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40hz

⭐Supporting Member⭐
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Everything posted by 40hz

  1. Sunburst, sunburst, SUNBURST!!! If a bass I'm interested in, is listed in the for sale section, I'll usually open it, get to the first pic, see sunburst and close instantly. Can't chuffin stand it. I'd even refuse a Wal in sunburst (if such an atrocity has ever existed).
  2. Steels do tend to be a bit rougher than nickel as a generalisation. The roughest strings I've personally ever used are Rotosound and Warwick Red Labels funnily enough. A lot of people swear by Roto's but, IMO, they are dreadful and last about an hour to go along with tearing your hands and frets up. I found Dunlop Super Brights to have a nice feel and they didn't rip my hands to shreds. A great, bright, punchy clear tone.You can usually find them for around £25 a set. Another good option are D'addario Pro Steels, they last for ages and are also easy on the hands, you can find these for about £20-25 online.
  3. Ashdown have surely got the best CS in the business. Great company and great amps.
  4. And how does that apply to fretboard material?
  5. *on hold"* Afternoon all, I thought the day would never come, but my desire for a Wal is starting to get silly. This will fund the deposit! Here we have a 1997 Modulus Flea Bass, in silver sparkle finish that really 'pops' under stage lighting. It has an original Lane Poor humbucker fitted, mated to the Bartolini NTBT 2-band 9v preamp with the Gotoh bridge. As far as Flea basses go, this is a rare bird as the earlier Fleas like this have a thinner, even faster neck (as no truss rod), the Flea 'grin' logo on the headstock (97-00) and roller string trees. Weight is about 9lbs, definitely lighter than its previous Fender Marcus Miller stablemate at 9lbs 5oz(I will weigh it shortly for a more accurate reading). I have had nothing but endless incredible comments playing this bass live, a soundman at a fairly large festival last year even remarked that it was "the best sounding bass he had ever worked with" If you don't know what these sound like, then allow me to elaborate. Punch, clarity, full range, crystalline tone with a filthy mid-range that punches through a mix like nothing you've ever heard. Due to the graphite neck and high quality tuners it never goes out of tune on stage in summer or winter. If you want to do the whole Flea thing, it doesn't get any closer than this although that does the bass a disservice as they're superb for any genre, I used it on a Motown gig with the treble rolled off and it did smooth, fat tones with ease. Neck is dead straight and buzz and rattle free. Cons ; As seems to be the case with a lot of older Moduli, the poly finish has aged giving the bass a yellowy, patchy tint from certain angles, although it's impossible to see under the lights of a stage. By all accounts, on Talkbass, a lot of owners have had success with using a cutting compound and buffing this out. There is also a tiny lacquer crack at the corner of the neck pocket. It's miniscule however and barely noticeable. It is a 23 year old bass that has been played, so it has a few nicks here and there but is otherwise in great condition for its age. The neck is surprisingly clean on the back and doesn't exhibit the usual Modulus neck coating chips. Comes with branded Modulus hard case. A firm £2400 for this. It's value is only going one way. No trades. NO SHIPPING. Collection preferred but as always, I'm prepared to drive/meet up within a large radius UK wise.
  6. I'll be stoned for this, but I can't hear any difference at all. If you hadn't put the graphic up and hadn't told us this was a comparison, I'd have assumed this was one bass playing the entire time.
  7. I don't think body wood makes a difference. Or if it does, on an electric Instrument, it's totally overpowered by other factors to the point of being of distinguishable. I've never noticed any tonal similarities due to body wood in the 20 odd basses I've owned. Pickup type and placement is 99.9% of the sound of a solid body electric Instrument. When it comes to neck wood/fingerboard material, I think the difference is there, but it is extremely slight, to the point of it being a non event. Then again, graphite necks have a wildly different sound to anything, so there must be 'something' in having a differing material.
  8. I played one a couple of years back (late 80s model iirc) and loved it. The tone was to die for. Has to be a Mk1, I'm not a fan of the MK2 or MK3 shapes.
  9. It is a huge sum of money. Knowing our luck, we'll place an order and Wal will introduce an import line for half the price.
  10. That is a good point I'll fire off an email to them.
  11. Oh no, don't get me wrong, I'm not expecting the price to change from initial point of order to delivery, more that the asking price keeps going up, and if I keep on waiting, I'll likely end up having to endure an even worse wait time.
  12. Apologies if I didn't make sense, it's late in the day/morning! I've essentially been holding off on the expectation that wait times might come down! But it seems to be going in the opposite direction! The longer I wait in placing the order, the more I'll have to pay and wait (seemingly). However I barely have the willpower or patience to wait 3 years as it is!
  13. Morning all! I'm currently toying with the idea of placing an order for a Wal Mk1 but note that the wait times and pricing have risen quite a bit in the past couple of years. They were under 5k with a year wait time 2-3 years ago. They now come in at £6050 with a three year wait. Should I just place an order in the expectation that if I don't do it now both wait times and the cost will keep increasing? Apologies for seeming a bit dumb as I have no experience of high end bass luthiery. I know not all basses are made the same or created equal, but is this a 'normal' wait time? What do other builders/luthiers do when their wait times get excessive? Any experiences or tips on how to stay sane during the build time very much appreciated! 😄
  14. 15/15! Edit - am I the only one that knew the T-Bird was Kim Gordon?
  15. Well that escalated quickly!
  16. Flea on Red Hot Chili Peppers ' Live in Hyde Park'. I was there! The intro track is what got me hooked on Modulus.
  17. I thought it all began with the German Pro Series back in 2015? This where they began using standard nickel/steel fret-wire on German basses, not sure why. Even though I doubt there is any tonal difference, I think the bronze frets are part of the Warwick DNA and should be on all Warwick basses.
  18. Lovely Bass! I much preferred my Streamer LX to the Stage One I owned. These really are stonking value.
  19. Congrats! They're truly wicked basses. Tone in spades and real funk machines. Mine isn't going anywhere.
  20. Another vote for return to standard and sell the parts. You'd probably recoup a bit more that way.
  21. Yeah, this is pretty much it. Certainly as The Jam went on, Bruce began using the P in a live situation almost exclusively.
  22. I didn't say they weren't wonderful basses or badly made, just that they don't have a unique voice. If I was listening to an recording of one, I couldn't tell you "that's an Ibanez SR!" but I'd hazard a bet I could spot a Wal at a hundred yards.
  23. 40hz

    Fender options

    I feel your pain. For such a huge company, I think rather bizarrely, the options on new Fenders can be quite limited. I'd absolutely love a Fiesta Red P-Bass with tort pickguard. The only models that fulfill this seem to a discontinued Squier CV 60's or a Pino Palladino Signature at £3500
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