mine, sadly.

I rejected it there and then and went and bought a far superior MTD instead!

When I went 5-string shopping earlier in the year, I got GuitarGuitar to order in a L2500 in Jet Frost, and much like you, I had heard nothing but great reports of QC. But, calling a spade, a spade, here, it was utterly shoddy. White stains in the lacquer by the neck pocket, poor fret ends and nut, loose tuners and worst of all, a set-up that was beggars belief in how that ever left the factory. The strings were resting on the pole pieces and sticking to them due to the magentization. No neck relief. It was a complete dog. Something must be going on at their factory, as I've seen QC issues reported elsewhere recently.

I've had another look. Missed the non-original electronics and missing decals. Even if you stripped this back and completely refurbished and refinished it to an expert standard. you'd genuinely struggle to hit 2-3k. This is utterly pie in the sky pricing.

When I started playing bass in 2003 aged 17, it was Stuart Zender. It was all sparked off by listening to the song 'Travelling Without Moving'. I then downloaded a load of live bootlegs from Limewire and could scarcely believe a Bass guitar could sound that good. His insane feel and phrasing, combined with that rubbery, growling tone. I started to try and ape that - I'm no closer 20 years (and numerous Warwicks) later!

Taking the owner out of the equation entirely (I don't want to be disrespectful at all), when viewed as a standalone bass, I legitimately wouldn't pay £300 for that.

Lee just bought my Gator Dual Bass case. Quick responses, Hassle free and came and collected it quickly. Deal with total confidence! Thanks Lee!

I recently got one of the new design BB3's. I too, was completely skeptical of the claims Barefaced make with regards to them, thinking they couldn't possibly be that good. In short - they are. You can trust them. It's absolute witchcraft how loud and low this thing can go. It goes louder and lower than the Vanderkley MNT210's I had, and both the Hartke and Ashdown 4x10s at my rehearsal rooms (a good comparison as you see these sorts of cabs fairly often on the circuit). Unless you're doing huge outdoor gigs (when you would or should be in a PA anyway) there is no situation where a BB3 doesn't cut it. With super clear tone and great off-axis projection they sound incredible too. Also, weighing just 12kg, you can't go wrong.

Just purchased a Jazz Bass from David. A total gent and the bass was better than described! Deal with confidence. Thanks again David! The bass is wonderful!

On this subject, 'RockBass' by Warwick. I have one - but for a 'boutique' bass brand, The name and logo are incredibly childish.

Any sunburst Fender. It's just the most unimaginative combo of them all, and also has an 'old' image to me. Pointy 'metal basses' and all singlecuts. Ugly beyond belief.

If only this were 16 strings (I no longer play 15) . . . . GLWTS

Just had a look at the prices of a certain, well known, Bass shop in London. Astonishing really how prices have ramped right up of late. I know the reasons why (in theory) but I doubt the people trading these basses in, saw any more money in return. There's a MIJ Marcus Miller up for £1550! I sold mine last year for £750!

That's really not that bad at all! (Relative of course).

Looks awesome. I like the fact they've gone proprietary on the Pre-amp, too. Colour me curious about the price!

What it tells me is there are quite a lot of pushy parents in the world.

One Hot Minute by Red Hot Chili Peppers. Dark, brooding and psychedelic and coming from a bad place, featuring, IMO, Anthony's best lyrics he's ever written, tackling some really heavy stuff (for once). Along with Uplift Mofo, it's my favourite Chili Peppers album. I think it's s*** on a bit, as unfortunately, there seems to be a bit of the 'cult of Frusciante' around the band, and anything with him not playing on, (in this case Dave Navarro) seems to be derided, completely forgetting dear Hillel was the OG.